Papirformat
Navn Klasse Dato

Hryhorii Havrylenko (Grigory Gavrilenko), Trees (1975), National Art Museum of Ukraine. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Hryhorii Havrylenko (Grigory Gavrilenko) originaluniqueart.com/da/artists/hryhorii-havrylenko-grigory-gavrilenko_da/
Kunstnerens levetid
1927 – 1984
Malet
1975
Bevægelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Periode
Modern
Afholdt hos
National Art Museum of Ukraine originaluniqueart.com/da/museums/national-art-museum-of-ukraine-kiev/

I kontekst

Trees — Hryhorii Havrylenko (Grigory Gavrilenko)

Hvornår er dette malet?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 57 ved død.

Malet da kunstneren var 48 år gammel. Kunstneren blev 57 år gammel. 222 af de 439 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Hryhorii Havrylenko (Grigory Gavrilenko)' livstid (1927–1984) ▲ dette værk, 1975 hvert dateret maleri, årti for årti

Første værker: frem til 1964 Primære arbejdsår: 1964–1975 Senere værker: fra 1975

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/hryhorii-havrylenko-trees-D79CYU-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Gray #8f9080

    Gemt palet

    • #8F9080
    • #4A3F3B
    • #C4C5D4
    • #737E54

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Primær farve
    Gray
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Bright Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Hryhorii Havrylenko (Grigory Gavrilenko) i løbet af de sidste tolv måneder — 2 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 97,7%
    2. 2 USA 2,3%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 20 mest viste værker af Hryhorii Havrylenko (Grigory Gavrilenko)

    1. 1 Composition With Two Figures, 1962 4,1%
    2. 2 Rural Landscape, 1955 3,1%
    3. 3 Composition with rectangles, 1969 3,1%
    4. 4 Abstraction, 1963 2,1%
    5. 5 Nude, 1983 2,1%
    6. 6 Four Abstract Compositions (Sketches), 1964 2,1%
    7. 7 Pregnant. Fragment, 1958 2,1%
    8. 8 Female Image. From the series 'Search for Pushkin's Female Images', 1970 2,1%
    9. 9 Female image. Illustration to Dante "Vita Nova", 1964 2,1%
    10. 10 Female image. Illustration to Dante "Vita Nova", 1965 1,0%
    11. 11 Untitled 1,0%
    12. 12 Composition. A sketch of the female image, 1963 1,0%
    13. 13 Trees, 1975 dette maleri 1,0%
    14. 14 Abstract Composition, 1975 1,0%
    15. 15 Nika, 1960 1,0%
    16. 16 Old Man With A Boy. A sketch to a book illustration, 1958 1,0%
    17. 17 Composition, 1963 1,0%
    18. 18 Female image, 1975 1,0%
    19. 19 Landscape, 1983 1,0%
    20. 20 Female image, 1964 1,0%

    Sammen udgør disse værker 33,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 448 værker af denne kunstner, hvoraf 84 er blevet set mindst én gang. Dette maleri rangerer som nummer 13 af dem, med 1,0% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Hryhorii Havrylenko (Grigory Gavrilenko)

    Født i Holopkove, Ukraine

    Early Life and Artistic Beginnings

    Grigory Gavrilenko, later known as Hryhorii Havrylenko, was born on July 7th, 1927, in the small village of Holopkove, within the Sumy region of Ukraine. This humble beginning would profoundly shape his artistic vision – a deep connection to the land and its people, interwoven with a restless spirit seeking new forms of expression. His early years were marked by the hardships of wartime Ukraine, experiences that instilled in him a sensitivity to human suffering and a desire to capture the essence of life’s complexities through art. He began his formal artistic training at the Kyiv State Institute, graduating in 1955, an institution renowned for nurturing Ukrainian avant-garde talent. It was here he first encountered the revolutionary ideas circulating within the art world – movements that would ultimately define his own unique style.

    The Rise of a Ukrainian Avant-Garde Pioneer

    Hryhorii Havrylenko’s artistic journey truly took flight in the 1960s, during the height of the Ukrainian avant-garde movement. This period was characterized by a bold rejection of traditional styles and a fervent exploration of abstraction, color theory, and innovative techniques. Influenced by artists like Samuel Yellin, Havrylenko embraced a dynamic approach, frequently employing vibrant colors and distorted forms to convey powerful emotions and social commentary. His work often depicted female figures – not as idealized representations, but as symbols of resilience, strength, and the enduring spirit of Ukraine. These images, rendered with a distinctive blend of realism and abstraction, became a hallmark of his oeuvre. He skillfully combined elements of Cubism and Surrealism, creating compositions that were both intellectually stimulating and emotionally resonant.

