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Six Angels

6 parts 1 The artwork2 In context3 About this artwork4 Artist and museum5 Look closely6 Art quiz

Navn Klasse Dato
Jacopo di Cione, Six Angels (1365), Metropolitan Museum of Art. Offentlig ejendom.

Fakta om værket

Kunstner
Jacopo di Cione originaluniqueart.com/da/artists/jacopo-di-cione/
Kunstnerens levetid
1325 – 1399
Malet
1365
Medie
Acrylic On Canvas
Oprindelig størrelse
25 x 10 cm
Bevægelse
Florentine Gothic
Afholdt hos
Metropolitan Museum of Art originaluniqueart.com/da/museums/metropolitan-museum-of-art-new-york_da/

In context

Six Angels — Jacopo di Cione

How big is it?

The original measures 25 × 10 cm (height × width), drawn here beside an adult of average height.

Hvornår er dette malet?

  1. 1320
  2. 1330
  3. 1340
  4. 1350
  5. 1360
  6. 1370
  7. 1380
  8. 1390

Skyggelagt: Jacopo di Cione' livstid (1325–1399) ▲ dette værk, 1365

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/jacopo-di-cione-six-angels-D2VLX3-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #dfcca3

    Gemt palet

    • #DFCCA3
    • #C69D5E
    • #694D34
    • #A5693D
    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Bright Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Six Angels — Jacopo di Cione

    Notes on this work

    Written for this guide from published sources. The catalogue record itself is on the first part of this guide.

    Artistic style
    Florentine Gothic
    Influences
    Orcagna, Nardo di Cione
    Notable elements
    Pilasters, Crucifixion frame
    Subject or theme
    Religious figures

    A Fragment of Paradise: Unveiling Jacopo di Cione’s Six Angels

    The series of six angels, a captivating ensemble from the Florentine master Jacopo di Cione (c. 1325 – c. 1399), offers a glimpse into the vibrant artistic landscape of late medieval Italy. More than mere decorative elements, these figures—mounted within the frame of a panel depicting the Crucifixion—represent a poignant intersection of religious devotion and architectural ambition. Originally conceived as pilasters adorning an altarpiece for Santa Maria degli Angeli in Florence, their current arrangement, a carefully considered reconfiguration by a 19th-century collector, speaks to the enduring power of artistic adaptation and the layered history embedded within each brushstroke.

    Dating back to approximately 1365, the painting’s genesis lies within the ambitious project of transforming the chapel dedicated to Ognissanti. This chapel, funded by Ser Francesco di Ser Berto degli Albizzi, was intended as a testament to piety and artistic patronage—a space designed to inspire awe and reverence. The altarpiece itself, a complex composition featuring the Crucifixion at its heart, served as the focal point of this endeavor. The angels, initially conceived as integral components of the altarpiece’s structure, were thus inextricably linked to the narrative of sacrifice and redemption.

    A Symphony of Tempera on Wood

    Jacopo di Cione's masterful technique is immediately apparent in the delicate execution of these angelic figures. Painted in tempera on wood, a medium favored for its luminosity and ability to achieve rich, vibrant colors, the angels possess an ethereal quality. The use of gold leaf—evident in the panel’s frame—further enhances this sense of otherworldly beauty, elevating the scene beyond the earthly realm. The artist's meticulous attention to detail is particularly striking in the rendering of their drapery, which flows with a graceful fluidity, suggesting both movement and serenity.

    Notably, the composition draws upon the stylistic conventions of Florentine Gothic art, characterized by its elegance, naturalism, and expressive emotionality. Jacopo’s work reflects the influence of his family—Andrea di Cione (Orcagna), Nardo, and Matteo di Cione—all renowned for their collaborative efforts and shared aesthetic sensibilities. The brothers' legacy is evident in the harmonious balance between form and content, a hallmark of Florentine Gothic art.

    Symbolism and Spiritual Resonance

    Each angel within the series embodies specific attributes associated with divine messengers. Their gestures—clasped hands, uplifted arms—evoke a sense of prayerful devotion and communication with the heavens. The crowns adorning their heads signify their elevated status as celestial beings, while their serene expressions convey an aura of peace and wisdom. The grouping itself suggests a chorus of angels attending to the suffering Christ, offering solace and support in his earthly ordeal.

    Furthermore, the placement of the angels within the frame of the Crucifixion panel underscores the central theme of redemption. They serve as witnesses to the sacrifice of Christ, reminding viewers of the promise of salvation offered through faith. The entire composition becomes a meditation on themes of grace, mercy, and divine love—a powerful testament to the enduring power of religious art.

    A Legacy in Reproduction

    Today, these Six Angels exist not only as original works of art but also as meticulously crafted reproductions, offering an accessible pathway to experience Jacopo di Cione’s genius. WahooArt.com proudly presents high-quality hand-painted reproductions that faithfully capture the essence and beauty of this remarkable series. Whether adorning a private residence or gracing a public space, these reproductions serve as a timeless reminder of the enduring legacy of Florentine Gothic art—a celebration of faith, artistry, and the profound mysteries of the human spirit.

