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Henry Tanworth Wells, Sir Frederic William Burton (1863). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Henry Tanworth Wells originaluniqueart.com/da/artists/henry-tanworth-wells/
Kunstnerens årstal
1828 – 1903
Malet
1863
Oprindelig størrelse
76 x 64 cm

I kontekst

Sir Frederic William Burton — Henry Tanworth Wells

Hvor stor er den?

Originalen måler 76 × 64 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890
  9. 1900

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 75 ved død.

Malet da kunstneren var 35 år gammel. Kunstneren blev 75 år gammel. 1 af de 27 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Henry Tanworth Wells' livstid (1828–1903) ▲ dette værk, 1863 hvert dateret maleri, årti for årti

Første værker: frem til 1868 Primære arbejdsår: 1868–1886 Senere værker: fra 1886

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/

Farver

Målt ud fra billedet

    Primær farve

    Clay #c27a4a

    Katalogiseret palet

    • #C27A4A
    • #0B0404
    • #7D3F1A
    • #381509

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Clay
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Henry Tanworth Wells i løbet af de sidste tolv måneder — 4 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Australien 57,1%1.200 besøg
    2. 2 Kina 28,6%600 besøg
    3. 3 USA 9,5%200 besøg
    4. 4 Brasilien 4,8%100 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 13 mest viste værker af Henry Tanworth Wells

    1. 1 Queen Victoria Opening of the Royal Courts of Justice, 1882 65,7%2.300 besøg
    2. 2 Volunteers at the Firing Point, 1866, 1866 5,7%200 besøg
    3. 3 Victoria Regina: Queen Victoria receiving the news of her Accession, 1880 2,9%100 besøg
    4. 4 William Edward Forster, 1875 2,9%100 besøg
    5. 5 Walter Percy Sladen, 1901 2,9%100 besøg
    6. 6 Man with a Beard and Open Necked Shirt, 1864 2,9%100 besøg
    7. 7 The Right Honourable George Denman (1819–1896), Fellow, Judge and Politician, 1893 2,9%100 besøg
    8. 8 Peter Locke King, 1874 2,9%100 besøg
    9. 9 Jonathan Angus, Esq., Mayor of Newcastle (1880 1881), 1882 2,9%100 besøg
    10. 10 Charles West Cope (1811–1890), 1879 2,9%100 besøg
    11. 11 Lionel Smith Beale (1828–1906), 1876 2,9%100 besøg
    12. 12 John Beasley of Chapel Brampton (d.1908) 2,9%100 besøg
    13. — Sir Frederic William Burton, 1863 dette maleri 0,0%0 besøg

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 32 værker af denne kunstner, hvoraf 12 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Henry Tanworth Wells

    A Legacy of Precision: The Life and Art of Henry Tanworth Wells

    Henry Tanworth Wells was a painter of profound discipline, an artist who navigated the shifting tides of the Victorian era with a steadfast commitment to academic excellence. Born in London on December 14, 1828, Wells emerged from a family of merchants, a background that perhaps contributed to the meticulous and structured approach he brought to his canvas. His early training was far from purely academic; before he ever commanded a large-scale oil portrait, he honed his eye as a lithographer’s assistant under Messrs Dickinson. This foundational period in lithography instilled in him an unparalleled appreciation for fine lines and textural detail, skills that would later define his reputation as a master of both miniature and large-format portraiture.

    His artistic identity was deeply intertwined with the social and creative fabric of his time. In 1849, while in the picturesque setting of Betws-y-Coed, Wales, Wells encountered the talented artist Joanna Mary Boyce. Their connection was not merely romantic but profoundly professional, as they shared a passion for the evolving aesthetics of the mid-1s9th century. Though their marriage in 1857 brought him into the intimate orbit of the Pre-Raphaelite circle—including luminaries such as Dante Gabriel Rossetti and Ford Madox Brown—Wells maintained a unique position. While he embraced the movement's dedication to sincere observation and meticulous detail, he resisted its more escapist or fantastical impulses, preferring instead an academic groundedness that celebrated the dignity of his subjects.

