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John Lewis Reilly, Charles Darwin (1809–1882) (after John Collier) (1905). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
John Lewis Reilly originaluniqueart.com/da/artists/john-lewis-reilly/
Kunstnerens årstal
1835 – 1922
Malet
1905
Oprindelig størrelse
74 x 61 cm

I kontekst

Charles Darwin (1809–1882) (after John Collier) — John Lewis Reilly

Hvor stor er den?

Originalen måler 74 × 61 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 87 ved død.

Malet da kunstneren var 70 år gammel. Kunstneren blev 87 år gammel. 4 af de 6 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: John Lewis Reilly' livstid (1835–1922) ▲ dette værk, 1905 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

Farver

Målt ud fra billedet

    Primær farve

    Phthalo Green #2c3028

    Katalogiseret palet

    • #2C3028
    • #071613
    • #CBA880
    • #815A3D

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af John Lewis Reilly i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 66,7%200 visits
    2. 2 Hong Kong 33,3%100 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 3 mest viste værker af John Lewis Reilly

    1. 1 William James Erasmus Wilson (1809–1884) (copy after Stephen Pearce), 1872 50,0%300 visits
    2. 2 Charles Darwin (1809–1882) (after John Collier), 1905 dette maleri 33,3%200 visits
    3. 3 Francis Leopold McClintock (1819–1907) 16,7%100 visits

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 8 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. This painting ranks 2 of them, with 33,3% of that attention (200 visits). Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    John Lewis Reilly

    John Lewis Reilly: A Victorian Portraitist of Refined Elegance

    John Lewis Reilly (1835-1922) stands as a significant, yet often understated, figure in 19th-century British art. More than simply a painter, he was a meticulous craftsman and a skilled interpreter of established masters, producing remarkably convincing copies alongside his own original portraits and historical scenes. His work reflects the prevailing aesthetic sensibilities of the Victorian era – a deep appreciation for classical forms, an interest in aristocratic subjects, and a commitment to capturing both outward appearance and inner character.

    Born in London, Reilly’s artistic journey began with studies at the Royal Academy School. However, he quickly gravitated towards portraiture and historical painting, establishing himself as a respected artist within a relatively small circle of patrons and galleries. Unlike some of his contemporaries who sought fame through grand historical narratives, Reilly focused primarily on capturing the likenesses of prominent figures – from military officers and politicians to members of the aristocracy and even literary personalities like Charles Darwin. His approach was characterized by an almost obsessive attention to detail, evident in the meticulously rendered fabrics, jewelry, and expressions of his subjects.

    The Influence of Masters and Copying Techniques

    Reilly’s artistic development was profoundly shaped by the works of earlier masters, particularly those of the Dutch Golden Age and the Elizabethan era. He deeply admired Sir Anthony van Dyck, whose portraits he studied with intense scrutiny, seeking to emulate his elegant compositions and ability to convey a sense of dignified composure. This admiration is most strikingly evident in his numerous copies after Van Dyck, including a celebrated portrait of Charles I – a work that demonstrates not only technical proficiency but also a genuine understanding of the master’s artistic principles.

    However, Reilly's practice extended beyond mere imitation. He was equally adept at working from other sources, notably Thomas Gainsborough and Dobson. His ability to faithfully reproduce these artists’ styles showcased his deep knowledge of technique and his commitment to preserving their legacies. This dedication to copying wasn’t viewed as a lesser pursuit; rather, it served as a rigorous training ground, allowing him to hone his skills and develop an unparalleled understanding of composition, color theory, and the nuances of portraiture.

    Notable Works and Subject Matter

    Reilly's oeuvre is characterized by a remarkable diversity of subjects. He produced numerous portraits of prominent figures from British society, including Major General Norman MacLeod, Admiral Sir Francis Leopold McClintock, and even Charles Darwin – a particularly intriguing commission that speaks to Reilly’s willingness to engage with the intellectual currents of his time. Beyond portraiture, he also created historical scenes, often depicting moments of military triumph or civic celebration. His painting “Homage to Jellett” is an example of this genre.

    A significant portion of Reilly's work was dedicated to reproducing works by other masters. These copies were not simply mechanical reproductions; rather, they were carefully considered interpretations that sought to capture the essence of the original while adapting it to his own artistic sensibilities and the tastes of his clientele. The meticulous detail evident in these copies underscores Reilly’s commitment to preserving artistic traditions and ensuring their continued appreciation.

    Legacy and Historical Significance

    While John Lewis Reilly may not be as widely celebrated as some of his contemporaries, his contribution to 19th-century British art is undeniable. His meticulous technique, profound understanding of master artists, and ability to capture the essence of his subjects have earned him a place among the most skilled portraitists of his era. His work offers a valuable window into Victorian society – revealing the values, aspirations, and aesthetic preferences of a rapidly changing nation. Furthermore, Reilly’s dedication to copying highlights the importance of artistic lineage and the ongoing dialogue between generations of artists.

    Reilly's legacy is further cemented by his continued presence in museum collections and private hands, ensuring that his art will be appreciated for years to come. His paintings serve as a testament to the enduring power of observation, skill, and a deep respect for artistic tradition.

    Læs mere her

    • Kunstneren John Lewis Reilly originaluniqueart.com/da/artists/john-lewis-reilly/
    • Lignende værker Flere værker til sammenligning originaluniqueart.com/da/art/similar/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

    Findes online

    QR-kode med link til downloadside for Charles Darwin (1809–1882) (after John Collier)

    originaluniqueart.com/da/art/download/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

    Kildehenvisning til dette kunstværk

    MLA
    Reilly, John Lewis. Charles Darwin (1809–1882) (after John Collier). 1905, https://originaluniqueart.com/da/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/
    APA
    Reilly, John Lewis (1905). Charles Darwin (1809–1882) (after John Collier) [Painting]. https://originaluniqueart.com/da/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/
    Chicago
    John Lewis Reilly. Charles Darwin (1809–1882) (after John Collier). 1905. https://originaluniqueart.com/da/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/
    Harvard
    Reilly, John Lewis (1905) Charles Darwin (1809–1882) (after John Collier). Available at: https://originaluniqueart.com/da/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

    Se nærmere efter

    Charles Darwin (1809–1882) (after John Collier) — John Lewis Reilly

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Charles I (1600–1649) (after Sir Anthony van Dyck) (1919) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. John Lewis Reilly var omkring 70 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Er "Charles Darwin (1809–1882) (after John Collier)" overordnet set mest lys eller mørk?

    "Charles Darwin (1809–1882) (after John Collier)" af John Lewis Reilly er registreret med en lysstyrke på deep_shadow og en luminans på Dark.

    Er "Charles Darwin (1809–1882) (after John Collier)" fri for ophavsret?

    "Charles Darwin (1809–1882) (after John Collier)" af John Lewis Reilly er i det offentlige domæne – ophavsretten er udløbet. Denne status bestemmer, hvordan billedet af værket må reproduceres.

    Hvor intense er farverne i "Charles Darwin (1809–1882) (after John Collier)" af John Lewis Reilly?

    "Charles Darwin (1809–1882) (after John Collier)" af John Lewis Reilly har en Monochromatic farveintensitet.