Papir

Guide til elevkunst

Samuel Gregson

Navn Klasse Dato

James Lonsdale, Samuel Gregson, Lancaster Town Hall. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
James Lonsdale originaluniqueart.com/da/artists/james-lonsdale/
Kunstnerens årstal
1777 – 1839
Oprindelig størrelse
76 x 62 cm
Afholdt hos
Lancaster Town Hall originaluniqueart.com/da/museums/lancaster-town-hall-lancaster/

I kontekst

Samuel Gregson — James Lonsdale

Hvor stor er den?

Originalen måler 76 × 62 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet malet?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 62 ved død.

Skyggelagt: James Lonsdale' livstid (1777–1839) hvert dateret maleri, årti for årti

Første værker: frem til 1810 Primære arbejdsår: 1810–1825 Senere værker: fra 1825

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/james-lonsdale-samuel-gregson-AQUCQX-en/

Farver

Målt ud fra billedet

    Primær farve

    Walnut #80572a

    Katalogiseret palet

    • #80572A
    • #231F14
    • #B68F4D
    • #352C1E

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Walnut
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af James Lonsdale i løbet af de sidste tolv måneder — 5 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 60,9%
    2. 2 USA 17,4%
    3. 3 Storbritannien 8,7%
    4. 4 Singapore 8,7%
    5. 5 Hong Kong 4,3%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 20 mest viste værker af James Lonsdale

    1. 1 John Ellman 16,0%
    2. 2 James Elmes (1782–1862), 1810 8,0%
    3. 3 Angelica Catalani (1780–1849), 1808 4,0%
    4. 4 Caroline Amelia Elizabeth of Brunswick, 1820 4,0%
    5. 5 Mary Dalton, Daughter of John Dalton and Mary Dalton, née Gage, 1819 4,0%
    6. 6 Abraham Rees, 1802 4,0%
    7. 7 Caroline of Brunswick (1768–1821), Consort of George IV, 1820 4,0%
    8. 8 Susan, Daughter of Thomas Townley Parker, 1809 4,0%
    9. 9 Thomas Stewart Traill (1781–1862), 1832 4,0%
    10. 10 Sir Thomas Stamford Raffles (1781–1826), 1817 4,0%
    11. 11 Self Portrait, 1810 4,0%
    12. 12 John Lewis Petit (1736–1780), Physician, Pensioner (1752), Censor of the Royal College of Physicians 4,0%
    13. 13 John Reay, Sheriff of London (1814–1815) 4,0%
    14. 14 General Isaac Gascoyne (1770–1841), 1829 4,0%
    15. 15 Charles Howard (1746–1815), 11th Duke of Norfolk, 1816 4,0%
    16. 16 John Pepys (c.1776–1866) 4,0%
    17. 17 Charles Wellbeloved (1769–1858), 1826 4,0%
    18. 18 Louisa Wildman (1800–1879) 4,0%
    19. 19 Augustus Frederick (1773–1843), Duke of Sussex 4,0%
    20. — Samuel Gregson dette maleri 0,0%

    Sammen udgør disse værker 92,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 65 værker af denne kunstner, hvoraf 21 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    James Lonsdale

    The Genesis of a Portraitist

    Born in the historic city of Lancaster on May 16, 1777, James Lonsdale emerged from a background of intellectual stability as the son of William Lonsdale, a respected solicitor. While his lineage suggested a path toward law, the seeds of artistic passion were sown early through the nurturing encouragement of his father and the keen eye of Richard Threlfall. As an architect of Lancaster, Threlfall recognized a burgeoning brilliance in the young Lonsdale, providing him with access to the refined atmosphere of Ashton Hall. It was within these aristocratic circles that Lonsdale first encountered the elegance of high society, an experience that would later serve as the very foundation of his professional life and subject matter.

    Before ascending to the prestigious halls of formal art education, Lonsdale’s hands were practiced in the meticulous world of pattern design at Margerison and Glover’s print-works. This early immersion in draughtsmanship instilled in him a disciplined precision, a quality that would become indispensable when he transitioned from decorative arts to the profound complexities of portraiture. His journey reached a definitive turning point in October 1801, when he entered the Royal Academy Schools. Under the tutelage of the legendary George Romney, Lonsdale underwent a transformative period of refinement. Romney’s influence was more than academic; it was an infusion of soul into technique, teaching Lonsdale how to balance meticulous anatomical accuracy with a certain poetic vitality that breathed life into his sitters.

