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Self Portrait

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Johannes Matthaeus Koelz, Self Portrait (1943), New Walk Museum - Art Gallery. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Johannes Matthaeus Koelz originaluniqueart.com/da/artists/johannes-matthaeus-koelz_da/
Malet
1943
Oprindelig størrelse
53 x 41 cm
Afholdt hos
New Walk Museum - Art Gallery originaluniqueart.com/da/museums/new-walk-museum-art-gallery-leicester_da/

I kontekst

Self Portrait — Johannes Matthaeus Koelz

Dimensioner

Originalen måler 53 × 41 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1940

▲ dette værk, 1943

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/johannes-matthaeus-koelz-self-portrait-ARAKN4-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #523d16

    Gemt palet

    • #523D16
    • #1D1905
    • #936021
    • #332A0A
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    Johannes Matthaeus Koelz

    A Witness in Charcoal: The Life and Art of Johannes Matthaeus Koelz

    Johannes Matthaeus Koelz is a name that resonates with a particular weight, inextricably linked to the tumultuous history of 20th-century Germany. Born into an era poised on the brink of unprecedented conflict, his artistic journey became a profound and often harrowing chronicle of societal decay, moral crisis, and the desperate search for humanity amidst barbarity. While biographical details remain somewhat sparse – Koelz himself preferred his work to speak rather than personal narratives – we understand he emerged as a significant figure within the Expressionist movement, though one who charted a uniquely somber and politically charged course. He wasn’t merely observing history; he was actively wrestling with it on canvas and paper, using his art as both a warning and a lament. Koelz's work is not easily categorized; it exists in the space between raw emotionality, stark realism, and deeply ingrained religious conviction.

    The Shadow of War: Early Influences and Artistic Development

    Koelz’s formative years were steeped in the anxieties that preceded World War II. The rise of National Socialism cast a long shadow over German society, and this pervasive sense of dread found its way into his early artistic explorations. While influenced by the broader Expressionist trends – the distorted forms, intense colors, and psychological probing of artists like Ernst Ludwig Kirchner and Käthe Kollwitz – Koelz quickly developed a distinctive style characterized by a masterful use of charcoal and a muted palette. He eschewed flamboyant displays of technique in favor of directness and emotional impact. His early portraits, often depicting ordinary people with an unsettling intensity, hinted at the psychological toll of political upheaval. These were not idealized representations; they were studies in vulnerability, fear, and quiet desperation. The influence of religious art is also palpable from this period, foreshadowing the monumental works that would later define his career. He wasn’t simply documenting faces; he was searching for the soul within them, a soul increasingly threatened by the encroaching darkness.

    The Hitler Sketch: A Moment Frozen in Time

    Perhaps Koelz is most widely recognized today for his sketch of Adolf Hitler, created in 1932. This isn’t a grandiose portrait intended to glorify the Führer; it's a remarkably intimate and unsettling depiction of a man consumed by his own ideology. The sketch captures Hitler during a moment of apparent contemplation, but there is no nobility or heroism present – only a chilling emptiness and an almost predatory intensity in his gaze. It’s a study in psychological portraiture that reveals far more about the subject's inner darkness than any heroic pose could ever convey. The significance of this sketch lies not just in its artistic merit, but in its historical context. Created before Hitler rose to absolute power, it stands as an eerily prescient warning, a visual premonition of the horrors to come. The sketch became a powerful symbol of resistance and remains a haunting reminder of the dangers of unchecked ambition and ideological fanaticism. It’s a testament to Koelz's courage and his willingness to confront uncomfortable truths.

    “Thou Shalt Not Kill”: A Triptych for a Broken World

    Following World War II, Koelz embarked on what would become his magnum opus: the “Thou Shalt Not Kill” triptych. This monumental work is a searing indictment of war and its devastating consequences. Composed of three panels, it depicts scenes of unimaginable suffering – the bombing of cities, the horrors of concentration camps, and the anguish of survivors. Unlike many depictions of wartime trauma, Koelz’s work doesn't focus on heroic battles or grand narratives. Instead, he concentrates on the individual human cost, portraying victims with a profound sense of empathy and dignity. The triptych is rendered in stark black and white, further emphasizing the bleakness and moral emptiness of war. The religious undertones are particularly strong here, referencing traditional altarpieces but subverting their celebratory function to create a powerful anti-war statement. It’s a work that demands contemplation, forcing viewers to confront the brutal realities of conflict and question the very foundations of human morality.

    Legacy and Historical Significance

    Johannes Matthaeus Koelz's art is not easy viewing. It’s challenging, disturbing, and often deeply unsettling. However, it is precisely this unflinching honesty that makes his work so profoundly important. He wasn’t interested in creating beautiful or comforting images; he was driven by a moral imperative to bear witness to the horrors of his time and to warn future generations against repeating the mistakes of the past.

