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James Duff af Corsindae

Navn Klasse Dato

Cosmo Alexander, James Duff af Corsindae (1760), Scottish National Gallery. Offentlig ejendom. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Cosmo Alexander originaluniqueart.com/da/artists/cosmo-alexander/
Kunstnerens levetid
1724 – 1772
Malet
1760
Bevægelse
Baroque realism Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Afholdt hos
Scottish National Gallery originaluniqueart.com/da/museums/scottish-national-gallery-edinburgh_da/
Artistic stil
Romantisk
Influences
Georg Stubbs
Notable elements eller teknikker
Detaljeret portrætteknik
Subject eller tema
Portræt af en mand

I kontekst

James Duff af Corsindae — Cosmo Alexander

Hvornår er dette malet?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 48 ved død.

Malet da kunstneren var 36 år gammel. Kunstneren blev 48 år gammel. 25 af de 32 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Cosmo Alexander' livstid (1724–1772) ▲ dette værk, 1760 hvert dateret maleri, årti for årti

Første værker: frem til 1751 Primære arbejdsår: 1751–1757 Senere værker: fra 1757

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/cosmo-alexander-james-duff-af-corsindae-AQTN9M-da/

Farver

Målt ud fra billedet

    Hovedfarve

    Grumet beige #ecc3a3

    Gemt palet

    • #ECC3A3
    • #150C09
    • #7A614B
    • #3B2D26

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Jordagtig Den dominerende farvefamilie i billedet.
    Primær farve
    Grumet beige
    Intensitet
    Monokrom Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Kraftig Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Stærk farveenhed Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Dyb skygge Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Dæmpet Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Cosmo Alexander i løbet af de sidste tolv måneder — 3 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 80,0%
    2. 2 Singapore 13,3%
    3. 3 USA 6,7%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 14 mest viste værker af Cosmo Alexander

    1. 1 Mary Ogilvie, Wife of Alexander Irvine, 17th Laird of Drum, 1756 12,5%
    2. 2 Portrait of a Woman 12,5%
    3. 3 The Ladies Barbara and Margaret Stuart, 1755 6,2%
    4. 4 George Keith, 5th Earl Marischal, 1742 6,2%
    5. 5 Adrian Hope of Amsterdam (1709–1781), 1763 6,2%
    6. 6 James Maitland (1718–1789), 7th Earl of Lauderdale 6,2%
    7. 7 John, 7th Earl of Galloway, 1753 6,2%
    8. 8 Lady Lucy Stuart, 1756 6,2%
    9. 9 John Drummond (1679–1757), 2nd Duke of Perth 6,2%
    10. 10 Mary Ogilvie, Wife of Alexander Irvine, 17th Laird of Drum, 1756 6,2%
    11. 11 James Maitland, 7th Earl of Lauderdale 6,2%
    12. 12 James Duff af Corsindae, 1760 dette maleri 6,2%
    13. 13 John Robertson of Pitmillan and Foveran, Provost of Aberdeen (1736–1737) 6,2%
    14. 14 Elizabeth of York 6,2%

    Sammen udgør disse værker 99,4% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 46 værker af denne kunstner, hvoraf 14 er blevet set mindst én gang. Dette maleri rangerer som nummer 12 af dem, med 6,2% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    James Duff af Corsindae — Cosmo Alexander

    Cosmo Alexander og James Duff af Corsindae – Et Portræt Af Tidens Ånd

    Cosmo Alexander, født i Edinburgh i 1724, var en skotsk kunstner hvis navn måske ikke er lige så kendt som nogle af hans samtidige, men hvis arbejde fortjener dyb respekt og fascination. Han udgjorde et bemærkelsesværdigt eksempel på selvlært talent – en mand der formåede at skabe kunstværker af høj kvalitet uden traditionel akademisk uddannelse, hvilket var ganske usædvanligt for sin tid. Hans kunstneriske rejse begyndte langt fra de pompøse atelierer og kunstnereklubber, hvor mange andre prominente kunstnere opererede; Alexander fandt inspiration i den naturlige verden omkring ham og udviklede en unik stil, der perfekt afspejler denne interesse.

