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Under Salmesangen

Navn Klasse Dato

Eilif Peterssen, Under Salmesangen (1878), Nordnorsk Kunstmuseum. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Eilif Peterssen originaluniqueart.com/da/artists/eilif-peterssen/
Kunstnerens årstal
1852 – 1928
Malet
1878
Afholdt hos
Nordnorsk Kunstmuseum originaluniqueart.com/da/museums/nordnorsk-kunstmuseum-tromso/

I kontekst

Under Salmesangen — Eilif Peterssen

Hvornår er dette malet?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 76 ved død.

Malet da kunstneren var 26 år gammel. Kunstneren blev 76 år gammel. 2 af de 15 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Eilif Peterssen' livstid (1852–1928) ▲ dette værk, 1878 hvert dateret maleri, årti for årti

Første værker: frem til 1878 Primære arbejdsår: 1878–1894 Senere værker: fra 1894

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/eilif-peterssen-under-salmesangen-AQR64L-en/

Farver

Målt ud fra billedet

    Primær farve

    Clay #935c3d

    Katalogiseret palet

    • #935C3D
    • #151211
    • #4B3426
    • #CEA07B

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Clay
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Eilif Peterssen i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 66,7%200 visits
    2. 2 USA 33,3%100 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 5 mest viste værker af Eilif Peterssen

    1. 1 English Moonrise over the dunes, 1883 25,0%100 visits
    2. 2 Judas Iskariot, 1878 25,0%100 visits
    3. 3 Nocturne, 1887 25,0%100 visits
    4. 4 The painter Kalle Løchen, 1885 25,0%100 visits
    5. — Under Salmesangen, 1878 dette maleri 0,0%0 visits

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 20 værker af denne kunstner, hvoraf 4 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Eilif Peterssen

    A Legacy of Light and Line: The Life of Eilif Peterssen

    In the heart of nineteenth-century Norway, a period defined by a burgeoning national identity and a profound connection to the rugged Nordic landscape, Eilif Peterssen emerged as a transformative force. Born Hjalmar Eilif Emanuel Peterssen in 1852 within the vibrant cultural atmosphere of Christiania, now Oslo, his very lineage was steeped in the artistic traditions of his homeland. From his early years in the district of Frogner, Peterssen demonstrated an innate sensitivity to the world around him, a trait that would later manifest in his ability to capture both the monumental scale of Norwegian nature and the intimate nuances of the human soul. His journey was not merely one of personal growth but a sophisticated odyssey through Europe’s most prestigious art capitals, each stop adding a new layer of complexity to his brushwork.

    The foundation of his technical mastery was laid in his native Norway, where he studied at the Johan Fredrik Eckersberg School of Painting. However, the true expansion of his artistic vocabulary occurred as he ventured beyond the borders of his birth nation. His travels through Copenhagen and Germany brought him into contact with the rigorous academic traditions of the Royal Danish Academy of Fine Arts and the innovative spirit of the Weimar Saxon-Grand Ducal Art School in Karlsruhe. It was during these formative years that Peterssen began to move away from strict realism, absorbing the experimental energies of his contemporaries. His time in Munich proved particularly transformative; under the guidance of masters like Wilhelm von Diez and Franz von Lenbach, he embraced the bold, expressive color palettes and plein air techniques characteristic of the Munich School, a movement that would forever alter his approach to light and atmosphere.

    The Mastery of Portraiture and Landscape

    Peterssen’s oeuvre is a breathtaking duality of subject matter, oscillating between the grandiosity of historical narrative and the quiet intimacy of portraiture. He gained early acclaim with his powerful history painting, Christian II signing the Death Warrant of Torben Oxe, a work that showcased his ability to command dramatic tension and historical weight. Yet, it was in the realm of portraiture that he truly established himself as one of Norway's most revered chroniclers of character. His portraits were more than mere likenesses; they were psychological studies that captured the essence of the era's most influential figures. Through his brush, the contemplative moods of legendary composer Edvard Grieg and the intellectual depth of playwright Henrik Ibsen were rendered with a profound, lifelike dignity.

    Parallel to his success in portraiture was his deep, spiritual connection to the Norwegian landscape. As a prominent figure within the circle of the Skagen Painters, Peterssen sought to capture the ephemeral qualities of light as it danced across the Nordic terrain. His landscapes are characterized by an Impressionistic sensibility, where the boundaries between earth and sky often blur into a cohesive, atmospheric whole. Whether depicting the serene stillness of Sevilosen or the evocative, muted tones of The Salmon Fisher, his work evokes a sense of solitude and reverence for the natural world. His ability to translate the rugged textures of Norway into soft, luminous compositions allowed him to become a pioneer of Norwegian Landscape Impressionism.

    A Lasting Contribution to National Identity

    Beyond the canvas, Eilif Peterssen’s influence extended into the very fabric of Norwegian national symbolism. In 1905, a year of immense political significance for Norway, he was tasked with designing the nation's new coat of arms. His creation, featuring the iconic Norwegian lion, became a permanent fixture of the state's identity, used by both the government and the royal house to this day. This achievement underscores his role not just as an observer of culture, but as an active participant in the construction of a national aesthetic.

