Papir

Guide til elevkunst

Poppies

Navn Klasse Dato

James Arundel, Poppies (1932), Ferens Art Gallery. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
James Arundel originaluniqueart.com/da/artists/james-arundel/
Kunstnerens årstal
1875 – 1960
Malet
1932
Oprindelig størrelse
75 x 92 cm
Afholdt hos
Ferens Art Gallery originaluniqueart.com/da/museums/ferens-art-gallery-hull_da/

I kontekst

Poppies — James Arundel

Hvor stor er den?

Originalen måler 75 × 92 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 85 ved død.

Malet da kunstneren var 57 år gammel. Kunstneren blev 85 år gammel. 2 af de 9 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: James Arundel' livstid (1875–1960) ▲ dette værk, 1932 hvert dateret maleri, årti for årti

Sammenlign med

  • Gladioli, 1931 originaluniqueart.com/da/art/james-arundel-gladioli-AQUH9C-en/
  • Flowers, 1939 originaluniqueart.com/da/art/james-arundel-flowers-AQUH9A-en/
  • Bacchanalia, 1933 originaluniqueart.com/da/art/james-arundel-bacchanalia-AQUH9L-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/james-arundel-poppies-AQUH9E-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #523c1d

    Katalogiseret palet

    • #523C1D
    • #222117
    • #81531D
    • #A28331

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af James Arundel i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%600 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 7 mest viste værker af James Arundel

    1. 1 The Cornfield (recto) 25,0%200 besøg
    2. 2 Poppies, 1932 dette maleri 12,5%100 besøg
    3. 3 Epicure's Delight, 1946 12,5%100 besøg
    4. 4 Threshing, 1932 12,5%100 besøg
    5. 5 Near Barden Bridge 12,5%100 besøg
    6. 6 Cawood Church, 1933 12,5%100 besøg
    7. 7 Poppies 12,5%100 besøg

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 14 værker af denne kunstner, hvoraf 7 er blevet set mindst én gang. Dette maleri rangerer som nummer 2, med 12,5% af den opmærksomhed (100 besøg). Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    James Arundel

    A Life Rooted in the Lincolnshire Landscape

    James Arundel, born in 1875 and passing away in 1960, was a painter deeply entwined with the pastoral beauty of his native Lincolnshire, England. While not a name immediately recognized amongst the giants of Victorian or early 20th-century art, Arundel’s work offers a poignant glimpse into a vanishing rural world, rendered with a delicate touch and an abiding affection for the English countryside. His life story, though relatively undocumented, is inextricably linked to the scenes he so lovingly depicted – idyllic farms bathed in golden light, vibrant floral studies bursting with color, and evocative landscapes that capture the very essence of Lincolnshire’s character. He wasn't a product of formal art academies or grand artistic movements; instead, Arundel cultivated his skills through observation and a profound connection to the land around him. This self-taught approach lends a unique authenticity to his paintings, free from the constraints of prevailing styles and focused on capturing the subtle nuances of nature’s beauty.

    The Quiet Charm of Lincolnshire: Themes and Influences

    Arundel's artistic focus remained remarkably consistent throughout his career – he was a painter of place, specifically the rolling hills, fertile fields, and quaint villages of Lincolnshire. His canvases are populated not with dramatic narratives or allegorical figures, but with the everyday scenes of rural life: harvesting wheat, grazing cattle, blossoming orchards, and humble cottages nestled amongst trees. Poppies, in particular, became a recurring motif, often depicted in fields ablaze with scarlet blooms – symbols of remembrance, peace, and the fleeting beauty of summer. While direct influences are difficult to pinpoint, one can sense echoes of the Barbizon school’s naturalism in his approach to light and atmosphere, and perhaps a touch of the English Impressionists' loose brushwork. However, Arundel developed a style distinctly his own, characterized by soft palettes, meticulous detail, and a gentle romanticism that avoids sentimentality. He wasn’t striving for groundbreaking innovation; rather, he sought to preserve the beauty he saw around him, offering viewers a window into a world increasingly threatened by modernization.

    Technique and Style: A Delicate Hand

    Arundel's technique was characterized by a remarkable attention to detail combined with a delicate handling of paint. He typically worked in oils, building up layers of color to create luminous effects and capture the subtle variations of light and shadow. His brushwork is often loose and fluid, particularly in his depictions of foliage and flowers, yet always controlled enough to maintain clarity and form. He possessed an exceptional ability to render textures – the rough bark of trees, the swaying grasses of a field, the delicate petals of a poppy – bringing a tactile quality to his paintings. His color palettes are generally muted and harmonious, favoring earthy tones, soft greens, and warm yellows, punctuated by occasional bursts of vibrant color in his floral studies. He wasn’t interested in dramatic contrasts or bold statements; instead, he sought to create a sense of tranquility and harmony, inviting viewers to immerse themselves in the peaceful beauty of the Lincolnshire landscape.

    Legacy and Historical Significance

    Although James Arundel did not achieve widespread fame during his lifetime, his work has experienced a resurgence of interest in recent years. Today, collectors are drawn to the authenticity and charm of his paintings, recognizing them as valuable records of a vanishing rural England. His art provides a unique insight into the social and economic landscape of Lincolnshire during the late 19th and early 20th centuries, offering glimpses into the lives and livelihoods of those who worked the land.

    His paintings serve as a testament to the enduring beauty of the English countryside.

    Arundel’s work represents a quiet resistance to the rapid industrialization of the era, celebrating the values of tradition, community, and connection to nature.

    He is increasingly recognized as an important regional artist, whose paintings capture the unique character of Lincolnshire with sensitivity and skill.

    While not a revolutionary figure, James Arundel’s legacy lies in his ability to evoke a sense of place and time, offering viewers a poignant reminder of a simpler way of life. His art continues to resonate with those who appreciate the beauty of nature, the charm of rural landscapes, and the enduring power of quiet observation.

    Museum

    Ferens Art Gallery

    Udstillet i Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Poppies

    originaluniqueart.com/da/art/download/james-arundel-poppies-AQUH9E-en/

    Kildehenvisning til dette kunstværk

    MLA
    Arundel, James. Poppies. 1932, Ferens Art Gallery. https://originaluniqueart.com/da/art/james-arundel-poppies-AQUH9E-en/
    APA
    Arundel, James (1932). Poppies [Painting]. Ferens Art Gallery. https://originaluniqueart.com/da/art/james-arundel-poppies-AQUH9E-en/
    Chicago
    James Arundel. Poppies. 1932. Ferens Art Gallery. https://originaluniqueart.com/da/art/james-arundel-poppies-AQUH9E-en/
    Harvard
    Arundel, James (1932) Poppies. Ferens Art Gallery. Available at: https://originaluniqueart.com/da/art/james-arundel-poppies-AQUH9E-en/

    Se nærmere efter

    Poppies — James Arundel

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Gladioli (1931) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. James Arundel var omkring 57 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvem har skabt "Poppies", og hvornår?

    Kunstneren bag "Poppies" er James Arundel, og værket er fra 1932.

    Er farverne i "Poppies" af James Arundel livlige eller dæmpede?

    Farven på "Poppies" har en mætning på Clear Color Presence og en intensitet på Balanced.

    Hvor intense er farverne i "Poppies" af James Arundel?

    Farveintensiteten i "Poppies" er Balanced. Intensitet beskriver, hvor kraftige farverne fremstår.