    Kunstner og museum

    Six Angels — Jacopo di Cione

    Kunstner

    Jacopo di Cione

    Born in Florence, Italy

    Jacopo di Cione: A Florentine Gothic Pioneer

    Jacopo di Cione (c. 1325 – c. 1399) stands as a cornerstone of Florentine Gothic art, embodying the spirit of innovation and collaboration that characterized the burgeoning Renaissance era. Born in Florence sometime between 1320 and 1330, he emerged from a family deeply rooted in artistic tradition—his three elder brothers, Andrea di Cione (Orcagna), Nardo di Cione, and Matteo di Cione—were themselves accomplished painters, establishing a lineage of creative excellence. This familial connection profoundly shaped Jacopo’s artistic trajectory, fostering an environment where experimentation and collaborative endeavors thrived.

    Early Life & Family Legacy: The Di Cione brothers were renowned for their meticulous craftsmanship and stylistic unity, reflecting the prevailing aesthetic sensibilities of their time. Their father, Giovanni di Cione, was a sculptor who instilled in his sons a passion for artistic pursuits, ensuring that Florentine art would continue to flourish through generations.

    Guild Membership & Artistic Development: Jacopo’s involvement with the Arte dei Medici e Speziali in 1369 marked a pivotal moment in his career, solidifying his position within Florence's artistic community and providing access to influential patrons.

    Museum

    Metropolitan Museum of Art

    On show in New York, United States of America

    Et Monument over Menneskelig Kreativitet: En Dybdegående Udforskning af Metropolitan Museum of Art

    Metropolitan Museum of Art, ofte blot kaldet "The Met", er mere end blot et museum; det er en levende fortælling om menneskelig kreativitet, der strækker sig over fem årtusinder og utallige kulturer. Grundlagt i 1870 af en gruppe visionære New Yorkere, der mente, at kunst skulle være tilgængelig for alle – et radikalt synspunkt dengang – står The Met nu som et af verdens største og mest omfattende museer. Fra den imponerende facade på Fifth Avenue lokker det besøgende ind i et univers fyldt med historier, hvor gamle civilisationers ekko møder moderne mesteres banebrydende innovationer.

    Arkitektur og Atmosfære: Et Palads for Kunsten

    At opleve The Met er at forstå dets fysiske tilstedeværelse som en integreret del af dets identitet. Hovedbygningen, et strålende eksempel på Beaux-Arts stil fra 1902-1914, udstråler klassisk grandeur. Kolossale søjler rammer indgangen og inviterer besøgende ind i høje gallerier badet i naturligt lys – en passende scene for de mesterværker, der findes herinde. Denne monumentale struktur, bevidst designet som en hyldest til europæiske paladser, vidner om arkitekternes ambition og vision, og skaber et rum, der føles både imponerende og indbydende. Men Met’s arkitektoniske fortælling stopper ikke her.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Six Angels

    originaluniqueart.com/da/art/download/jacopo-di-cione-six-angels-D2VLX3-en/

    Kildehenvisning til dette kunstværk

    MLA
    Cione, Jacopo di. Six Angels. 1365, Metropolitan Museum of Art. https://originaluniqueart.com/da/art/jacopo-di-cione-six-angels-D2VLX3-en/
    APA
    Cione, Jacopo di (1365). Six Angels [Painting]. Metropolitan Museum of Art. https://originaluniqueart.com/da/art/jacopo-di-cione-six-angels-D2VLX3-en/
    Chicago
    Jacopo di Cione. Six Angels. 1365. Metropolitan Museum of Art. https://originaluniqueart.com/da/art/jacopo-di-cione-six-angels-D2VLX3-en/
    Harvard
    Cione, Jacopo di (1365) Six Angels. Metropolitan Museum of Art. Available at: https://originaluniqueart.com/da/art/jacopo-di-cione-six-angels-D2VLX3-en/

    Look closely

    Six Angels — Jacopo di Cione

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: angels, crucifixion, altarpiece. Do you agree? What would you add, or take away?
    4. Look back at The crucifixion, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Jacopo di Cione was about 40 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Kunstquiz

    Six Angels — Jacopo di Cione

    Hvor godt kender du dette kunstværk?

    Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

    1. 1. What is the primary subject depicted in ‘Six Angels’?

      • A A depiction of the Crucifixion
      • B Fragments of an altarpiece featuring six angels
      • C A portrait of a wealthy Florentine family
    2. 2. According to the description, how was the original arrangement of the altarpiece altered?

      • A It remained unchanged since its initial creation.
      • B It was reconfigured by a 19th-century collector.
      • C It was destroyed during a war.
    3. 3. Which of the following best describes the historical context of ‘Six Angels’?

      • A A late Renaissance depiction of biblical scenes.
      • B An early example of Gothic art from Florence in the 14th century.
      • C A modern installation piece exploring themes of faith and loss.
    4. 4. What is the approximate date of creation for ‘Six Angels’?

      • A 15th Century
      • B 1365
      • C 1975
    5. 5. The image description highlights a specific visual element. What is this element?

      • A A detailed depiction of the Crucifixion.
      • B The use of gold leaf in the painting's background.
      • C The prominent figure of a woman wearing a crown.

    Min score: ____ ud af 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5C