    The significance of Peterssen’s career lies in his ability to bridge the gap between traditional academic realism and the modern, emotive impulses of Impressionism. His life's work serves as a vital link in the evolution of Nordic art, reflecting a period of intense transition and creative flowering. To look upon a Peterssen painting is to witness a master navigating the delicate balance between the tangible reality of the physical world and the intangible beauty of light and emotion. His legacy remains etched in the landscapes he loved and the faces he immortalized, standing as a testament to the enduring power of the Norwegian spirit.

    Museum

    Nordnorsk Kunstmuseum

    Udstillet i Tromsø, Norway

    A Sanctuary of Resilience in the Arctic Twilight

    In the heart of Tromsø, where the midnight sun and the aurora borealis orchestrate a celestial dance, stands the Nordnorsk Kunstmuseum—a sanctuary for the soul of Northern Norway. This is not merely a repository of canvas and stone; it is a living chronicle of endurance. The museum’s very walls whisper tales of profound transformation, housed within a striking structure that once served as a post and telegraph office in 1917, designed by the architect Søren Andreas Wiese Opsahl. Having weathered the turbulent shifts of history, even serving as a police station during the Second World War, the building now stands as a testament to cultural metamorphosis, offering a poignant dialogue between its utilitarian past and its present role as a vanguard of artistic expression. For the visitor, the architecture itself serves as a bridge, connecting the functional grit of the early twentieth century with the ethereal beauty of contemporary Northern creativity.

    The Pulse of Sámi Heritage and Sublime Landscapes

    To step into the halls of NNKM is to embark on a journey through the spiritual and physical landscapes of the North. At the very heart of the collection lies an unparalleled dedication to

    Sámi art

    , a cornerstone of the region's identity that weaves together ancient traditions with contemporary voices. Here, the viewer encounters works that transcend mere depiction, capturing the profound connection between the people and the natural world. The museum’s mastery of the landscape tradition is perhaps most evident in the sublime works of

    Peder Balke

    , whose romanticized visions of the Arctic coast evoke a sense of awe and cosmic scale. Alongside these, the collection breathes with the energy of artists like Olav Christopher Jenssen, ensuring that the narrative of Sámi culture remains both historically rooted and vibrantly modern. These pieces do not simply occupy space; they convey narratives of resilience and spirituality that resonate powerfully across generations.

    A Tapestry of Norwegian Evolution and Arctic Horizons

    The museum’s curatorial vision extends far beyond the borders of Tromsø, presenting a magnificent panorama of Norwegian art history that spans centuries. Visitors can wander through the opulent textures of Baroque paintings by Henrik Jespersen before encountering the groundbreaking, experimental spirit of

    Edvard Munch

    or the delicate, light-filled Impressionism of Harriet Backer. This diversity is matched by the museum’s remarkable reach; through the

    Kunsthall Svalbard

    , NNKM extends its artistic horizon into the remote Arctic realm of Longyearbyen, fostering a dialogue that addresses pressing environmental themes and contemporary innovation. For the collector or the interior designer seeking inspiration, the Nordnorsk Kunstmuseum offers more than just aesthetic beauty; it provides a profound encounter with the very essence of Northern identity, where every brushstroke tells a story of survival, light, and the eternal majesty of the North.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Under Salmesangen

    originaluniqueart.com/da/art/download/eilif-peterssen-under-salmesangen-AQR64L-en/

    Kildehenvisning til dette kunstværk

    MLA
    Peterssen, Eilif. Under Salmesangen. 1878, Nordnorsk Kunstmuseum. https://originaluniqueart.com/da/art/eilif-peterssen-under-salmesangen-AQR64L-en/
    APA
    Peterssen, Eilif (1878). Under Salmesangen [Painting]. Nordnorsk Kunstmuseum. https://originaluniqueart.com/da/art/eilif-peterssen-under-salmesangen-AQR64L-en/
    Chicago
    Eilif Peterssen. Under Salmesangen. 1878. Nordnorsk Kunstmuseum. https://originaluniqueart.com/da/art/eilif-peterssen-under-salmesangen-AQR64L-en/
    Harvard
    Peterssen, Eilif (1878) Under Salmesangen. Nordnorsk Kunstmuseum. Available at: https://originaluniqueart.com/da/art/eilif-peterssen-under-salmesangen-AQR64L-en/

    Se nærmere efter

    Under Salmesangen — Eilif Peterssen

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Judas Iskariot (1878) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Eilif Peterssen var omkring 26 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilke andre navne eller pseudonymer bruger Eilif Peterssen?

    Eilif Peterssen er også kendt som Hjalmar Eilif Emanuel Peterssen.

    Hvor meget lys ser farverne i "Under Salmesangen" ud til at reflektere?

    Farverne i "Under Salmesangen" har en Dark luminans.

    Er "Under Salmesangen" overordnet set mest lys eller mørk?

    "Under Salmesangen" har en overordnet lysstyrke på deep_shadow, og dens luminans er Dark.