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Guide til elevkunst

Farm Cottages, Ceres

Navn Klasse Dato

john guthrie spence smith, Farm Cottages, Ceres (1929). Offentlig ejendom.

Fakta om værket

Kunstner
john guthrie spence smith originaluniqueart.com/da/artists/john-guthrie-spence-smith/
Kunstnerens levetid
1880 – 1951
Malet
1929
Oprindelig størrelse
64 x 76 cm
Bevægelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

I kontekst

Farm Cottages, Ceres — john guthrie spence smith

Hvor stor er den?

Originalen måler 64 × 76 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Skyggelagt: john guthrie spence smith' livstid (1880–1951) ▲ dette værk, 1929

Sammenlignelige værker

  • Bakehouse Close, 1941 originaluniqueart.com/da/art/john-guthrie-spence-smith-bakehouse-close-AQUSHK-en/
  • Self Portrait (recto), 1917 originaluniqueart.com/da/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
  • Cir Mhor originaluniqueart.com/da/art/john-guthrie-spence-smith-cir-mhor-AQUSJ9-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/john-guthrie-spence-smith-farm-cottages-ceres-AQUSH3-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #3b391a

    Gemt palet

    • #3B391A
    • #807248
    • #5C552D
    • #9D987B
    Primær farve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    john guthrie spence smith

    John Guthrie Spence Smith: A Visionary of Scottish Landscapes

    John Guthrie Spence Smith (1880-1951) remains a quietly significant figure in 20th-century British art, particularly within the rich tapestry of Scottish painting. Born in Perth, Scotland, into a family profoundly shaped by tragedy – his three older brothers succumbed to illness at young ages – Smith’s early life instilled a sensitivity and perhaps an unusual focus on observation. A childhood affliction robbed him of speech and hearing, a circumstance that arguably sharpened his visual perception and fostered a unique way of engaging with the world around him. This formative experience deeply influenced his artistic approach, imbuing his landscapes with a profound sense of stillness and quiet contemplation.

    Smith’s formal training began at Dundee College of Art, followed by studies at Edinburgh College of Art and the prestigious Royal Scottish Academy Life Drawing Classes under the tutelage of Robert Burns and Charles Hodge Mackie. These formative years exposed him to established artistic traditions while simultaneously nurturing his own distinctive style. He quickly distinguished himself as a talented artist, winning several prizes during his time at the RSA, demonstrating an early aptitude for capturing light, atmosphere, and the subtle nuances of the Scottish countryside. Crucially, he became involved with the Edinburgh Group, a collective of artists who challenged academic conventions and sought to forge a new path for modern art in Scotland. This association exposed him to innovative ideas and provided a platform for his work to be seen alongside other emerging talents.

    A Distinctive Style: Landscape and Streetscapes

    Smith’s artistic output is primarily characterized by meticulously rendered landscapes and evocative street scenes, predominantly depicting the familiar yet subtly transformed vistas of Perthshire, Angus, and the surrounding areas. He wasn't interested in dramatic, sweeping compositions; instead, he favored a measured approach, capturing the quiet dignity of rural life and the understated beauty of everyday settings. His palette was restrained, relying on muted earth tones – ochres, browns, greys, and blues – to create a sense of atmospheric depth and realism. He skillfully employed light and shadow to convey the changing moods of the Scottish weather, imbuing his paintings with a palpable sense of time and place. His work is often described as having a “colourist” quality, echoing the influence of artists like J.M. Whistler, though Smith’s approach was firmly rooted in his own unique vision.

    Influences and Artistic Development

    Smith's artistic journey reveals a complex interplay of influences. The traditional landscape painting of the Scottish Colourists – particularly their emphasis on capturing the essence of light and colour – undoubtedly shaped his early style. However, he also absorbed elements from Impressionism and Post-Impressionism, evident in his use of broken brushstrokes and his exploration of subjective perception. His time spent in France during World War I, though brief, provided a crucial opportunity to study the works of masters like Monet and Renoir, further expanding his artistic horizons. Following the war, he returned to Scotland, continuing to develop his distinctive style while maintaining close ties with the Edinburgh art community. His later work demonstrates an increasing confidence and maturity, reflecting a deeper understanding of both his subject matter and his own artistic voice.

    Legacy and Recognition

    Despite not achieving widespread fame during his lifetime, John Guthrie Spence Smith’s contribution to Scottish art is now increasingly recognized. His paintings are held in public collections across Scotland, including those of Glasgow, Paisley, Perth, and Greenock Museums, testament to the enduring quality of his work. His membership in the Royal Scottish Academy and his association with the Edinburgh Group cemented his place within a pivotal period of artistic innovation in Scotland. Smith’s legacy lies not only in his beautiful paintings but also in his quiet determination to pursue his artistic vision despite significant personal challenges. He represents a compelling example of an artist who found solace and expression through observation, capturing the essence of Scottish life with remarkable sensitivity and skill. His work continues to resonate with viewers today, offering a glimpse into a bygone era and a profound appreciation for the beauty of the Scottish landscape.

    Further Resources

    Art UK: https://artuk.org/discover/artists/smith-john-guthrie-spence-18801951

    Fleming Collection: https://www.flemingcollection.com/copy-of-spencer-richard-b

    Glasgow Museums Collections Online: https://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=8890;type=701

    askART: https://www.askart.com/artist/john_guthrie_spence/11071253/john_guthrie_spence.aspx?alert=info

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Farm Cottages, Ceres

    originaluniqueart.com/da/art/download/john-guthrie-spence-smith-farm-cottages-ceres-AQUSH3-en/

    Kildehenvisning til dette kunstværk

    MLA
    smith, john guthrie spence. Farm Cottages, Ceres. 1929, https://originaluniqueart.com/da/art/john-guthrie-spence-smith-farm-cottages-ceres-AQUSH3-en/
    APA
    smith, john guthrie spence (1929). Farm Cottages, Ceres [Painting]. https://originaluniqueart.com/da/art/john-guthrie-spence-smith-farm-cottages-ceres-AQUSH3-en/
    Chicago
    john guthrie spence smith. Farm Cottages, Ceres. 1929. https://originaluniqueart.com/da/art/john-guthrie-spence-smith-farm-cottages-ceres-AQUSH3-en/
    Harvard
    smith, john guthrie spence (1929) Farm Cottages, Ceres. Available at: https://originaluniqueart.com/da/art/john-guthrie-spence-smith-farm-cottages-ceres-AQUSH3-en/

    Kig nærmere efter

    Farm Cottages, Ceres — john guthrie spence smith

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: rural landscape, cottage scene”, “farm life”. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Bakehouse Close (1941) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.