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George Frederick Harris, Margaret David, Cynon Valley Museum and Gallery. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
George Frederick Harris originaluniqueart.com/da/artists/george-frederick-harris/
Kunstnerens årstal
1856 – 1924
Bevægelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Afholdt hos
Cynon Valley Museum and Gallery originaluniqueart.com/da/museums/cynon-valley-museum-and-gallery-aberdare/

I kontekst

Margaret David — George Frederick Harris

Hvornår er dette maleri sandsynligvis blevet malet?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 68 ved død.

Skyggelagt: George Frederick Harris' livstid (1856–1924) hvert dateret maleri, årti for årti

Første værker: frem til 1890 Primære arbejdsår: 1890–1908 Senere værker: fra 1908

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/george-frederick-harris-margaret-david-AQTELW-en/

Farver

Målt ud fra billedet

    Primær farve

    Walnut #975e19

    Katalogiseret palet

    • #975E19
    • #292218
    • #714212
    • #D2A265

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Walnut
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af George Frederick Harris i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 17 mest viste værker af George Frederick Harris

    1. 1 Still Life of Fruit in a Basket, a Pineapple Alongside and Wine Bottle and Glass Behind, 1901 15,0%
    2. 2 Rosetta Harris, née Lucas, 1918 10,0%
    3. 3 Captain Harold James Brown, MC, 12th Battalion, South Wales Borderers during the First World War, 1917 5,0%
    4. 4 Apples and Grapes, 1894 5,0%
    5. 5 Mrs Dan Davies, 1896 5,0%
    6. 6 Portrait of a Woman in Red, 1890 5,0%
    7. 7 Portrait of a Man with a Beard, 1890 5,0%
    8. 8 Alderman Seymour Berry as Mayor, 1912 5,0%
    9. 9 Godfrey Charles Morgan (1831–1913), 2nd Baron, 1st Viscount Tredegar, 1910 5,0%
    10. 10 Mr Thomas Rees, 1896 5,0%
    11. 11 Portrait of a Gentleman with a Beard, 1904 5,0%
    12. 12 Group of Still Life Artist's Materials, 1908 5,0%
    13. 13 Portrait of an Unknown Man, 1890 5,0%
    14. 14 Day Dreams, 1903 5,0%
    15. 15 Grapes, 1911 5,0%
    16. 16 Inspector Rodman (Merthyr Division), 1888 5,0%
    17. 17 Margaret David dette maleri 5,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 54 værker af denne kunstner, hvoraf 17 er blevet set mindst én gang. Dette maleri rangerer som nummer 17 af dem med 5,0% af den samlede opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    George Frederick Harris

    A Life of Canvas and Connection: The Journey of George Frederick Harris

    The story of George Frederick Harris is one of profound movement, spanning continents and bridging the gap between the intimate world of portraiture and the grand scale of public muralism. Born in Birmingham, West Midlands, in 1856, Harris’s early years were rooted in the industrial heart of England, yet his spirit was destined for a much broader stage. As a painter of both landscape and portrait, he possessed a rare ability to capture the essence of his subjects, whether through the delicate textures of lace in a formal sitting or the sweeping, atmospheric vistas of the natural world. His early career saw him establishing a significant presence in Wales, where he served as the chairman and secretary of the South Wales Art Society in Cardiff, demonstrating an early commitment to the cultivation of artistic communities.

    Harris’s life was characterized by a remarkable series of transitions that mirrored the shifting tides of the late 19th and early 20th centuries. After building a successful business in portraiture and photography in Merthyr Tydfil, he embarked on a transformative journey to Australia in 1920. This migration did not signal an end to his creativity but rather a new chapter of exploration. In the vibrant landscape of Sydney, Harris continued to refine his craft, leaving behind a legacy that connected his Welsh heritage with the burgeoning art scene of the Southern Hemisphere. His personal life was equally rich and complex, marked by significant familial connections; he was the father of the celebrated Australian illustrator Pixie O'Harris, whose whimsical style would later enchant generations of readers.

