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John Ferneley, Snr, Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857) (1857), York Army Museum. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
John Ferneley, Snr originaluniqueart.com/da/artists/john-ferneley-snr/
Kunstnerens årstal
1814 – 1862
Malet
1857
Oprindelig størrelse
49 x 68 cm
Bevægelse
Historical Painting
Afholdt hos
York Army Museum originaluniqueart.com/da/museums/york-army-museum-york/

I kontekst

Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857) — John Ferneley, Snr

Hvor stor er den?

Originalen måler 49 × 68 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 48 ved død.

Malet da kunstneren var 43 år gammel. Kunstneren blev 48 år gammel. 11 af de 14 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: John Ferneley, Snr' livstid (1814–1862) ▲ dette værk, 1857 hvert dateret maleri, årti for årti

Første værker: frem til 1832 Primære arbejdsår: 1832–1850 Senere værker: fra 1850

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/

Farver

Målt ud fra billedet

    Primær farve

    Celadon #a6cfd3

    Katalogiseret palet

    • #A6CFD3
    • #95866A
    • #271115
    • #8E3E27

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Celadon
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af John Ferneley, Snr i løbet af de sidste tolv måneder — 4 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 64,3%900 besøg
    2. 2 Hong Kong 21,4%300 besøg
    3. 3 Storbritannien 7,1%100 besøg
    4. 4 USA 7,1%100 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 10 mest viste værker af John Ferneley, Snr

    1. 1 Two Racehorses, Called 'Cock Robin' and 'Langar', 1834 21,4%300 besøg
    2. 2 Portrait of Sir Henry Goodricke, 7th Baronet, clearing a fence on his grey hunter 14,3%200 besøg
    3. 3 A Grey Hunter, 1820 14,3%200 besøg
    4. 4 The Marriott Family 14,3%200 besøg
    5. 5 The Bays, Manchester, 1843 7,1%100 besøg
    6. 6 Marvel, KingFisher And The Lad, Three Hunters Belonging To William Angerstein, In A Field With His Dog Spring 7,1%100 besøg
    7. 7 The Rossendale Hunt 7,1%100 besøg
    8. 8 Emlius, Winter of the 1832 Derby, held by a Groom at Doncaster 7,1%100 besøg
    9. 9 Mr. C. N. Hogg's Claxton and a Groom in a Stable 7,1%100 besøg
    10. — Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857), 1857 dette maleri 0,0%0 besøg

    Sammen udgør disse værker 99,8% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 47 værker af denne kunstner, hvoraf 9 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    John Ferneley, Snr

    John Ferneley Snr (1814-1862): The Painter of Hunting Elegance

    John Ferneley Snr (1814-1862) stands as a pivotal figure in British sporting art, embodying the romantic spirit of the Victorian era and capturing the grandeur of rural pursuits with unparalleled precision. Born in Thrussington, Leicestershire, on May 18th, 1782, Ferneley’s artistic journey unfolded against the backdrop of a burgeoning fascination with equestrian portraiture and meticulously rendered hunting scenes—a passion that would define his entire oeuvre. His untimely death in Melton Mowbray in 1860 tragically curtailed his prolific career, yet his legacy persists as one of the most celebrated artists documenting the aristocratic traditions of his time.

    Early Life & Artistic Training:

    Ferneley’s formative years were marked by a privileged upbringing within a family steeped in agricultural enterprise and artistic appreciation. He received an education primarily focused on drawing and painting, nurtured by his father, who recognized John's innate talent early on. This foundational training instilled in him a meticulous attention to detail—a characteristic that would become synonymous with his distinctive style.

    The Rise of Sporting Art & Ferneley’s Distinctive Style

    The mid-19th century witnessed an explosion of interest in equestrian pursuits and aristocratic leisure activities, fueling a burgeoning demand for artistic representations of these subjects. Ferneley skillfully capitalized on this trend, establishing himself as one of the foremost practitioners of sporting art—a genre characterized by its dramatic compositions and masterful depiction of horses and riders in dynamic poses. Unlike many contemporaries who favored idealized portrayals, Ferneley prioritized anatomical accuracy and textural realism, painstakingly recreating the musculature of horses and capturing the subtle nuances of light and shadow on their coats. His canvases pulsated with life, conveying not merely visual information but also an emotional resonance that mirrored the thrill of the hunt.