    The Mastery of Portraiture and Historical Narrative

    The evolution of Wells’ technique is a journey from the delicate intimacy of miniatures to the commanding presence of oil portraiture. For many years, he was celebrated for his small-scale works, which required a breath-taking level of precision. However, it was in 1861 that he truly began to assert himself in the realm of oils, creating portraits that captured the psychological depth and social stature of the Victorian elite. His ability to render the weight of velvet, the sheen of silk, and the subtle nuances of human expression made him a preferred chronicler of his age.

    His most enduring contribution to art history remains his celebrated depiction of royalty, specifically Victoria Regina. In this masterpiece, Wells captures the poignant moment the young Queen Victoria receives the news of her accession to the throne. Through this work, he achieved a rare feat: blending historical gravity with an intimate, humanizing gaze. This painting, along with other notable works such as Judge James Stansfield and The Right Honourable George Denman, showcases his ability to use light and shadow to create a sense of atmosphere that is both regal and deeply personal.

    A Pillar of the Royal Academy and Artistic Integrity

    Beyond the canvas, Wells was a figure of immense institutional importance. As a member of the Royal Academy (RA), he was known not only for his talent but for his unwavering integrity and devotion to the institution. He served as a defender of the Academy's traditions during periods of significant reform, acting as a stabilizing force during the turbulent years when the Pre-Raphaelite influence challenged established norms. His leadership roles, including serving as Deputy-President during the absence of Lord Leighton, underscore his respect within the professional community.

    The tragedy of his personal life—the loss of his beloved wife Joanna during childbirth in 1861—could have derailed a lesser artist. Instead, Wells channeled his grief into a continued, tireless pursuit of artistic truth. His later works, such as the 1903 portrait of Alderman Edwin Grove, continue to reflect that same commitment to clarity and character. When he passed away on January 16, 1903, he left behind a legacy of an artist who bridged the gap between the meticulous traditions of the past and the burgeoning realism of the modern age, ensuring that the faces and figures of his era would be preserved with eternal dignity.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Sir Frederic William Burton

    originaluniqueart.com/da/art/download/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/

    Kildehenvisning til dette kunstværk

    MLA
    Wells, Henry Tanworth. Sir Frederic William Burton. 1863, https://originaluniqueart.com/da/art/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/
    APA
    Wells, Henry Tanworth (1863). Sir Frederic William Burton [Painting]. https://originaluniqueart.com/da/art/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/
    Chicago
    Henry Tanworth Wells. Sir Frederic William Burton. 1863. https://originaluniqueart.com/da/art/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/
    Harvard
    Wells, Henry Tanworth (1863) Sir Frederic William Burton. Available at: https://originaluniqueart.com/da/art/henry-tanworth-wells-sir-frederic-william-burton-AQSEXP-en/

    Se nærmere efter

    Sir Frederic William Burton — Henry Tanworth Wells

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Victoria Regina: Queen Victoria receiving the news of her Accession (1880) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Henry Tanworth Wells var omkring 35 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilke andre navne eller pseudonymer bruger Henry Tanworth Wells?

    Andre navne registreret for Henry Tanworth Wells, skaberen af "Sir Frederic William Burton", inkluderer Ra.

    Hvilke farver dominerer "Sir Frederic William Burton" af Henry Tanworth Wells?

    Farveidentiteten i "Sir Frederic William Burton" af Henry Tanworth Wells: en Earthy palet, domineret af Clay (#c27a4a).

    Hvad er lysstyrken i "Sir Frederic William Burton" af Henry Tanworth Wells?

    "Sir Frederic William Burton" af Henry Tanworth Wells har en luminans på Dark. Luminans beskriver, hvor meget lys farverne ser ud til at reflektere.