    Mastery of Form and Symbolism

    To observe a work by Harris is to witness a meticulous marriage of technical precision and emotional depth. His approach to portraiture was deeply rooted in the classical tradition, utilizing oil on canvas to create layers of texture that breathed life into his sitters. He had an extraordinary eye for detail, often focusing on the subtle interplay of light and shadow to convey character and status. In works such as his 1896 portrait of Rosina Davies, one can see how he employed a realistic style to highlight elegant floral elements and intricate fabrics, creating a sense of timelessness that remains captivating to the modern viewer.

    Beyond the individual, Harris’s work often touched upon the broader social fabric. His ability to translate the anxieties and triumphs of his era into visual language allowed him to move between genres with ease. Whether he was capturing the quiet dignity of a gentleman in a studio setting or the rugged beauty of a landscape, his brushwork remained purposeful and evocative. This versatility ensured that his art was not merely decorative but served as a historical record of the people and places that defined his era. His contributions to public collections, such as those held at the Cyfarthfa Castle Museum & Art Gallery, ensure that his technical mastery continues to be studied by those seeking to understand the evolution of portraiture during this transformative period.

    Legacy and Historical Significance

    The historical significance of George Frederick Harris lies in his role as a cultural conduit. He was an artist who did not exist in isolation but was deeply embedded in the institutional fabric of the art worlds he inhabited. Through his leadership roles in Wales and his eventual integration into the Australian art landscape, he helped foster the growth of professional societies and the appreciation of fine arts across borders. His life serves as a testament to the itinerant nature of the artist, proving that creativity knows no geographic boundaries.

    Today, the works of Harris are cherished not only for their aesthetic beauty but for the window they provide into a bygone era of craftsmanship. His legacy is preserved through:

    Public Collections: Numerous paintings attributed to him are held in public art collections, serving as permanent landmarks of his skill.

    Artistic Lineage: His influence extended through his family, notably inspiring the illustrative career of his daughter, Pixie O'Harris.

    Technical Excellence: He remains a key figure for students of late 19th-century realism and landscape painting.

    In the grand tapestry of art history, George Frederick Harris remains a vital thread, weaving together the traditions of Europe and the emerging perspectives of the New World.

    Museum

    Cynon Valley Museum and Gallery

    Udstillet i Aberdare, United Kingdom

    A Window into Cynon Valley’s Soul: Exploring the Cynon Valley Museum & Gallery

    Nestled in the picturesque Rhondda Cynon Taf borough of Wales, the Cynon Valley Museum & Gallery stands as a testament to local heritage and artistic spirit. More than just a repository of artifacts, it's an immersive experience—a journey back in time interwoven with contemporary creativity—designed to captivate visitors from seasoned art historians to families seeking enriching cultural adventures.

    About Cynon Valley Museum & Gallery:

    Founded on the legacy of Abernant’s thriving coal mining past, this free admission museum champions a profound connection to the region's identity. Its mission is to preserve and celebrate Cynon Valley stories through engaging exhibitions and educational programs.

    Collection Highlights: A Tapestry of Time

    The museum’s impressive collection—spanning over 20,000 objects—offers a panoramic view of Cynon Valley's evolution. Divided into thematic areas, it showcases remarkable treasures reflecting diverse periods and influences. Among the most celebrated pieces are detailed depictions of Welsh mining life, capturing the hardships endured by generations of miners alongside their unwavering determination. Furthermore, a vibrant selection of artwork created by local artists illuminates the region’s artistic landscape—a dynamic blend of traditional crafts and modern expressions. Notably, the museum's database includes “Sir Ernest Gowers (1880–1966), KCB, KBE, Senior Regional Commissioner for London, Lieutenant Colonel A. J. Child, OBE, MC, Director of Operations and Intelligence, and K. A. L Parker, Deputy Chief Administrative Officer, in the London Regional Civil Service…” which provides invaluable insight into the broader context of Welsh art history.