    Technique and Style – A Symphony of Color and Form

    Havrylenko’s artistic technique was as innovative as his subject matter. He masterfully manipulated color to evoke specific moods and atmospheres, utilizing bold juxtapositions and subtle gradations to create a sense of depth and dynamism. His use of linocut, in particular, allowed him to achieve remarkable textural effects and intricate details. His compositions frequently featured layered imagery, creating a visual richness that demanded close attention. A key element of his style was the deliberate distortion of form – not for mere aesthetic effect, but to convey underlying tensions and anxieties within the human experience. He wasn’t simply depicting reality; he was interpreting it through a lens of profound emotional depth.

    Notable Works and Exhibitions

    While a comprehensive catalog of Havrylenko's work remains elusive, his influence is undeniable. His book illustrations, particularly those for “Portfolio” by Mykola Bazhan (1978), stand as testaments to his versatility and artistic skill. These works demonstrate his ability to seamlessly integrate text and image, creating visually arresting narratives. Furthermore, Havrylenko’s paintings have been featured in numerous exhibitions at the Kharkiv Museum of Art, a vital institution dedicated to preserving and showcasing Ukrainian art history. The museum's collection offers a valuable glimpse into the breadth and depth of his artistic output. His work continues to be recognized for its powerful symbolism and innovative approach to form and color.

    Legacy and Enduring Significance

    Hryhorii Havrylenko passed away on February 23rd, 1984, in Kyiv, leaving behind a legacy that continues to inspire Ukrainian artists today. He remains a pivotal figure in the history of Ukrainian art, representing a generation of bold innovators who challenged conventional norms and pushed the boundaries of artistic expression. His work serves as a poignant reminder of Ukraine’s rich cultural heritage and its enduring spirit of creativity. His exploration of themes like resilience, identity, and social commentary resonates powerfully even today, solidifying his place as a significant voice in 20th-century art. Exploring the collections at the Kharkiv Museum of Art offers a profound opportunity to appreciate the full scope of his artistic contributions.

    Museum

    National Art Museum of Ukraine

    Udstillet på Kiev, Ukraine

    A Bastion of Ukrainian Identity: The Soul of Kyiv

    In the heart of Kyiv, where the echoes of ancient Kievan Rus' meet the resilient spirit of a modern nation, stands the

    National Art Museum of Ukraine

    . More than a mere repository for relics, this institution serves as a living, breathing chronicle of a people’s endurance and creative brilliance. Founded in 1899 by a visionary collective of intellectuals, it was Kyiv’s very first public museum, established to safeguard the distinctive artistic traditions that define the Ukrainian soul. To walk through its halls is to embark on a temporal journey, moving seamlessly from the sacred, whispered devotions of medieval icons to the sweeping, dramatic narratives of the Baroque era and beyond.

    The museum’s physical presence is as commanding as the history it protects. The architecture itself is a masterpiece of neoclassical elegance, a structural testament to strength and timeless beauty. Originally envisioned by the architect Petro Boitsov and brought to magnificent fruition by the legendary Władysław Horodecki, the building greets visitors with a meticulously recreated six-column Doric porch. Guarding this entrance are sculpted gryphons and concrete lions, silent sentinels that symbolize both artistic guardianship and an unwavering resolve against the tides of time. For the art lover or the interior designer seeking inspiration, the museum’s facade offers a profound study in how structural grandeur can mirror the cultural weight of the treasures held within.

    A Tapestry of Sacred and Secular Splendor

    The collection within NAMU is a breathtaking mosaic of spiritual depth and technical mastery. The journey often begins in the shadows of the medieval, where the

    Saint George Relief

    of the 12th century offers a polychrome wooden window into the profound faith of Kievan Rus'. These sacred icons, including the hauntingly beautiful

    Holy Mother ‘Hodigitria’

    , are characterized by an intricate detail and symbolic depth that command silence and reflection. As one progresses through the galleries, the atmosphere shifts into the exuberant light of the Baroque period. Here, the fusion of religious fervor and artistic skill reaches its zenith, exemplified by works such as

    The Intercession with the Portrait of Bohdan Khmelnytsky

    , where spiritual imagery is masterfully intertwined with the portraiture of a national hero.

