Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Emile Othon Friesz døde i 1949; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 2019.
I kontekst
Flowers — Emile Othon Friesz
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 70 ved død.
Skyggelagt: Emile Othon Friesz' livstid (1879–1949) hvert dateret maleri, årti for årti
Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Se flere lignende værker her: originaluniqueart.com/da/art/similar/emile-othon-friesz-flowers-9DGQBG-en/
Målt ud fra billedet
Primær farve
Gray #897f62
Katalogiseret palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 16 værker af denne kunstner, hvoraf 8 er blevet set mindst én gang. Dette maleri rangerer som nummer 7, med 10,0% af den opmærksomhed (100 besøg). Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Født i Le Havre, France
Achille-Émile Othon Friesz was born in Le Havre, France, in 1879. He came from a family with artistic inclinations; his father was a marine painter.
Friesz initially pursued studies in shipbuilding before dedicating himself to painting around the age of 20.
He received formal training at the École des Beaux-Arts in Paris, studying under Gustave Moreau and Léon Bonnat.
During his time in Paris, he befriended other aspiring artists like Raoul Dufy, which would prove pivotal to his artistic development.
Friesz became a key member of the Fauvist movement, alongside artists like Henri Matisse and André Derain. This group was known for its bold use of color and expressive brushwork.
His early works from this period, such as Paysage à la Ciotat (1907), demonstrate the Fauvist aesthetic – vibrant, non-naturalistic colors applied with energetic strokes.
He exhibited with the Salon d'Automne in 1905, the exhibition that famously launched the term “Fauves” (“wild beasts”) due to their radical style.
Around 1908-1909, Friesz began to move away from the intense colorism of Fauvism towards a more personal Post-Impressionist style.
His palette became softer, and his compositions more structured. He focused increasingly on landscapes, often depicting scenes in Normandy and along the French coast.
Les baigneuses des Andelys (1908) exemplifies this transition, showcasing a more balanced composition and nuanced color scheme.
He continued to paint figure paintings and still lifes throughout his career, but landscapes remained a central theme.
Le travail à l'automne (1907-1908): A large-scale painting showcasing his Fauvist period, depicting figures working in an autumnal landscape.
Roofs and cathedral in Rouen (1908): Demonstrates his exploration of urban landscapes and architectural subjects.
Paysage les jars (ca. 1920): A representative example of his later, more refined Post-Impressionist style.
Friesz exhibited widely throughout France and internationally during his lifetime.
Émile Othon Friesz played a significant role in the development of modern art, particularly through his involvement with Fauvism.
His later work demonstrates a successful transition from radical experimentation to a more contemplative and personal style.
He influenced a generation of painters, including Marthe Rakine, who was among his pupils.
Friesz’s paintings are held in major museum collections worldwide, including the Hermitage Museum (Saint Petersburg) and the Musée du Petit Palais (Geneva).
He died in Paris in 1949 and is buried in the Cimetière du Montparnasse.
originaluniqueart.com/da/art/download/emile-othon-friesz-flowers-9DGQBG-en/
Se nærmere efter
Flowers — Emile Othon Friesz
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Farverne i "Flowers" af Emile Othon Friesz har en Subtle Color mætning. Mætning beskriver, hvor livlige eller dæmpede farverne er.
"Flowers" af Emile Othon Friesz er i det offentlige domæne – ophavsretten er udløbet. Ophavsretten løber fra kunstnerens dødsår, som var 1949.
Røntgenvisningen af "Flowers" af Emile Othon Friesz findes på værkets Røntgenoptagelse-side: en interaktiv undersøgelse af billedet gennem elleve optiske lag.