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Tableware from Barcelos

Navn Klasse Dato

Eduardo Afonso Viana, Tableware from Barcelos (1915), Soares dos Reis National Museum. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Eduardo Afonso Viana originaluniqueart.com/da/artists/eduardo-afonso-viana_da/
Kunstnerens årstal
1881 – 1967
Malet
1915
Medie
Oil
Oprindelig størrelse
50 x 61 cm
Bevægelse
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Periode
Modern
Afholdt hos
Soares dos Reis National Museum originaluniqueart.com/da/museums/soares-dos-reis-national-museum-porto/
Artistic style
Post-Impressionist
Influences
Cézanne, Robert Delaunay, Sonia Delaunay
Subject or theme
Still life with horse and tableware

I kontekst

Tableware from Barcelos — Eduardo Afonso Viana

Hvor stor er den?

Originalen måler 50 × 61 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 86 ved død.

Malet da kunstneren var 34 år gammel. Kunstneren blev 86 år gammel. 2 af de 7 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Eduardo Afonso Viana' livstid (1881–1967) ▲ dette værk, 1915 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #474a30

    Katalogiseret palet

    • #474A30
    • #282E29
    • #AB4422
    • #C59662

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    De 2 mest viste værker af Eduardo Afonso Viana

    1. 1 Interior - Tea set and toast, 1914 100,0%
    2. — Tableware from Barcelos, 1915 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 7 værker af denne kunstner, hvoraf 1 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Tableware from Barcelos — Eduardo Afonso Viana

    A Symphony of Portuguese Tradition

    In the vibrant tapestry of early twentieth-century Portuguese modernism, few works capture the quiet charm of domestic life as evocatively as Eduardo Afonso Viana’s Tableware from Barcelos. Painted in 1915, this exquisite still life serves as a window into a world where the mundane is elevated to the monumental. The composition centers around an unexpected and whimsical protagonist: a horse, nestled amidst an array of ceramic vessels, bowls, and bottles. This arrangement transcends a simple display of objects; it creates a rhythmic dance of shapes and colors that invites the viewer into a serene, almost dreamlike, domestic landscape. The presence of the horse introduces a touch of surrealist charm, breaking the traditional boundaries of the still life genre and injecting a sense of narrative mystery into the scene.

    The artist’s technique reflects a masterful command over color and form, heavily influenced by the Post-Impressionist movements circulating through Europe at the time. Viana, having refined his skills in Paris under the guidance of Jean-Paul Laurens, brings a sophisticated structural integrity to the piece. One can observe the subtle echoes of Cézanne in the way the volumes of the bowls and vases are constructed, providing a sense of weight and permanence. The palette is a lush dialogue between earthy tones and vibrant accents, set against a deep green background that provides a verdant depth, pushing the colorful tableware toward the foreground. This careful use of contrast ensures that every curve of a cup and every rim of a bowl catches the light, creating a tactile quality that makes the painting feel almost touchable.

    A Legacy of Modernity and Charm

    To understand the emotional resonance of Tableware from Barcelos, one must consider Viana’s position within the first generation of Portuguese modernists. Alongside contemporaries like Amadeo de Souza Cardoso, Viana sought to bridge the gap between local tradition and international avant-garde movements. This painting is a testament to that duality; while the subject matter—the artisanal tableware of Barcelos—is deeply rooted in Portuguese identity, the execution is decidedly modern. The way light interacts with the surfaces and the rhythmic placement of objects suggest an influence from the Orphism of Robert and Sonia Delaunay, yet the soul of the work remains intimately connected to the warmth of Iberian life.

    For the discerning collector or interior designer, this artwork offers more than mere decoration; it provides a focal point of intellectual and aesthetic sophistication. The piece possesses a unique ability to anchor a room, offering a sense of historical depth and cultural richness. Whether placed in a contemporary minimalist setting to provide a burst of color and character, or within a classic, traditional interior to enhance its warmth, the painting acts as a conversation starter. It is an invitation to contemplate the beauty found in the everyday, making it a timeless acquisition for those who appreciate art that celebrates both the spirit of innovation and the enduring grace of tradition.

    Kunstner og museum

    Kunstner

    Eduardo Afonso Viana

    Født i Lissabon, Portugal

    tidligt liv og uddannelse

    Eduardo Afonso Viana, en fremtrædende skikkelse i den portugisiske kunsthistorie, blev født i Lissabon i 1881. Han påbegyndte sin kunstneriske rejse ved Academia de Belas Artes de Lisboa, hvor han forfinede sine færdigheder side om side med andre bemærkelsesværdige kunstnere fra sin samtid. I 1905 bragte Viana sit talent til Paris, hvor han studerede under Jean-Paul Laurens' vejledning, hvilket yderligere forædlede hans håndværk.

    kunstnerisk stil og indflydelser

    Vianas tilgang til moderne maleri var karakteriseret ved en konservativ, men dog innovativ ånd. Han tilhørte den første generation af modernister inden for portugisisk maleri, sammen med Amadeo de Souza Cardoso og Almada Negreiros. Indflydelsen fra Robert Delaunay og Sonia Delaunay, som han blev venner med under deres ophold i Portugal, er tydelig i hans værker fra 1916, der fremviser en unik blanding af moderne stilarter. Senere producerede Vianas postimpressionistiske stil, inspireret af Cézanne, nogle af hans mest bemærkelsesværdige værker.

    bemærkelsesværdige værker og udstillinger

    - In Revolt (1916): en livlig skildring af det portugisiske liv, karakteriseret ved farverige buer. - K4: Det blå kvadrat (1917): betragtes som en hyldest til portugisisk modernisme, inspireret af Almada Negreiros' bog med samme navn og dedikeret til Amadeo de Souza Cardoso.

    museer og samlinger

    Vianas værker er repræsenteret på flere prestigefyldte portugisiske museer, herunder: - Chiado Museum, Lissabon - National Museum Soares dos Reis, Porto

    for mere om Vianas liv og værk, besøg Eduardo Afonso Viana-siden på AllPaintingsStore.

    udforsk andre bemærkelsesværdige portugisiske kunstnere som Pedro Casqueiro og deres bidrag til den moderne kunst.

    opdag Auto-retrato num grupo af José Sobral de Almada Negreiros, et centralt værk i den portugisiske moderne kunstscene.

    oplev dybden af portugisisk kunst gennem AllPaintingsStores omfattende samling og dyk ned i historierne om pionerer som Eduardo Afonso Viana.