    A Legacy of Character and Command

    Lonsdale’s career was defined by a prolific output and an unwavering commitment to the depiction of the British elite. Between 1802 and 1838, he exhibited approximately 130 works at the Royal Academy, establishing himself as a mainstay of the era's artistic landscape. His talent was not merely in capturing a likeness, but in navigating the psychological terrain of his subjects. Whether painting prominent statesmen, literary giants, or members of the landed gentry, Lonsdale possessed a rare ability to convey both the social stature and the inner temperament of those who sat before him.

    His contributions to the institutional fabric of British art were equally significant. Alongside the great Sir Thomas Lawrence, Lonsdale stood as a founding member of the Society of British Artists, an endeavor that sought to provide a platform for artists outside the traditional hegemony of the Royal Academy. This spirit of innovation and professional organization marked him as a pivotal figure in the evolution of the British art market.

    The breadth of his technical ambition is perhaps best exemplified by his most monumental commissions. One of his most celebrated achievements remains the grand depiction of King John signing the Magna Carta for the Duke of Norfolk at Arundel Castle. This work, far more than a mere historical record, stands as a testament to his ability to manage complex compositions, dramatic lighting, and the weight of historical gravity. Through such works, Lonsdale bridged the gap between intimate portraiture and epic historical narrative, ensuring his place in the annals of nineteenth-century art history.

    Reflecting on his life and contributions, several key pillars of his legacy emerge:

    Technical Mastery: A seamless blend of Romney’s expressive style with a disciplined, draughtsman-like precision.

    Historical Significance: His role as a founder of the Society of British Artists helped reshape the professional landscape for UK artists.

    Psychological Depth: An ability to move beyond superficial resemblance to capture the true essence and character of his subjects.

    Versatility: The capacity to transition from delicate portraits of nobility to large-scale, dramatic historical scenes.

    Museum

    Lancaster Town Hall

    Udstillet i Lancaster, United States of America

    A Legacy Etched in Stone: Discovering Lancaster Town Hall

    Lancaster Town Hall stands as a proud sentinel of Lancashire’s rich past, a building that doesn't merely house history but is history. More than just a municipal structure, it is a captivating museum offering an immersive journey through the region’s evolution, from its prehistoric roots to the vibrant present day. The very fabric of the Town Hall speaks volumes – a stunning embodiment of Georgian architecture characterized by elegant symmetry and classic proportions that whisper tales of a bygone era. Commissioned in 1909 to replace an aging predecessor, it was designed by Edward Mountford and Thomas Lucas, with meticulous stonework, furniture, and carvings executed by Waring & Gillow. The building’s creation wasn't simply about replacing old infrastructure; it was a statement of civic pride, funded entirely by Lord Ashton, who envisioned a space that would serve as the heart of Lancaster for generations to come. This dedication is visible in every detail, from the sculpted pediment crafted by F.W. Pomeroy to the radiant stained glass windows created by Shrigley and Hunt – each element meticulously chosen to convey a sense of grandeur and permanence.

    Architectural Marvel:

    The building’s Georgian design—a testament to refined taste and structural integrity—immediately transports visitors back to the early 20th century, showcasing masterful craftsmanship and attention to detail.

    Stained Glass Windows:

    Shrigley and Hunt's stained glass windows depict scenes of Lancaster’s history and heraldry, bathing the interior spaces in ethereal light and adding a layer of artistic beauty to the architectural grandeur.

    Echoes of Valor: The King’s Own Regimental Museum

    Within the Town Hall’s walls resides a particularly poignant collection – the King’s Own Regimental Museum. This dedicated space offers a powerful tribute to the military heritage of Lancaster, showcasing an extensive array of regimental memorabilia and uniforms that bring centuries of service to life. Visitors can trace the lineage and traditions of the King’s Own Regiment, gaining insight into their pivotal role in regional and national conflicts. The exhibits aren't simply displays of artifacts; they are windows into the lives of soldiers, offering a tangible connection to their courage, sacrifice, and unwavering dedication. It is a space that resonates with stories of bravery and resilience, reminding us of the human cost of conflict and the enduring spirit of those who served. The museum’s collection provides a unique opportunity to understand not only military strategy but also the social and cultural impact of war on the local community.

