Papir

Guide til elevkunst

Miss Janet Ruth Bacon

Navn Klasse Dato

David Jagger, Miss Janet Ruth Bacon (1946), Royal Holloway. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
David Jagger originaluniqueart.com/da/artists/david-jagger_da/
Kunstnerens årstal
1891 – 1958
Malet
1946
Oprindelig størrelse
76 x 64 cm
Afholdt hos
Royal Holloway originaluniqueart.com/da/museums/royal-holloway-egham/

I kontekst

Miss Janet Ruth Bacon — David Jagger

Hvor stor er den?

Originalen måler 76 × 64 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 67 ved død.

Malet da kunstneren var 55 år gammel. Kunstneren blev 67 år gammel. 11 af de 15 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: David Jagger' livstid (1891–1958) ▲ dette værk, 1946 hvert dateret maleri, årti for årti

Første værker: frem til 1924 Primære arbejdsår: 1924–1946 Senere værker: fra 1946

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/

Farver

Målt ud fra billedet

    Primær farve

    Phthalo Green #2a2b21

    Katalogiseret palet

    • #2A2B21
    • #E9D7B8
    • #414236
    • #A89172

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af David Jagger i løbet af de sidste tolv måneder — 4 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 62,5%
    2. 2 Australien 12,5%
    3. 3 Storbritannien 12,5%
    4. 4 USA 12,5%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 8 mest viste værker af David Jagger

    1. 1 Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) 25,0%
    2. 2 Thomas Forrest Cotton (1884–1965), 1929 12,5%
    3. 3 Lord Baden Powell (1857–1941), as World Chief Scout, 1929 12,5%
    4. 4 Henry Hall Bedford, JP, Chairman of the Board (1913–1924), 1924 12,5%
    5. 5 Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), 1936 12,5%
    6. 6 Kathleen 12,5%
    7. 7 Portrait of a Man 12,5%
    8. — Miss Janet Ruth Bacon, 1946 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 22 værker af denne kunstner, hvoraf 7 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    David Jagger

    Født i Anamosa, USA

    A Legacy of Elegance: The Life of David Jagger

    Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.

    As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.

    Mastery of the Portrait

    Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.

    The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:

    Robert Baden-Powell, whose 1929 portrait remains one of Jagger's most enduring legacies, with numerous copies displayed in Scouting premises worldwide.

    Queen Mary, captured in significant works during 1930 and 1932.

    Winston Churchill, a monumental subject for any portraitist of the era.

    King George VI, documented in 1937.

    Vivien Leigh, representing the glamour of the cinematic age in 1941.

    Prince Philip, Duke of Edinburgh, one of his final notable subjects.

    Historical Significance and Artistic Standing

    Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.

    His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.

    Museum

    Royal Holloway

    Udstillet i Egham, United Kingdom

    A Victorian Sanctuary: The Architectural Grandeur of Royal Holloway

    Nestled within the serene, verdant embrace of the Surrey countryside, just a short journey from the bustling heart of London, lies Royal Holloway, University of London—a destination that transcends its academic purpose to serve as a breathtaking architectural marvel. To approach the iconic Founder’s Building is to step through a portal into the late nineteenth century. This red-brick masterpiece, inspired by the legendary Château de Chambord in France's Loire Valley, stands as a profound testament to Victorian ambition and the philanthropic vision of entrepreneur Thomas Holloway. Its symmetrical silhouette, punctuated by soaring chimneys and ornate detailing, evokes an era of unparalleled elegance and intellectual fervor. The very stones of this estate whisper tales of progressive ideals, designed specifically to inspire and uplift those who walk its halls.

    The experience of Royal Holloway is one of light and atmosphere. As one moves through the interior spaces, there is a deliberate sense of openness; the architecture is masterfully designed to bathe galleries and corridors in natural light. This luminosity does more than just illuminate the hallways; it breathes life into the vibrant murals and intricate decorative schemes that adorn the walls, fostering an environment of contemplation and creative stimulation. For the art lover or the interior designer, the building itself serves as a primary source of inspiration, demonstrating how monumental scale can coexist with intimate, exquisitely rendered details.