    Alexander var ikke blot dygtig til at male; han var også en passioneret observatør af menneskeligheden og samfundet omkring sig. Hans kunstværker er ofte præget af psykologisk indsigt og evnen til at fange essensen af sit subjekt – hvilket er særligt tydeligt i hans portrætter, hvor han formåede at skabe billeder der ikke blot gengav fysiske træk, men også afslørede personlighedens kompleksitet og følelsesliv. Dette var en kunstnerisk tilgang, der var radikal for sin tid og satte ham i kontrast til mange af hans samtidige, som fokuserede primært på tekniske færdigheder og klassiske idealer.

    James Duff af Corsindae er et eksempel på Alexanders stil – et portræt udført omkring 1760, hvor kunstneren har skabt en imponerende gengivelse af en ung mand i blå uniform. Maleriet udtrykker ikke blot præcision i anatomi og komposition, men også en følelse af elegance og selvtillid, hvilket var karakteristisk for den periode, hvor kunstværket blev skabt. Alexander anvendte teknikken olie på lærred med stor omhu og detaljegrad – en metode der tillod ham at opnå en fantastisk dybde og farvepalette, hvilket bidrager til portrættets følelsesmæssige kraft. Det er ikke blot et fysisk billede af James Duff; det er også et øjebliksbillede af hans tid og hans sociale status.

    Alexander var aktiv i kunstneriske kredse og blev støttet af James Edward Stuart, sønnen af den skotske Jakobit-prinsesse Anne Stewart, hvilket førte til hans ophold i Italien og Rom. Denne rejse havde en betydelig indflydelse på hans kunstneriske udvikling og introducerede ham til nye perspektiver og inspirationer fra klassisk kunst og arkitektur. Hans interesse for anatomi og naturvidenskab var ikke blot akademisk nysgerrighed; det var også grundlaget for hans kunstneriske metode – en metode der krævede omhyggelig observation og præcise studier af menneskekroppen og miljøet omkring ham. Dette perspektiv manifesterede sig tydeligt i hans værker, hvor han ofte inkluderede detaljer fra naturen og anvendte anatomisk korrekthed til at skabe realistiske og følelsesfulde billeder.

    Portrættet af James Duff af Corsindae er mere end blot et kunstværk; det er en refleksion over den tid, hvor det blev skabt – en periode præget af politisk uro og sociale omvæltninger, men også af kulturel blomstring og kunstnerisk innovation. Alexander formåede at fange denne ånd i sit billede og skabte et værk der ikke blot er teknisk imponerende, men også følelsesmæssigt resonerende – hvilket gør det til en særlig interessant investering for kunstsamlere og dekoratører, der søger inspiration og æstetisk kvalitet. Det er et kunstværk der fortsætter med at fascinere og inspirere læsere i dagens verden.

    Kunstner og museum

    Kunstner

    Cosmo Alexander

    A Legacy of Portraiture and Pedagogy

    The story of Cosmo Alexander is one of wandering brilliance and the profound influence of a master upon his pupil. Born in Scotland to the noted portrait painter John Alexander, Cosmo was destined for a life steeped in the traditions of fine art. Before his journey took him across the Atlantic, he refined his eye through extensive travels across Europe, documenting his presence in Italy between 1745 and 1751, including time in Rome. His artistic development continued in Holland, where he achieved professional recognition by joining the painters' guild at The Hague. These formative years in the great art centers of Europe provided him with a sophisticated foundation in classical techniques that would later define his work in the American colonies.

    Though Alexander often referred to himself as a history painter, his enduring legacy resides in his mastery of the portrait. His style, which aligns closely with the Classical Realism later championed by John Singleton Copley, captured the essence of the Scottish community and the colonial elite with remarkable precision. As he moved through the American landscape between 1766 and 1772, his brush followed a path of significant historical importance. From the bustling streets of Philadelphia to the coastal elegance of Newport, Rhode Island, and even as far south as Charleston, South Carolina, Alexander sought to capture the likenesses of a burgeoning nation through a lens of European refinement.

    The Teacher of a Master

    Perhaps the most significant chapter in Alexander’s life was his role as a mentor. In Newport, Rhode Island, he encountered a young Gilbert Stuart, a meeting that would alter the course of American art history forever. Recognizing the potential in the fourteen-year-old, Alexander took Stuart on as an apprentice. This relationship was more than a mere professional arrangement; it was a passing of the torch from the Old World traditions to the New. The two traveled together through the colonies, eventually returning to Edinburgh in 1771, where the bond between master and student remained unbroken until Alexander’s sudden death.

