Papir

Guide til elevkunst

Thomas Kenyon (1780–1851)

Navn Klasse Dato

Eden Upton Eddis, Thomas Kenyon (1780–1851) (1850), Ludlow Museum Resource Centre. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Eden Upton Eddis originaluniqueart.com/da/artists/eden-upton-eddis/
Kunstnerens årstal
1812 – 1901
Malet
1850
Oprindelig størrelse
125 x 100 cm
Afholdt hos
Ludlow Museum Resource Centre originaluniqueart.com/da/museums/ludlow-museum-resource-centre-ludlow/

I kontekst

Thomas Kenyon (1780–1851) — Eden Upton Eddis

Hvor stor er den?

Originalen måler 125 × 100 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890
  10. 1900

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 89 ved død.

Malet da kunstneren var 38 år gammel. Kunstneren blev 89 år gammel. 5 af de 26 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Eden Upton Eddis' livstid (1812–1901) ▲ dette værk, 1850 hvert dateret maleri, årti for årti

Første værker: frem til 1850 Primære arbejdsår: 1850–1884 Senere værker: fra 1884

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/eden-upton-eddis-thomas-kenyon-1780-1851-AQV2UB-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #5d4834

    Katalogiseret palet

    • #5D4834
    • #3E3024
    • #AC946F
    • #201E18

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Eden Upton Eddis i løbet af de sidste tolv måneder — 3 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 70,0%
    2. 2 USA 20,0%
    3. 3 Frankrig 10,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 11 mest viste værker af Eden Upton Eddis

    1. 1 George Frederick Young (1791–1870), MP for Tynemouth 18,2%
    2. 2 John Painter Vincent, Surgeon, 1850 9,1%
    3. 3 Sir Charles Edward Trevelyan (1809–1886), 1st Bt, 1850 9,1%
    4. 4 Sir James Cosmo Melvill (1792–1861), 1853 9,1%
    5. 5 Lady M. E. Hamlyn Williams and Sir H. Drummond, 1865 9,1%
    6. 6 Francis Boott, 1840 9,1%
    7. 7 Henry Pownall 9,1%
    8. 8 John Curtis Hayward, 1870 9,1%
    9. 9 Lewis Lloyd 9,1%
    10. 10 Henry Pownall 9,1%
    11. — Thomas Kenyon (1780–1851), 1850 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 47 værker af denne kunstner, hvoraf 10 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Eden Upton Eddis

    The Quiet Precision of a Victorian Master

    Eden Upton Eddis (1812-1901) stands as a quietly influential figure in British portraiture, primarily recognized for his meticulous depictions of prominent intellectuals and clergymen during the Victorian era. Unlike many flamboyant artists of his time, Eddis cultivated a reputation for understated elegance and technical precision—characteristics that cemented his place within the Royal Academy and secured him commissions from notable patrons. His life’s work serves as a window into the soul of nineteenth-century Britain, capturing the gravity and moral seriousness of an age defined by intellectual expansion and social structure.

    Eddis’ artistic journey began in the vibrant heart of London, where he honed his skills under the tutelage of John Brett, a fellow Royal Academician known for his landscapes infused with Symbolist influences. This formative period instilled in Eddis a deep appreciation for tonal harmony and atmospheric perspective—techniques that would become hallmarks of his oeuvre. His early works showcased a fascination with classical motifs and idealized representations of the human form, reflecting the prevailing aesthetic sensibilities of the Victorian period while laying the groundwork for his later mastery of psychological depth.

    A Legacy of Character and Composition

    The prolific output of Eddis spanned several decades, producing over 100 portraits that ranged from formal sitters to intimate family gatherings. He possessed an exceptional ability to capture not only physical likeness but also a profound psychological nuance, revealing the inner character of his subjects through subtle expressions and deliberate gestures. His canvas became a gathering place for the era's most significant minds, including:

    Historians and Thinkers: Such as the influential John Stuart Mill and Sydney Smith.

    Theologians: Including the esteemed Archbishop Wilberforce.

    Artistic Peers: Such as Francis Chantrey, the renowned sculptor of Nelson’s Column.