    Notable Paintings & Commissions:

    Ferneley’s reputation soared as he garnered commissions from prominent families across England—including the Earls of Derby and Northumberland—who sought to commemorate their estates and hunting expeditions. Among his most celebrated works are “The Hunt at Ascadale,” depicting a breathtaking tableau of hounds pursuing deer through the Scottish Highlands, and “A Horse Portrait,” showcasing an exquisitely rendered equine subject bathed in soft afternoon light. These paintings exemplify Ferneley’s technical prowess and artistic vision—demonstrating his ability to transform observation into evocative art.

    Technique & Influences

    Ferneley's technique was rooted in the traditions of Old Master painters, particularly Rembrandt and Rubens. He employed a layered glazing method—applying thin washes of color over multiple subsequent coats—to achieve luminous tonal gradations and unparalleled depth of texture. This painstaking process demanded considerable patience and skill, yet it yielded results that captivated audiences with their breathtaking realism. Ferneley’s artistic sensibilities were further shaped by his engagement with the Romantic movement, which championed emotion and imagination alongside meticulous observation—a duality evident in his depictions of both horses and human subjects.

    Legacy & Historical Significance:

    John Ferneley Snr’s contribution to British art is undeniable. His paintings serve as invaluable documents of Victorian social life, capturing the rituals and traditions associated with aristocratic hunting—a pastime that held considerable sway during his lifetime. More importantly, Ferneley's unwavering commitment to anatomical accuracy and textural realism established him as a pioneer in sporting art—inspiring generations of artists who followed. His works continue to be admired for their beauty and technical brilliance, securing his place among the most enduring figures in British artistic history.

    Further Exploration

    For those wishing to delve deeper into Ferneley’s life and work, scholarly resources include:

    * “John Ferneley Snr” by David Passmore (Philip Wilson Press, 1987)

    * “British Sporting Art: The Rise of Animal Painting in Britain” edited by Richard Woodcock (Victoria & Albert Museum Publishing, 2003)

    Museum

    York Army Museum

    Udstillet i York, United Kingdom

    A Journey Through Yorkshire’s Military Soul: The York Army Museum

    Nestled within the historic heart of York, a city steeped in centuries of layered narratives, lies the York Army Museum – more than just a repository of relics, it's a vibrant testament to the enduring spirit and evolving strategies of British military history. Founded on the legacy of the Prince of Wales’s Own Regiment of Yorkshire and the Royal Dragoon Guards, this museum offers an intimate and profoundly moving exploration of over 300 years of service, from the rugged landscapes of colonial campaigns to the complexities of modern warfare. The building itself, a carefully preserved structure within York's ancient walls, immediately establishes a connection to the city’s rich past – a past inextricably linked with military significance dating back to Roman times and beyond.

    The museum distinguishes itself through its remarkably focused approach. Unlike sprawling national museums that attempt to encompass all facets of warfare, York Army Museum delves deep into the specific experiences of these two regiments. This specialization allows for an unparalleled level of detail, revealing not just the grand narratives of battles won and lost, but also the personal stories of individual soldiers – their uniforms meticulously preserved, their weapons bearing witness to countless campaigns, and their letters offering poignant glimpses into the realities of life on the front lines. The collection is a rich tapestry woven from medals awarded for bravery, intricate weaponry reflecting technological advancements, and personal items that speak volumes about the lives lived in service to the nation.