    Alexander's life was marked by both artistic triumph and personal hardship. Driven by financial debts that had forced him to leave London, he arrived in America with the hope of rebuilding his fortune through his craft. While his travels were frequent—visiting New York City, Boston, and Williamsburg—his ability to secure patrons remained a testament to his skill. In Burlington, New Jersey, he even resided within the governor's mansion, utilizing such high-profile connections to find sitters for his portraits. Though his life was cut short in Edinburgh, the impact of his work remains visible in the collections of prestigious institutions today.

    Key Artistic Contributions: Known for over twenty-five identified American portraits that showcase his skill in portraiture and historical genre painting.

    Notable Mentorship: Served as the primary teacher and mentor to the legendary American artist Gilbert Stuart.

    Geographic Reach: His career spanned Scotland, Italy, Holland, England, and various American colonies including New York, Pennsylvania, and Rhode Island.

    Museum

    Scottish National Gallery

    Udstillet på Edinburgh, Storbritannien

    A Window Into Scotland’s Soul: The Scottish National Gallery

    Nestled within the heart of Edinburgh, on the historic Mound overlooking the city, lies the Scottish National Gallery – more than just a repository of art, it's a profound reflection of Scotland’s identity, its artistic journey, and its enduring connection to Europe. Designed by the neoclassical master William Henry Playfair and inaugurated in 1859, this magnificent building itself is a testament to classical ideals, boasting imposing Corinthian columns, graceful symmetry, and an atmosphere of quiet reverence perfectly suited for the treasures within. The gallery’s core mission – to showcase Scotland's national collection of fine art spanning from the Renaissance through to the early 20th century – is ambitious yet remarkably realized, offering a panoramic view of artistic styles and techniques shaped by centuries of influence. The very stones of the building whisper tales of royal patronage, artistic rebellion, and a nation’s evolving self-awareness, making a visit here an immersive experience far beyond simply viewing paintings.

    The story of the Scottish National Gallery is inextricably linked with the rise of Scottish art patronage. Initially conceived as part of the Royal Institution for the Encouragement of the Fine Arts in Scotland, the collection began to take shape through carefully acquired works. However, a growing dissatisfaction amongst artists with the institution’s policies led to a pivotal moment in 1838: the formation of the Royal Scottish Academy (RSA). This breakaway group, driven by a fervent desire to establish a truly national art collection, secured its own building on The Mound in 1846 – a structure that would eventually become the foundation for the National Gallery. The RSA’s commitment to collecting and exhibiting art laid the groundwork for the gallery we know today, demonstrating a sustained dedication to fostering artistic excellence within Scotland. This dual heritage—the institutional beginnings alongside the passionate advocacy of artists—is palpable in the gallery's character.

    Architectural Grandeur: A Neoclassical Masterpiece

    Beyond its collection, the building itself is a work of art. William Henry Playfair’s design is a quintessential example of neoclassical architecture, reflecting the grandeur and order associated with ancient Greece and Rome. The façade is dominated by imposing Corinthian columns, meticulously sculpted reliefs depicting allegorical figures, and a sense of balanced proportion that speaks to the ideals of classical design. The interior spaces are equally impressive, featuring soaring ceilings, elegant galleries, and carefully considered lighting – all contributing to an atmosphere of reverence and contemplation for the artworks on display. The building’s very structure serves as a powerful reminder of Scotland's engagement with European artistic traditions, subtly echoing the architectural principles of Rome and Athens while firmly rooted in its Scottish context. Visitors can trace the influence of Roman temples and theatres through the gallery’s spatial arrangement, creating an experience that transcends mere visual appreciation. The deliberate use of light and shadow, a hallmark of neoclassical design, further enhances the sense of drama and solemnity within the galleries.