    The Art Within: A Journey Through Victorian Sensibilities

    Beyond the structural splendor, Royal Holloway houses an exceptional collection of Victorian art that offers a profound window into the social mores and aesthetic soul of 19th-century Britain. The collection is anchored by significant holdings from two of the era’s most celebrated masters: John Everett Millais and William Powell Frith. To wander through the Picture Gallery is to become immersed in a world of carefully rendered fabrics, expressive faces, and narratives that invite deep emotional engagement. These works are not merely static images; they are vibrant chronicles of a society navigating change, love, loss, and social status.

    The precision of Millais, a leading figure of the Pre-Raphaelite Brotherhood, provides a mesmerizing study in naturalism. In pieces such as

    Primrose No.2

    , one can observe his meticulous attention to detail and a luminous color palette that captures the delicate, ephemeral beauty of the natural world. In striking contrast, the large-scale genre paintings of William Powell Frith offer a more panoramic view of Victorian life. His monumental canvas,

    Dover Pilot and Fishing Boats

    , serves as a powerful portrait of maritime commerce and community spirit, capturing the grit and grandeur of everyday existence with remarkable realism. This collection, which also includes the pioneering works of artists like Henrietta Busk, provides a comprehensive and evocative overview of the artistic landscape of the period.

    A Living Legacy of Innovation and Discovery

    What truly distinguishes Royal Holloway from a traditional museum is its status as a living, breathing institution. It is not a static repository of the past but a vibrant hub where history meets contemporary research. The college archives offer a rich tapestry of human experience, containing letters, photographs, and administrative records that illuminate the lives of early female scholars and faculty members. These documents reveal the triumphs and social challenges faced by women navigating a rapidly changing world, highlighting the institution's groundbreaking role in the history of women’s education in the United Kingdom.

    This dynamic interplay between past and present is further enriched by a program of scholarly engagement and public exhibitions. The university continues to delve into its archival treasures, uncovering new insights into Victorian social life and artistic influences that resonate with modern audiences. Through regularly scheduled exhibitions that explore themes ranging from landscape to portraiture, Royal Holloway ensures that its collection remains relevant and accessible. For the connoisseur and the historian alike, the institution offers a rare opportunity to witness history not as a finished chapter, but as an ongoing narrative of innovation, beauty, and enduring legacy.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Miss Janet Ruth Bacon

    originaluniqueart.com/da/art/download/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/

    Kildehenvisning til dette kunstværk

    MLA
    Jagger, David. Miss Janet Ruth Bacon. 1946, Royal Holloway. https://originaluniqueart.com/da/art/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/
    APA
    Jagger, David (1946). Miss Janet Ruth Bacon [Painting]. Royal Holloway. https://originaluniqueart.com/da/art/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/
    Chicago
    David Jagger. Miss Janet Ruth Bacon. 1946. Royal Holloway. https://originaluniqueart.com/da/art/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/
    Harvard
    Jagger, David (1946) Miss Janet Ruth Bacon. Royal Holloway. Available at: https://originaluniqueart.com/da/art/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/

    Se nærmere efter

    Miss Janet Ruth Bacon — David Jagger

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Jewish Refugee, Vienna (1938) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. David Jagger var omkring 55 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvem er kunstneren bag "Miss Janet Ruth Bacon"?

    "Miss Janet Ruth Bacon" blev skabt af David Jagger. Informationen på denne side beskriver David Jaggers originale værk.

    Hvilken lysstyrke har "Miss Janet Ruth Bacon" af David Jagger?

    Luminansen registreret for "Miss Janet Ruth Bacon" af David Jagger er Dark.

    Hvad er målene på det originale værk "Miss Janet Ruth Bacon"?

    Det originale værk "Miss Janet Ruth Bacon" af David Jagger måler 76 x 64 cm.