    Architectural Roots & Historical Significance

    The museum’s building itself embodies the spirit of Abernant—a former coal mining village—reflecting its formative years. While precise architectural details remain elusive, it serves as a cornerstone of the community, diligently safeguarding memories and traditions. Its location speaks volumes about Cynon Valley's industrial heritage, reminding visitors of the transformative impact of coal mining on shaping the region’s social fabric and artistic sensibilities.

    What Sets Cynon Valley Museum Apart?

    Unlike grand national institutions, Cynon Valley Museum prioritizes intimacy and personal connection—allowing visitors to delve into the narratives that define Cynon Valley's character. Its commitment to community engagement extends beyond exhibitions; interactive programs foster dialogue and inspire curiosity among residents of all ages. Accessibility is paramount: free entry ensures inclusivity, inviting everyone to explore its treasures and participate in enriching experiences. Recognizing the importance of fostering artistic appreciation in younger generations, the museum’s family-friendly activities spark creativity and ignite a passion for history—a cornerstone of Cynon Valley's cultural heritage.

    A Vibrant Artistic Presence

    The Mezzanine Gallery hosts regular exhibitions featuring local artists, showcasing contemporary talent and creative vision. Visitors can discover stunning crafts on sale at the museum shop – a unique opportunity to support regional artistry. Furthermore, “Cynon Valley Museum - Gallery” actively promotes artistic endeavors, fostering connections between creators and audiences alike. Don’t miss the chance to explore “Stories from the Collection,” which delves into the individual narratives that comprise Cynon Valley's history. And for those seeking inspiration at home, download craft resources available on our website!

    Website:

    https://cynonvalleymuseum.wales/

    Current Description:

    Learn about Cynon Valley’s rich history & art! Discover 20,000+ objects, mining heritage, community exhibits & free entry at this Aberdare museum & gallery.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Margaret David

    originaluniqueart.com/da/art/download/george-frederick-harris-margaret-david-AQTELW-en/

    Kildehenvisning til dette kunstværk

    MLA
    Harris, George Frederick. Margaret David. n.d., Cynon Valley Museum and Gallery. https://originaluniqueart.com/da/art/george-frederick-harris-margaret-david-AQTELW-en/
    APA
    Harris, George Frederick (n.d.). Margaret David [Painting]. Cynon Valley Museum and Gallery. https://originaluniqueart.com/da/art/george-frederick-harris-margaret-david-AQTELW-en/
    Chicago
    George Frederick Harris. Margaret David. n.d. Cynon Valley Museum and Gallery. https://originaluniqueart.com/da/art/george-frederick-harris-margaret-david-AQTELW-en/
    Harvard
    Harris, George Frederick (n.d.) Margaret David. Cynon Valley Museum and Gallery. Available at: https://originaluniqueart.com/da/art/george-frederick-harris-margaret-david-AQTELW-en/

    Se nærmere efter

    Margaret David — George Frederick Harris

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 1 — er du enig?)
    4. Vores katalog klassificerer dette værk under: portrait, elderly woman, dignity. Er du enig? Hvad ville du tilføje eller fjerne?
    5. Se tilbage på Portrait of a Man (possibly Parker Hagerty) (1908) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvordan relaterer stilen i "Margaret David" sig til kunstnerens samtid?

    "Margaret David" af George Frederick Harris tilhører Contemporary Realism-bevægelsen fra sin skabers 19th Century-æra.

    Hvor placerer "Margaret David" sig i forhold til George Frederick Harriss samlede værk?

    "Margaret David" deler med George Frederick Harriss øvrige værker sin Contemporary Realism-stil og de gennemgående temaer: harris's formal, detailed style, exploring dignity & status", documenting american society.

    Er "Margaret David" fri for ophavsret?

    "Margaret David" af George Frederick Harris er i det offentlige domæne – ophavsretten er udløbet. Denne status bestemmer, hvordan billedet af værket må reproduceres.