    His portraits are celebrated for their dignified composure and masterful execution, embodying the Victorian ideal of intellectual refinement. A particularly noteworthy achievement was his portrait of Lady M. E. Hamlyn Williams and Sir H. Drummond (1865), a piece lauded for its dramatic lighting and rich textural qualities. In this work, Eddis skillfully employed oil paints to create an illusion of depth and luminosity, capturing the solemn beauty of the Victorian spirit with unparalleled grace.

    Historical Significance and Artistic Endurance

    The historical significance of Eden Upton Eddis lies in his role as a visual chronicler of the British intelligentsia. Through his brush, the faces of history were preserved with a level of dignity that transcended mere documentation. His ability to balance the technical demands of the Royal Academy style with an emotive, humanistic touch allowed him to bridge the gap between formal portraiture and true character study.

    Today, the legacy of Eddis continues to resonate through the collections of institutions such as the National Portrait Gallery, where his works remain vital touchstones for understanding the social and intellectual fabric of the nineteenth century. His contribution to British art remains a testament to the power of precision, reminding us that true greatness often resides in the subtle, the disciplined, and the profoundly observed.

    Museum

    Ludlow Museum Resource Centre

    Udstillet i Ludlow, United States of America

    A Window into Shropshire’s Soul: The Ludlow Museum Resource Centre

    Nestled within the heart of Ludlow, a town often lauded as one of England's most beautiful and historically rich destinations, lies the Ludlow Museum Resource Centre – a truly remarkable institution. More than simply a repository of artifacts, it’s a vibrant portal into the layered tapestry of Shropshire’s past, meticulously preserved within the elegant Buttercross building. Constructed between 1743 and 1746, this Georgian masterpiece, complete with its distinctive market cross, has served as a steadfast focal point for community life for generations, providing a picturesque backdrop to Broad Street and the rolling countryside beyond. Stepping inside is akin to entering a carefully preserved chapter of England’s past; each exhibit whispers tales of bygone eras, inviting visitors on an immersive journey through centuries of local history and artistic expression.

    The museum's collection is remarkably diverse, spanning millennia and encompassing a wealth of archaeological treasures. Ancient fossils unearthed from the surrounding landscape offer tantalizing glimpses into Shropshire’s prehistoric origins – imagine standing beside remnants of creatures that roamed this land millions of years ago! Medieval artifacts recovered from Ludlow’s historic church and castle transport visitors back to a time of knights, sieges, and fervent religious devotion. But perhaps the most captivating element is the museum's impressive collection of Georgian era objects and paintings. These aren’t merely decorative pieces; they provide invaluable insights into the social customs, architectural styles, and daily life of 18th-century Shropshire residents – a period that profoundly shaped the town’s character and identity. A particular strength lies in the museum's collection of topographical paintings, which beautifully capture the scenic landscapes and historic sites that define the region. These aren’t simply depictions of places; they are evocative portraits of a land steeped in history and natural beauty, imbued with a sense of romanticism and national pride.

    The Buttercross: A Georgian Gem

    The building itself – the Buttercross – is an integral part of the museum's appeal. Its Georgian architecture, with its symmetrical façade and elegant detailing, stands as a testament to Ludlow’s enduring spirit. The Buttercross wasn’t just a marketplace; it was a social hub, a meeting place, and a symbol of civic pride. The building’s construction represents a significant investment in the town's future, reflecting a period of prosperity and growth. Today, its grand interior houses not only the museum’s collection but also serves as a space for community events and exhibitions, ensuring that this historic landmark continues to play a vital role in Ludlow’s cultural life.

    A Tapestry of Local Stories

    Beyond the stunning architecture and captivating artifacts, the Ludlow Museum Resource Centre is deeply committed to community engagement and preservation. Interactive activities and workshops invite visitors – young and old alike – to connect with Ludlow’s heritage on a personal level, fostering a sense of ownership and pride in the town’s rich cultural legacy. The museum actively promotes conservation efforts, ensuring that these invaluable artifacts are preserved for future generations through meticulous research and careful restoration techniques. Furthermore, the museum doesn't shy away from exploring more recent chapters of Ludlow’s history, with exhibits illustrating its role during wartime and peacetime – offering a nuanced understanding of its evolution through conflict and progress. The collection includes poignant reminders of local heroes and significant events that have shaped the town’s identity.