    Beyond the sacred, the museum celebrates the rich regional heritages of Western Ukraine and the evolving aesthetics of the modern era. The collection serves as an essential resource for collectors and historians alike, offering rare glimpses into the decorative and applied arts that have shaped the nation's identity. Each piece, from the delicate craftsmanship of ancient manuscripts to the bold strokes of later centuries, tells a story of a culture that has navigated turbulent political landscapes while refusing to let its artistic flame be extinguished. It is this unique blend of historical gravity and aesthetic grace that makes NAMU an indispensable destination for anyone seeking to understand the profound intersection of art and national resilience.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Trees

    originaluniqueart.com/da/art/download/hryhorii-havrylenko-trees-D79CYU-en/

    Kildehenvisning til dette kunstværk

    MLA
    Gavrilenko), Hryhorii Havrylenko (Grigory. Trees. 1975, National Art Museum of Ukraine. https://originaluniqueart.com/da/art/hryhorii-havrylenko-trees-D79CYU-en/
    APA
    Gavrilenko), Hryhorii Havrylenko (Grigory (1975). Trees [Painting]. National Art Museum of Ukraine. https://originaluniqueart.com/da/art/hryhorii-havrylenko-trees-D79CYU-en/
    Chicago
    Hryhorii Havrylenko (Grigory Gavrilenko). Trees. 1975. National Art Museum of Ukraine. https://originaluniqueart.com/da/art/hryhorii-havrylenko-trees-D79CYU-en/
    Harvard
    Gavrilenko), Hryhorii Havrylenko (Grigory (1975) Trees. National Art Museum of Ukraine. Available at: https://originaluniqueart.com/da/art/hryhorii-havrylenko-trees-D79CYU-en/

    Se nærmere efter

    Trees — Hryhorii Havrylenko (Grigory Gavrilenko)

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: trees, landscape, green foliage. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Night Concerts (1978) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Kunstquiz

    Trees — Hryhorii Havrylenko (Grigory Gavrilenko)

    Hvor godt kender du dette kunstværk?

    Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

    1. 1. What is the primary artistic style used in Hryhorii Havrylenko's 'Trees'?

      • A Realism
      • B Impressionism
      • C Cubism
    2. 2. Which painting technique is used to create texture through thick, visible brushstrokes in this artwork?

      • A Sfumato
      • B Impasto
      • C Chiaroscuro
    3. 3. What is the dominant color palette of the landscape?

      • A Reds, oranges, and yellows
      • B Greens and grays
      • C Purples and deep blues
    4. 4. How is perspective achieved in the background of the painting?

      • A Through sharp, detailed lines
      • B Through atmospheric haze
      • C Through high-contrast shadows
    5. 5. What type of lighting is depicted in the scene?

      • A Strong, direct sunlight
      • B Dramatic, high-contrast moonlight
      • C Diffused and soft light

    Min score: ____ ud af 5

    Facitliste — til læreren

    Dette starter en ny trykt side, som blot kan udelades fra kopierne.

    1A · 2A · 3A · 4A · 5B

    Kontrollér alle svar mod katalogposten for dette maleri

    Spørgsmål & svar

    Hvor mættet er farvepaletten i "Trees"?

    Farverne i "Trees" af Hryhorii Havrylenko (Grigory Gavrilenko) har en Subtle Color mætning. Mætning beskriver, hvor livlige eller dæmpede farverne er.

    Kan jeg bestille en oliereproduktion af "Trees"?

    Håndmalede kopier af "Trees" af Hryhorii Havrylenko (Grigory Gavrilenko) sælges på denne hjemmeside: en håndmalet oliereproduktion på lærred af hør, bestilles via denne side.

    Hvor kan jeg købe et digitalt billede af "Trees" af Hryhorii Havrylenko (Grigory Gavrilenko)?

    For at få en digital fil af "Trees" af Hryhorii Havrylenko (Grigory Gavrilenko), skal du bestille et højtopløseligt digitalt billeddownload på denne side.

    Hvordan finder jeg kunstværker, der minder om "Trees" af Hryhorii Havrylenko (Grigory Gavrilenko)?

    Siden Lignende værker for "Trees" af Hryhorii Havrylenko (Grigory Gavrilenko) præsenterer relaterede kunstværker.

    Hvad er den dominerende farvetone i "Trees" af Hryhorii Havrylenko (Grigory Gavrilenko)?

    "Trees" hælder mod en Green to Violet Spectrum nuance.

    Hvad er den anbefalede anvendelse af et print af "Trees"?

    En reproduktion af "Trees" af Hryhorii Havrylenko (Grigory Gavrilenko) anbefales til Softness. Denne anbefaling er baseret på værkets motiv, stemning og farver.

    Hvad er mediet og datoen for "Trees" af Hryhorii Havrylenko (Grigory Gavrilenko)?

    "Trees" blev skabt i 1975 ved brug af Oil On Canvas-teknikken. Materiale og dato beskriver, hvordan og hvornår originalen blev lavet.

    Kan billedet af "Trees" af Hryhorii Havrylenko (Grigory Gavrilenko) frit reproduceres?

    "Trees" af Hryhorii Havrylenko (Grigory Gavrilenko) er stadig beskyttet af ophavsret. Denne status bestemmer, hvordan billedet af værket må reproduceres.