    His “Hitler Sketch” remains an iconic symbol of resistance.

    The “Thou Shalt Not Kill” triptych is considered a masterpiece of anti-war art.

    Koelz’s work continues to resonate with contemporary audiences, reminding us of the enduring fragility of peace and the importance of moral courage.

    While he may not be as widely celebrated as some of his Expressionist contemporaries, Koelz's unique contribution to art history lies in his unwavering commitment to truth and his ability to capture the psychological toll of war with such raw emotional power. He stands as a testament to the enduring power of art to confront injustice, challenge authority, and ultimately, bear witness to the human condition.

    Museum

    New Walk Museum - Art Gallery

    Udstillet på Leicester, United Kingdom

    A Tapestry of Time: The Soul of Leicester Museum & Art Gallery

    Nestled along the historic promenade of New Walk, the Leicester Museum & Art Gallery stands as a profound testament to the enduring human impulse to collect, preserve, and celebrate. Since its doors first opened in 1849, this venerable institution has evolved from a modest showcase of British art into a sprawling, multidisciplinary sanctuary where the boundaries between science, history, and fine art dissolve. To walk through its halls is to embark on a curated journey through the epochs, moving seamlessly from the primordial whispers of the Mesozoic Era to the avant-garde provocations of the twentieth century. The museum does not merely display objects; it orchestrates an encounter with the very essence of our shared heritage.

    The architectural grandeur of the museum serves as a stately prelude to the treasures within. Designed by the ingenious Joseph Hansom—the mastermind behind the iconic hansom cab—the building itself is a masterpiece of Victorian ambition, reflecting an era defined by progress and aesthetic rigor. Its structure provides a dignified stage for a collection that is as diverse as it is deep. For the art lover, the gallery offers a breathtaking panorama of styles, most notably within its celebrated German Expressionist section. Here, the canvas erupts with bold, emotive colors and distorted forms that capture the raw psychological intensity of a transformative period in European history. This visceral energy is balanced by the exquisite Attenborough Collection of Picasso Ceramics, a world-renowned assemblage meticulously curated by Sir David Attenborough. This collection serves as a poignant intersection of scientific curiosity and artistic passion, showcasing how form and medium can transcend their physical boundaries.

    Beyond the realm of the canvas, the museum invites a deeper exploration into the mysteries of life and death. The halls are haunted by the magnificent silhouettes of prehistoric giants, including the formidable Tyrannosaurus Rex and the intricately detailed skeletons of the Cetiosaurus and Plesiosaur. These fossils, such as the beloved "George," offer a humbling perspective on the vast scales of geological time. This sense of wonder extends into the Ancient Egypt exhibit, where the quiet majesty of sarcophagi and intricately decorated mummies transports visitors to the banks of the Nile. The meticulous artistry found in these funerary artifacts speaks to an ancient obsession with the afterlife, mirroring the same human desire for immortality that drives the contemporary collector.

    For the interior designer or the discerning aesthete, the Leicester Museum & Art Gallery offers more than just educational value; it provides a profound source of inspiration. The museum’s unique ability to harmonize the rugged textures of paleontological finds with the delicate elegance of fine ceramics and the dramatic shadows of Expressionist works makes it a cornerstone of cultural enrichment. As the institution undergoes its modern redevelopment, it continues to reinvent itself, ensuring that its legacy of discovery remains as vibrant and vital as the art it protects. It remains a beacon for those who seek to find beauty in the intersection of the ancient and the modern, the scientific and the sublime.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Self Portrait

    originaluniqueart.com/da/art/download/johannes-matthaeus-koelz-self-portrait-ARAKN4-en/

    Kildehenvisning til dette kunstværk

    MLA
    Koelz, Johannes Matthaeus. Self Portrait. 1943, New Walk Museum - Art Gallery. https://originaluniqueart.com/da/art/johannes-matthaeus-koelz-self-portrait-ARAKN4-en/
    APA
    Koelz, Johannes Matthaeus (1943). Self Portrait [Painting]. New Walk Museum - Art Gallery. https://originaluniqueart.com/da/art/johannes-matthaeus-koelz-self-portrait-ARAKN4-en/
    Chicago
    Johannes Matthaeus Koelz. Self Portrait. 1943. New Walk Museum - Art Gallery. https://originaluniqueart.com/da/art/johannes-matthaeus-koelz-self-portrait-ARAKN4-en/
    Harvard
    Koelz, Johannes Matthaeus (1943) Self Portrait. New Walk Museum - Art Gallery. Available at: https://originaluniqueart.com/da/art/johannes-matthaeus-koelz-self-portrait-ARAKN4-en/

    Se nærmere efter

    Self Portrait — Johannes Matthaeus Koelz

    Se nærmere efter

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    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
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