    Museum

    Soares dos Reis National Museum

    Udstillet i Porto, Portugal

    A Window into Portugal’s Artistic Soul

    Nestled within the architectural grandeur of Porto, the

    Soares dos Reis National Museum

    stands as a profound testament to the enduring passion of the Portuguese spirit. As the nation's oldest public institution dedicated solely to its own artistic expression, the museum offers far more than a mere collection of objects; it provides an immersive journey through the vibrant tapestry of 19th and 20th-century culture. Housed within the magnificent

    Palácio das Carrancas

    , the museum serves as a sanctuary where history and beauty converge, inviting art lovers and collectors alike to wander through a narrative of national identity and creative evolution.

    The museum’s home is an architectural marvel in its own right. Designed in a refined Neo-Classical style by the architect José Augusto Vieira, the palace embodies an era of aristocratic prestige. Its façade, famously adorned with sculpted faces known as

    “Carrancas,”

    immediately captivates the observer with its stern yet soulful expressions. Stepping inside, visitors are enveloped by the elegance of a former residence that has been transformed into a temple of art. The surrounding tranquil gardens offer a deliberate space for contemplation, allowing the heavy weight of history to soften into a peaceful connection with nature, making it an ideal destination for those seeking inspiration or a moment of quiet reflection amidst the bustle of Porto.

    Masterpieces of Stone and Canvas

    The heart of the museum beats through its extraordinary collection, which presents a comprehensive panorama of stylistic developments across two centuries. The galleries are dominated by the monumental presence of

    António Soares dos Reis

    , the melancholic titan of Portuguese sculpture. His ability to breathe life into Carrara marble and bronze—seen in works such as the poignant

    “O Desterrado”

    —captures a unique intersection of Neoclassical precision and Romantic emotion. To stand before his sculptures is to witness the mastery of human anatomy infused with an internal psychological depth that remains unparalleled.

    Beyond the sculptural triumphs, the museum celebrates a diverse lineage of painters who captured the very essence of their era. The collection invites exploration of the delicate brushwork of

    Vieira Portuense

    and the dramatic lighting found in the works of

    Domingos Sequeira

    . From the realistic portraits like the

    “Bust of Mrs. Elisa Leech”

    to the expressive, modern sensibilities of artists such as

    Júlio Resende

    and

    Aurélia de Souza

    , the museum showcases a continuous dialogue between tradition and innovation. For the interior designer or the connoisseur, these works represent not just historical artifacts, but timeless examples of aesthetic excellence that continue to influence contemporary perceptions of beauty and form.

    A Legacy of Preservation and Discovery

    The history of the Soares dos Reis National Museum is as turbulent and rich as the art it protects. Founded in 1833 by King Peter IV as the

    Museu Portuense

    , its origins were rooted in a period of profound social change, initially serving as a repository for religious art reclaimed from convents during a time of political upheaval. This early role as a protector of heritage laid the foundation for its later expansion, fueled by significant legacies such as the

    Museu Allen

    . This transition from a sanctuary for confiscated treasures to a world-class institution reflects Portugal's own journey through modernity.

    Today, the museum remains a living institution, dedicated to meticulous research and international collaboration. Through ongoing scholarly investigations into provenance and technique, it continues to deepen our understanding of Portuguese cultural heritage. By hosting notable exhibitions that bridge the gap between established masters and emerging talents, the Soares dos Reis National Museum ensures that the flame of Portuguese creativity is never extinguished, remaining a vital landmark for anyone captivated by the intersection of history, art, and the human condition.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Tableware from Barcelos

    originaluniqueart.com/da/art/download/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/

    Kildehenvisning til dette kunstværk

    MLA
    Viana, Eduardo Afonso. Tableware from Barcelos. 1915, Soares dos Reis National Museum. https://originaluniqueart.com/da/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/
    APA
    Viana, Eduardo Afonso (1915). Tableware from Barcelos [Painting]. Soares dos Reis National Museum. https://originaluniqueart.com/da/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/
    Chicago
    Eduardo Afonso Viana. Tableware from Barcelos. 1915. Soares dos Reis National Museum. https://originaluniqueart.com/da/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/
    Harvard
    Viana, Eduardo Afonso (1915) Tableware from Barcelos. Soares dos Reis National Museum. Available at: https://originaluniqueart.com/da/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/

    Se nærmere efter

    Tableware from Barcelos — Eduardo Afonso Viana

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: horse, vases, bowls. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Nude (1925) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken teknik og stil er "Tableware from Barcelos" udført i?

    "Tableware from Barcelos" er udført i Oil i Post-Impressionism-stil.

    Hvor placerer "Tableware from Barcelos" af Eduardo Afonso Viana sig i kunsthistorien?

    "Tableware from Barcelos" af Eduardo Afonso Viana er kunsthistorisk klassificeret som Post-Impressionism fra Modern-perioden.

    Hvornår blev "Tableware from Barcelos" skabt, og hvilken stilart tilhører det?

    "Tableware from Barcelos" af Eduardo Afonso Viana er dateret 1915 og tilhører Post-Impressionism.