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Georg Abraham Hackert, View near Vietri. Offentlig ejendom. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Georg Abraham Hackert originaluniqueart.com/da/artists/georg-abraham-hackert/
Kunstnerens levetid
1755 – 1805

I kontekst

View near Vietri — Georg Abraham Hackert

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 50 ved død.

Skyggelagt: Georg Abraham Hackert' livstid (1755–1805) hvert dateret maleri, årti for årti

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/georg-abraham-hackert-view-near-vietri-A2A4LF-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #ebd3c5

    Gemt palet

    • #EBD3C5
    • #4F4341
    • #B8A69A
    • #82746C

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Georg Abraham Hackert i løbet af de sidste tolv måneder — 3 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 50,0%
    2. 2 Hong Kong 33,3%
    3. 3 Italien 16,7%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 5 mest viste værker af Georg Abraham Hackert

    1. 1 Ruins of the Augustus Bridge at Narni 28,6%
    2. 2 View near Vietri dette maleri 28,6%
    3. 3 View near Sorrento, 1777 14,3%
    4. 4 View of Vietri 14,3%
    5. 5 View of Persano on the Way to Paestum 14,3%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 11 værker af denne kunstner, hvoraf 5 er blevet set mindst én gang. Dette maleri rangerer som nummer 2 af dem, med 28,6% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Georg Abraham Hackert

    Født i Prenzlau, Germany

    Georg Abraham Hackert: A Romantic Observer of Hungary and Berlin

    Georg Abraham Hackert (1755-1805) stands as a pivotal figure in the transition between the late Baroque and the burgeoning Romanticism of German art. Born in Prenzlau, Prussia – now part of Germany – his life was inextricably linked to the shifting political landscape of 18th-century Europe, particularly through his extensive travels and artistic engagements in Hungary and Berlin. Hackert’s work isn't defined by grand, heroic narratives; instead, he offered a remarkably intimate and observant portrayal of everyday life, rural landscapes, and the remnants of history – a style that resonated deeply with the Romantic sensibility’s focus on emotion, nature, and the past.

    Early Life and Artistic Training

    Hackert's early artistic training remains somewhat shrouded in mystery, though it’s known he began his career as an assistant to Johann Christian Fieger, a painter working in Berlin. This initial apprenticeship provided him with foundational skills in portraiture and decorative painting. However, Hackert quickly developed a fascination with engraving, a medium that allowed him to meticulously capture detail and explore the interplay of light and shadow – qualities crucial to his later landscape work. He honed his engraving skills under the tutelage of Johann Christian Fieger’s assistant, Carl Wilhelm von Nauck, further solidifying his technical expertise. Crucially, Hackert's early exposure to Prussian court life and the burgeoning interest in archaeological discoveries—particularly Roman ruins—would profoundly shape his artistic vision.

    Hungary: A Landscape of Transformation

    In 1778, Hackert embarked on a pivotal journey to Hungary, commissioned by Frederick the Great of Prussia to document the country’s landscape and its transformation following the Habsburg-Turkish War. This extended sojourn proved transformative, both artistically and personally. He spent nearly two decades immersed in Hungarian life, capturing scenes of rural communities, peasant labor, and the dramatic beauty of the Hungarian plains. Unlike many artists who idealized nature, Hackert presented a more nuanced view – one that acknowledged the hardships faced by the peasantry while simultaneously celebrating the region’s rugged charm. His etchings and engravings from this period, such as “View of Vietri” and “View of the Environs of Carpentras,” are characterized by their meticulous detail, atmospheric perspective, and a subtle sense of melancholy. He wasn't simply recording scenery; he was attempting to capture the spirit of a people and a land undergoing significant change.

    Berlin: Portraits and Historical Scenes

    Returning to Berlin in 1798, Hackert established himself as a respected portrait painter and continued his work on historical subjects. He produced numerous portraits of prominent figures, demonstrating a keen ability to capture character and personality. His engagement with the Prussian court provided him with access to luxurious settings and opulent costumes, which he rendered with remarkable accuracy. Simultaneously, he revisited themes from his Hungarian period, creating engravings that explored the ruins of Roman sites – a fascination rooted in his earlier experiences. Works like “Ruins of the Augustan Bridge at Narni” exemplify this blend of historical awareness and Romantic sensibility, presenting ancient structures not as relics of a distant past but as evocative reminders of human ambition and decay.

    Legacy and Influence

    Georg Abraham Hackert’s legacy lies in his ability to bridge the gap between Neoclassicism and Romanticism. He was a master of observation, meticulously documenting the details of everyday life and the beauty of the natural world. His work anticipated many of the key themes of the Romantic movement – the importance of emotion, the fascination with nature, and the exploration of the past—though he did so through a distinctly German lens. His detailed engravings served as models for later generations of landscape artists, while his portraits offered insightful glimpses into the personalities of 18th-century Europe. Hackert’s influence can be seen in the works of Caspar David Friedrich and other prominent Romantic painters who followed in his footsteps, solidifying his place as a significant figure in the development of German art. His work continues to resonate today through its evocative depictions of human experience and the enduring power of landscape.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for View near Vietri

    originaluniqueart.com/da/art/download/georg-abraham-hackert-view-near-vietri-A2A4LF-en/

    Kildehenvisning til dette kunstværk

    MLA
    Hackert, Georg Abraham. View near Vietri. n.d., https://originaluniqueart.com/da/art/georg-abraham-hackert-view-near-vietri-A2A4LF-en/
    APA
    Hackert, Georg Abraham (n.d.). View near Vietri [Painting]. https://originaluniqueart.com/da/art/georg-abraham-hackert-view-near-vietri-A2A4LF-en/
    Chicago
    Georg Abraham Hackert. View near Vietri. n.d. https://originaluniqueart.com/da/art/georg-abraham-hackert-view-near-vietri-A2A4LF-en/
    Harvard
    Hackert, Georg Abraham (n.d.) View near Vietri. Available at: https://originaluniqueart.com/da/art/georg-abraham-hackert-view-near-vietri-A2A4LF-en/

    Se nærmere efter

    View near Vietri — Georg Abraham Hackert

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på View near Sorrento (1777) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvor harmoniske er farverne i "View near Vietri" af Georg Abraham Hackert?

    "View near Vietri" af Georg Abraham Hackert fremviser en Strong Color Unity farveharmoni.

    Hvem er kunstneren bag "View near Vietri"?

    "View near Vietri" blev skabt af Georg Abraham Hackert. Informationen på denne side beskriver Georg Abraham Hackerts originale værk.

    Kan billedet af "View near Vietri" af Georg Abraham Hackert frit reproduceres?

    Ophavsretsstatus for "View near Vietri" af Georg Abraham Hackert: værket er i det offentlige domæne – ophavsretten er udløbet. Dette afgør, om der frit må foretages reproduktioner af billedet.