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Home on a Furlough

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John Sartain, Home on a Furlough. Offentlig ejendom.

Fakta om værket

Kunstner
John Sartain originaluniqueart.com/da/artists/john-sartain/
Kunstnerens levetid
1808 – 1897

I kontekst

Home on a Furlough — John Sartain

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880
  10. 1890

Skyggelagt: John Sartain' livstid (1808–1897)

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/john-sartain-home-on-a-furlough-AQZDZ4-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #35261e

    Gemt palet

    • #35261E
    • #EAC5A3
    • #5D4635
    • #907158
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    John Sartain

    Født i London, United Kingdom

    John Sartain: A Pioneer of Mezzotint Engraving in America

    Born: London, United Kingdom (October 24, 1808)

    Died: Philadelphia, Pennsylvania (October 25, 1897)

    Nationality: British-American

    Early Life and Training

    Sartain's early life was marked by hardship; he became responsible for his family’s support at a young age.

    He began working as an assistant scene painter at the age of eleven, gaining initial artistic experience.

    From 1823 to 1830, he apprenticed under engraver John Swaine, mastering line engraving and developing skills in heraldry and letter work.

    He studied painting under John Varley and Henry James Richter, broadening his artistic foundation.

    Career and Artistic Development

    In 1830, Sartain emigrated to the United States and settled in Philadelphia, marking a pivotal shift in his career.

    Initially, he focused on portrait painting in oil and miniatures before dedicating himself primarily to engraving.

    He pioneered mezzotint engraving in America, reviving a technique that had been popular in England.

    His work for Graham's Magazine (1841-1848) significantly contributed to the publication’s success and established his reputation.

    Sartain became editor and proprietor of Campbell's Foreign Semi-Monthly Magazine (1843) and later, Sartain's Union Magazine (1849-1852), showcasing his editorial and publishing abilities alongside his artistic endeavors.

    He produced a vast quantity of plates for book illustrations throughout his career, demonstrating remarkable productivity.

    Major Achievements and Notable Relationships

    Pioneering Mezzotint: Sartain is best known for re-establishing mezzotint engraving as a significant art form in the United States.

    Friendship with Edgar Allan Poe: A notable episode involved Sartain providing refuge to a distressed Edgar Allan Poe, who sought assistance and confided in him about perceived threats. This event led to the publication of Poe’s poem “The Bells” in Sartain's Union Magazine posthumously.

    Artistic Leadership: He held various leadership roles within Philadelphia's art community, including positions with the Artists' Fund Society, School of Design for Women, and Pennsylvania Academy of Fine Arts.

    Centennial Exposition: Sartain served as director of the art department at the 1876 Centennial Exposition in Philadelphia, earning recognition from the King of Italy with the title of Cavaliere of the Order of the Crown of Italy.

    Legacy and Historical Significance

    Sartain’s dedication to art education and his contributions to various artistic institutions helped foster a vibrant cultural landscape in Philadelphia.

    His revival of mezzotint engraving ensured its continued presence in American art, providing a valuable technique for reproducing paintings and creating original prints.

    The Sartain family's legacy extended beyond John himself, with several of his children also pursuing artistic careers, further solidifying their impact on the American art scene.

    His autobiography, Reminiscences of a Very Old Man (1899), provides valuable insights into his life and career.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Home on a Furlough

    originaluniqueart.com/da/art/download/john-sartain-home-on-a-furlough-AQZDZ4-en/

    Kildehenvisning til dette kunstværk

    MLA
    Sartain, John. Home on a Furlough. n.d., https://originaluniqueart.com/da/art/john-sartain-home-on-a-furlough-AQZDZ4-en/
    APA
    Sartain, John (n.d.). Home on a Furlough [Painting]. https://originaluniqueart.com/da/art/john-sartain-home-on-a-furlough-AQZDZ4-en/
    Chicago
    John Sartain. Home on a Furlough. n.d. https://originaluniqueart.com/da/art/john-sartain-home-on-a-furlough-AQZDZ4-en/
    Harvard
    Sartain, John (n.d.) Home on a Furlough. Available at: https://originaluniqueart.com/da/art/john-sartain-home-on-a-furlough-AQZDZ4-en/

    Se nærmere efter

    Home on a Furlough — John Sartain

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Richard Rush tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

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