    Highlights of the Collection: A Journey Through Styles

    Within the gallery’s walls, visitors are treated to a remarkable array of artistic styles and movements. Early Renaissance masterpieces by Italian masters like Raphael and Titian stand alongside works by Scottish artists such as William Clerk Maxwell, whose vibrant landscapes capture the rugged beauty of the Highlands. The collection boasts significant holdings of 18th-century portraiture, offering intimate glimpses into the lives of Scotland’s elite. Notably, the gallery's Impressionist section features a stunning selection of works by Claude Monet and Edgar Degas, reflecting the growing influence of modern European art on Scottish artists. Don't miss the evocative landscapes of William Beattie Brown, capturing the dramatic beauty of the Scottish countryside – his depictions of Highland light are particularly renowned. The gallery also houses an impressive collection of Scottish Colourists, a movement that sought to capture the vibrant hues and emotional intensity of the Scottish landscape with bold, expressive brushstrokes. Particularly captivating is “Diana and Callisto” by Titian, showcasing masterful composition and luminous color palettes—a cornerstone of Renaissance art. Also noteworthy is "Job Confessing His Presumption To God Who Answers From The Whirlwind" by William Blake, a monumental engraving embodying Romantic idealism and symbolic storytelling.

    Beyond the Paintings: Exhibitions and Legacy

    The Scottish National Gallery’s legacy extends far beyond its permanent collection. Throughout its history, the gallery has hosted numerous groundbreaking exhibitions, showcasing both established masters and emerging talents. These events have consistently stimulated dialogue and deepened public engagement with art. Furthermore, the gallery is closely linked to the National Galleries of Scotland, which also encompasses the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery – a powerful network dedicated to preserving and promoting Scotland’s artistic heritage. Recent initiatives include immersive digital experiences that bring the collection to life for a new generation of visitors. The gallery continues to evolve, adapting to contemporary tastes while remaining true to its core mission: to celebrate the enduring power of art to inspire, educate, and connect us to our past. Consider “Cliffs at Pourville, Rain” by Claude Monet – an iconic Impressionist landscape that exemplifies the movement’s focus on capturing fleeting moments of light and atmosphere. Finally, explore the artistry of Jacopo Robusti (Tintoretto) with his dramatic compositions and masterful technique—a testament to Venetian artistic innovation.

    A Unique Artistic Destination

    Located in Edinburgh's historic city centre, the Scottish National Gallery offers more than just visual delight; it’s a journey through Scotland’s cultural history. Its serene setting on The Mound provides a tranquil space for contemplation alongside its impressive collection of art—a destination that resonates with visitors seeking inspiration and understanding. Explore the gallery’s ongoing exhibitions and educational programs to deepen your appreciation for Scottish artistic heritage and its global connections.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for James Duff af Corsindae

    originaluniqueart.com/da/art/download/cosmo-alexander-james-duff-af-corsindae-AQTN9M-da/

    Kildehenvisning til dette kunstværk

    MLA
    Alexander, Cosmo. James Duff af Corsindae. 1760, Scottish National Gallery. https://originaluniqueart.com/da/art/cosmo-alexander-james-duff-af-corsindae-AQTN9M-da/
    APA
    Alexander, Cosmo (1760). James Duff af Corsindae [Painting]. Scottish National Gallery. https://originaluniqueart.com/da/art/cosmo-alexander-james-duff-af-corsindae-AQTN9M-da/
    Chicago
    Cosmo Alexander. James Duff af Corsindae. 1760. Scottish National Gallery. https://originaluniqueart.com/da/art/cosmo-alexander-james-duff-af-corsindae-AQTN9M-da/
    Harvard
    Alexander, Cosmo (1760) James Duff af Corsindae. Scottish National Gallery. Available at: https://originaluniqueart.com/da/art/cosmo-alexander-james-duff-af-corsindae-AQTN9M-da/

    Se nærmere efter

    James Duff af Corsindae — Cosmo Alexander

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: scottish portraiture, 18th century gentleman, military attire. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Charles Edward Stuart (1720–1788) (1751) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Baroque realism: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvad er den anbefalede printstørrelse til "James Duff af Corsindae" af Cosmo Alexander?

    Den anbefalede trykstørrelse til "James Duff af Corsindae" af Cosmo Alexander er Stor.

    Kan billedet af "James Duff af Corsindae" af Cosmo Alexander frit reproduceres?

    "James Duff af Corsindae" af Cosmo Alexander er i det offentlige domæne – ophavsretten er udløbet. Denne status bestemmer, hvordan billedet af værket må reproduceres.

    Hvilken teknik blev brugt til "James Duff af Corsindae", og hvornår blev den skabt?

    "James Duff af Corsindae" blev skabt i 1760 med Akryl på lærred.