    Regimental History:

    Explore the history of Lancaster's most prominent regiment, delving into their battles, achievements, and contributions to British military tradition.

    Personal Stories:

    Examine portraits and biographical accounts that illuminate the lives of individual soldiers—their experiences, motivations, and impact on the wider community.

    Artistic Reflections: A Cultural Tapestry

    Beyond its historical and military significance, Lancaster Town Hall boasts an impressive art collection that reflects the evolving cultural landscape of the region. Historical paintings and decorative arts offer a glimpse into the artistic sensibilities of past generations, showcasing the talent and creativity that flourished within Lancashire. These artworks aren’t isolated pieces; they are interwoven with the broader narrative of Lancaster's history, providing visual commentary on social trends, political events, and everyday life. The collection is constantly evolving, offering fresh perspectives and inviting visitors to engage with art in a meaningful way. Furthermore, contemporary exhibitions regularly enliven the Town Hall’s spaces, fostering dialogue between artistic traditions and stimulating intellectual curiosity.

    Lancashire Artists:

    Admire works by local artists who captured the spirit of Lancaster throughout different eras—from Romantic landscapes to Victorian portraits.

    Contemporary Exhibitions:

    Discover innovative artistic expressions that challenge conventions and explore pressing social issues, enriching visitors’ understanding of contemporary culture.

    A Living Monument: Preserving Lancaster’s Identity

    Lancaster Town Hall isn't merely a repository of artifacts; it is a living monument to the city’s enduring spirit. Throughout its history, the building has witnessed countless significant events, serving as a backdrop for civic ceremonies, political debates, and moments of both celebration and sorrow. From hosting trials – including early stages of the infamous Dr Buck Ruxton case – to welcoming Queen Elizabeth II in 1955, the Town Hall’s walls have absorbed the echoes of Lancaster's past. Even during times of crisis, such as the COVID-19 pandemic, the building adapted and served a vital function, temporarily housing emergency court proceedings. This adaptability underscores its enduring relevance and its commitment to serving the community. What truly sets Lancaster Town Hall apart is this unique combination of architectural grandeur, diverse collections, and unwavering dedication to preserving Lancaster’s multifaceted heritage – making it an essential destination for anyone seeking to understand the heart and soul of this historic city.

    Historic Trials:

    Reflect on pivotal legal proceedings that unfolded within the Town Hall's walls—events that shaped Lancaster’s legal history and captured the anxieties of a turbulent period.

    Royal Visits:

    Recall moments of national pride as Queen Elizabeth II graced Lancaster Town Hall, symbolizing the city’s connection to British monarchy and its role in shaping the nation’s narrative.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Samuel Gregson

    originaluniqueart.com/da/art/download/james-lonsdale-samuel-gregson-AQUCQX-en/

    Kildehenvisning til dette kunstværk

    MLA
    Lonsdale, James. Samuel Gregson. n.d., Lancaster Town Hall. https://originaluniqueart.com/da/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    APA
    Lonsdale, James (n.d.). Samuel Gregson [Painting]. Lancaster Town Hall. https://originaluniqueart.com/da/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    Chicago
    James Lonsdale. Samuel Gregson. n.d. Lancaster Town Hall. https://originaluniqueart.com/da/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    Harvard
    Lonsdale, James (n.d.) Samuel Gregson. Lancaster Town Hall. Available at: https://originaluniqueart.com/da/art/james-lonsdale-samuel-gregson-AQUCQX-en/

    Se nærmere efter

    Samuel Gregson — James Lonsdale

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Dr Samuel Parr (1823) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Er "Samuel Gregson" af James Lonsdale i det offentlige domæne, og hvorfor?

    "Samuel Gregson" af James Lonsdale er i det offentlige domæne – ophavsretten er udløbet. Ophavsretten løber fra kunstnerens dødsår, som var 1839.

    Hvor lys er "Samuel Gregson" overordnet set?

    Den oplevede lysstyrke i "Samuel Gregson" af James Lonsdale er deep_shadow. Den kan tilpasses lyset i det tiltænkte rum.

    Hvad er formatet på "Samuel Gregson"?

    "Samuel Gregson" af James Lonsdale har et Portrait format. Formatet beskriver kompositionens proportioner.