    Notable Exhibitions & Ongoing Initiatives

    While permanent collections showcase Shropshire's rich heritage, the Ludlow Museum Resource Centre regularly hosts engaging temporary exhibitions designed to spark curiosity and deepen understanding. Recent exhibits have explored themes ranging from medieval weaponry to local folklore, demonstrating a commitment to presenting diverse narratives within the town’s history. The museum also actively collaborates with local artists and craftspeople, showcasing their work alongside historical artifacts – creating a dynamic dialogue between past and present. A particularly noteworthy ongoing initiative is the preservation of the Ludlow Heraldic Roll, a remarkable document detailing the coats of arms of prominent figures throughout Shropshire's history, offering a fascinating glimpse into the region’s noble lineage.

    A Unique Blend for Art Lovers & Collectors

    The unique charm of the Ludlow Museum Resource Centre stems from its seamless integration within a historic Georgian building, its unwavering focus on local artifacts and topographical art, and its dedication to community involvement. It's a place where history isn’t confined to textbooks or dusty displays; it’s palpable in the very stones of the Buttercross, visible in the brushstrokes of the Shropshire landscapes, and alive in the voices of those who share their stories within its walls. For art lovers seeking inspiration, collectors searching for unique pieces reflecting regional heritage, or interior designers looking to infuse spaces with a sense of history and character, the Ludlow Museum Resource Centre offers an unparalleled experience – a journey into the heart of Shropshire’s captivating past. It stands as a testament to the power of preserving local identity and celebrating the enduring beauty of England's cultural landscape.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Thomas Kenyon (1780–1851)

    originaluniqueart.com/da/art/download/eden-upton-eddis-thomas-kenyon-1780-1851-AQV2UB-en/

    Kildehenvisning til dette kunstværk

    MLA
    Eddis, Eden Upton. Thomas Kenyon (1780–1851). 1850, Ludlow Museum Resource Centre. https://originaluniqueart.com/da/art/eden-upton-eddis-thomas-kenyon-1780-1851-AQV2UB-en/
    APA
    Eddis, Eden Upton (1850). Thomas Kenyon (1780–1851) [Painting]. Ludlow Museum Resource Centre. https://originaluniqueart.com/da/art/eden-upton-eddis-thomas-kenyon-1780-1851-AQV2UB-en/
    Chicago
    Eden Upton Eddis. Thomas Kenyon (1780–1851). 1850. Ludlow Museum Resource Centre. https://originaluniqueart.com/da/art/eden-upton-eddis-thomas-kenyon-1780-1851-AQV2UB-en/
    Harvard
    Eddis, Eden Upton (1850) Thomas Kenyon (1780–1851). Ludlow Museum Resource Centre. Available at: https://originaluniqueart.com/da/art/eden-upton-eddis-thomas-kenyon-1780-1851-AQV2UB-en/

    Se nærmere efter

    Thomas Kenyon (1780–1851) — Eden Upton Eddis

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Sir James Cosmo Melvill (1792–1861) (1853) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Eden Upton Eddis var omkring 38 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor lys er "Thomas Kenyon (1780–1851)" overordnet set?

    I forhold til den oplevede lysstyrke er "Thomas Kenyon (1780–1851)" af Eden Upton Eddis deep_shadow.

    Hvordan balancerer "Thomas Kenyon (1780–1851)" lys og mørke?

    "Thomas Kenyon (1780–1851)" af Eden Upton Eddis er registreret med en lysstyrke på deep_shadow og en luminans på Dark.

    Kan man se et diasshow af "Thomas Kenyon (1780–1851)" af Eden Upton Eddis?

    "Thomas Kenyon (1780–1851)" af Eden Upton Eddis kan opleves som et diasshow på værkets Billedserie-side.