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Moonlit Landscape

Navn Klasse Dato

Elliott Dangerfield, Moonlit Landscape (1915). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Elliott Dangerfield originaluniqueart.com/da/artists/elliott-dangerfield/
Kunstnerens årstal
1859 – 1932
Malet
1915
Bevægelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

I kontekst

Moonlit Landscape — Elliott Dangerfield

Hvornår er dette malet?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 73 ved død.

Malet da kunstneren var 56 år gammel. Kunstneren blev 73 år gammel. 17 af de 25 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Elliott Dangerfield' livstid (1859–1932) ▲ dette værk, 1915 hvert dateret maleri, årti for årti

Første værker: frem til 1893 Primære arbejdsår: 1893–1915 Senere værker: fra 1915

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/elliott-dangerfield-moonlit-landscape-8YDGNM-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #51341c

    Katalogiseret palet

    • #51341C
    • #160F11
    • #DCA52A
    • #976224

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Elliott Dangerfield i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 60,0%
    2. 2 USA 40,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 6 mest viste værker af Elliott Dangerfield

    1. 1 The Sisters (also known as Marjorie ^ Gwendoline Daingerfield), 1920 40,0%
    2. 2 Night of the Titanic, 1912 30,0%
    3. 3 The Sleepers, 1914 10,0%
    4. 4 Large Landscape (also known as Grandfather Mountain in the Mist) 10,0%
    5. 5 Westglow, 1915 10,0%
    6. — Moonlit Landscape, 1915 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 29 værker af denne kunstner, hvoraf 5 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Elliott Dangerfield

    Født i West Virginia, United States of America

    The Soul of the Appalachians: The Life and Legacy of Elliott Dangerfield

    In the quiet, mist-shrouded valleys of West Virginia, a profound artistic vision was forged during the late nineteenth century. Elliott Dangerfield (1859–1932) emerged from this rugged landscape not merely as a chronicler of scenery, but as a poet of light and atmosphere. Born in Fayetteville, his early years were steeped in the natural grandeur of the American wilderness, an environment that would later serve as the primary heartbeat of his creative output. While many of his contemporaries sought the frantic energy of urban expansion, Dangerfield turned his gaze inward toward the enduring tranquility of the Appalachian mountains, finding a spiritual resonance in the subtle shifts of color and the soft, encroaching shadows of the rural landscape.

    Dangerfield’s journey from a provincial upbringing to the prestigious artistic circles of New York City represents a classic narrative of American artistic development. His formal training began under the guidance of Walter Satterlee at the National Academy of Design, where he mastered the foundational principles of tonal realism. This period of rigorous study provided him with the technical vocabulary necessary to translate the complexities of nature onto canvas. However, it was his exposure to the burgeoning American Impressionist movement that truly liberated his brush. By blending the precision of academic training with a more fluid, emotive approach to light, he began to develop a style that felt both grounded in reality and elevated by a dreamlike, nostalgic quality.

    A Mastery of Tonalism and Light

    The true essence of Dangerfield’s work lies in his sophisticated use of tonalism—a movement that sought to evoke mood and emotion through a limited palette and atmospheric effects. Unlike the high-contrast drama of some landscape painters, Dangerfield preferred the nuanced gradations of dusk, dawn, and moonlight. His canvases often feature a delicate interplay of golden light and melancholic shadows, creating a sense of "Appalachian Serenity" that invites the viewer into a state of quiet contemplation. He possessed a remarkable ability to manipulate pigments to achieve a palpable sense of humidity, mist, and warmth, making the air within his paintings feel almost tangible.

    His influences were as profound as the landscapes he painted. Drawing inspiration from luminaries such as Frederic Church and George Inness, Dangerfield embraced the idea that a landscape could serve as a vessel for the human spirit. His technique often utilized subtle impasto textures to catch the light, particularly in works like Moonlit Landscape (1915), where the interplay of silver moonlight and deep earth tones creates a dramatic yet serene nocturnal scene. Whether depicting a sun-drenched field in High Noon or the brooding tension of The Spirit of the Storm, his work remains anchored by a profound respect for the inherent dignity of the natural world.

    Historical Significance and Artistic Enduring Spirit

    Throughout his prolific career, Dangerfield remained a steadfast observer of the American countryside. While he achieved recognition within the competitive New York art scene, his heart never strayed far from the mountains of his youth. This dedication to his roots allowed him to capture a specific era of American life—a period of transition where the wild frontier was beginning to settle into the pastoral beauty of the early twentieth century. His paintings serve as vital historical documents, preserving the light and atmosphere of a landscape that has since been irrevocly changed by time.

    The legacy of Elliott Dangerfield is found in the emotional resonance of his compositions. He did not seek to overwhelm the viewer with grand, sweeping spectacles; instead, he mastered the art of the intimate moment. His contributions to American landscape art are characterized by:

    Atmospheric Precision: An unparalleled ability to render the subtle effects of light, mist, and weather.

    Emotional Depth: The use of tonalism to evoke feelings of nostalgia, peace, and a gentle, beautiful melancholy.

    Regional Devotion: A lifelong commitment to portraying the unique character and spirit of the Appalachian wilderness.

    Today, Dangerfield’s work continues to captivate collectors and historians alike, standing as a testament to the power of observation and the enduring beauty of the American landscape.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Moonlit Landscape

    originaluniqueart.com/da/art/download/elliott-dangerfield-moonlit-landscape-8YDGNM-en/

    Kildehenvisning til dette kunstværk

    MLA
    Dangerfield, Elliott. Moonlit Landscape. 1915, https://originaluniqueart.com/da/art/elliott-dangerfield-moonlit-landscape-8YDGNM-en/
    APA
    Dangerfield, Elliott (1915). Moonlit Landscape [Painting]. https://originaluniqueart.com/da/art/elliott-dangerfield-moonlit-landscape-8YDGNM-en/
    Chicago
    Elliott Dangerfield. Moonlit Landscape. 1915. https://originaluniqueart.com/da/art/elliott-dangerfield-moonlit-landscape-8YDGNM-en/
    Harvard
    Dangerfield, Elliott (1915) Moonlit Landscape. Available at: https://originaluniqueart.com/da/art/elliott-dangerfield-moonlit-landscape-8YDGNM-en/

    Se nærmere efter

    Moonlit Landscape — Elliott Dangerfield

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: landscape, twilight, trees. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på The Spirit of the Storm (1912) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken kunstretning tilhører "Moonlit Landscape" af Elliott Dangerfield?

    "Moonlit Landscape" er et værk fra Impressionism. Denne stilart angiver den kunstneriske tradition, som værket indgår i.

    Kan jeg se "Moonlit Landscape" af Elliott Dangerfield under forskellig belysning?

    Røntgenoptagelse-siden til "Moonlit Landscape" af Elliott Dangerfield er en interaktiv viewer, der lader dig glide gennem elleve optiske lag af værkets billede, herunder en visning i røntgenstil.

    Er billedet af "Moonlit Landscape" af Elliott Dangerfield frit tilgængeligt i det offentlige domæne?

    Hvad angår ophavsret, er "Moonlit Landscape" i det offentlige domæne – ophavsretten er udløbet.