    A Collection Forged in Service and Sacrifice

    The heart of the York Army Museum’s appeal lies within its diverse collection. A particular highlight is the extensive display of medals – a tangible representation of the sacrifices made by countless individuals throughout British military history. Each medal, from the earliest Victorian-era awards to more recent honors, tells a story of courage, dedication, and unwavering commitment. Beyond these symbols of recognition, visitors will encounter an impressive array of uniforms, meticulously researched and displayed, showcasing the evolution of military fashion and the distinct identities of each regiment. The weaponry collection is equally captivating, ranging from antique muskets and swords to more modern rifles and machine guns, illustrating the dramatic shifts in military technology over centuries.

    Beyond these core elements, the museum boasts a fascinating selection of photographs documenting campaigns across the globe – from the Napoleonic Wars to the Crimean Peninsula and beyond. Personal items, such as diaries, letters, and even small mementos, offer intimate glimpses into the daily lives of soldiers, revealing their hopes, fears, and experiences far removed from the battlefield. The museum’s commitment to preserving these tangible connections to the past creates a profoundly immersive experience for visitors.

    Echoes of York's Military Past

    The York Army Museum isn’t simply situated within a historic city; it is part of that history. Its location in York, a city with roots stretching back to Roman times and a pivotal role in medieval England, provides a powerful context for understanding the museum’s significance. The very foundations of the building likely rest upon layers of past events – a subtle reminder of the enduring legacy of military service within this region. The museum's connection to the Prince of Wales’s Own Regiment, with its deep ties to Yorkshire and its people, further reinforces this local identity.

    Unique Exhibitions & A Living History

    While the permanent collection offers a comprehensive overview of the regiments’ history, the York Army Museum consistently introduces new and engaging exhibitions. Currently, “Object Journeys,” a fascinating exploration of military collecting practices and the journeys of artifacts from Europe to Africa, is captivating visitors with its insights into colonial warfare and cultural exchange. This exhibition, supported by the Weston Loan Programme, highlights the museum's commitment to fostering dialogue and challenging conventional narratives surrounding military history. Regular events, including talks, demonstrations, and family activities, ensure that the museum remains a vibrant hub for learning and engagement – a place where the stories of Yorkshire’s soldiers continue to resonate with audiences of all ages.

    Planning Your Visit

    The York Army Museum is an ideal destination for history enthusiasts, families seeking engaging educational experiences, and anyone interested in delving deeper into Britain's military past. Located at 3 Tower Street, York, YO1 9SB, the museum offers a unique opportunity to connect with the stories of those who have served their nation. Check their website –

    https://yorkarmymuseum.co.uk/

    – for current exhibitions, events, and opening hours. Allow ample time to explore the thoughtfully curated exhibits and immerse yourself in the rich history of this remarkable institution.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)

    originaluniqueart.com/da/art/download/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/

    Kildehenvisning til dette kunstværk

    MLA
    Snr, John Ferneley,. Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857). 1857, York Army Museum. https://originaluniqueart.com/da/art/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/
    APA
    Snr, John Ferneley, (1857). Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857) [Painting]. York Army Museum. https://originaluniqueart.com/da/art/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/
    Chicago
    John Ferneley, Snr. Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857). 1857. York Army Museum. https://originaluniqueart.com/da/art/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/
    Harvard
    Snr, John Ferneley, (1857) Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857). York Army Museum. Available at: https://originaluniqueart.com/da/art/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/

    Se nærmere efter

    Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857) — John Ferneley, Snr

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: military parade, victorian era, equestrian art. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på The 4th Royal Irish Dragoon Guards (1848) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. John Ferneley, Snr var omkring 43 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken farvepalette er brugt i "Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)" af John Ferneley, Snr?

    Farverne i "Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)" udgør en Neutrals palet. Denne klassificering beskriver de dominerende farvefamilier.

    Er "Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)" tilgængelig som et fine art-print?

    Et print af "Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)" af John Ferneley, Snr kan bestilles direkte på siden for Kunstprint i høj kvalitet: et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir.

    Hvem har skabt "Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)"?

    "Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)" blev skabt af John Ferneley, Snr. Informationen på denne side beskriver John Ferneley, Snrs originale værk.