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date unknown (king III)

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Ben Nicholson OM, date unknown (king III), Pallant House Gallery. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Ben Nicholson OM originaluniqueart.com/da/artists/ben-nicholson-om_da/
Kunstnerens levetid
1894 – 1982
Medie
Painting
Oprindelig størrelse
10 x 10 cm
Bevægelse
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.
Periode
Modern
Afholdt hos
Pallant House Gallery originaluniqueart.com/da/museums/pallant-house-gallery-chichester_da/
Artistic style
Cubist Influences
Influences
Paul Nash
Notable elements or techniques
Low Relief, Geometric Forms
Subject or theme
Landscape

I kontekst

date unknown (king III) — Ben Nicholson OM

Dimensioner

Originalen måler 10 × 10 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Skyggelagt: Ben Nicholson OM' livstid (1894–1982)

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: originaluniqueart.com/da/art/similar/ben-nicholson-om-date-unknown-king-iii-AQSG92-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #52351f

    Gemt palet

    • #52351F
    • #805A39
    • #6B4025
    • #33281B
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    date unknown (king III) — Ben Nicholson OM

    A Royal Encounter in Miniature

    In the intimate dimensions of this captivating work, titled date unknown (king III), we are invited into a world that feels both profoundly personal and grandly mythic. At first glance, the viewer is met with the striking presence of a figure draped in an ornate black robe, a garment that carries the weight of sovereignty and mystery. The subject sits in a moment of quiet contemplation, his gaze fixed upon something unseen by the observer, creating an immediate sense of narrative tension. A crown rests upon his head, signaling a royal status, yet there is a startling, modern edge to this ancient archetype: a delicate star tattoo adorns his face, bridging the gap between historical majesty and contemporary rebellion. This juxtaposition of the classical and the avant-garde creates a magnetic pull, making the piece an irresistible focal point for any collection that values storytelling through unexpected visual contrasts.

    The composition is masterfully balanced, utilizing small, symbolic elements to expand the perceived space within its 10 x 10 cm frame. The man holds a cup with a steady hand, a gesture that suggests a ritualistic or perhaps even a solitary moment of reflection. In the periphery, two additional cups are strategically placed—one near the upper left and another toward the bottom right—creating a subtle diagonal movement that guides the eye across the canvas. This arrangement does more than just fill the space; it establishes a rhythmic geometry that echoes the precision found in the works of the artist's contemporaries. The interplay between the dark, heavy textures of the robe and the lighter, atmospheric background allows the subject to emerge with a sculptural quality, as if he were stepping out from the shadows of history into the light of the present.

    The Legacy of Modernist Precision

    While the subject matter of this piece evokes a sense of portraiture, the underlying spirit is deeply rooted in the transformative era of British Modernism. The artist, Ben Nicholson, was a pioneer who navigated the delicate boundary between representational imagery and pure abstraction. In this work, we see the echoes of his fascination with geometric precision—a sensibility he famously honed through his appreciation for the movement and structure of billiards. Even when depicting a figure, there is an unmistakable focus on form, spatial ambiguity, and the way light interacts with surface texture. The technique employed here suggests a profound understanding of how color and shape can evoke emotional resonance without relying solely on literal depiction.

    For the discerning collector or interior designer, this reproduction offers more than just a beautiful image; it offers a piece of art history. It captures the essence of an era where artists like Nicholson, Paul Nash, and Stanley Spencer were redefining the trajectory of Western art. The emotional impact of the work lies in its ability to provoke curiosity—to make the viewer wonder about the identity of this "King III" and the meaning behind his star-marked skin. Whether placed in a minimalist modern gallery or integrated into a richly textured classical study, this painting serves as a sophisticated conversation starter, embodying the timeless allure of mystery, power, and the enduring human spirit.

    Kunstner og museum

    Kunstner

    Ben Nicholson OM

    Født i London, Storbritannien

    Ben Nicholson OM: Et liv i abstrakt kunst

    Født: 10. april 1894, Denham, Buckinghamshire, Storbritannien

    Død: 6. februar 1982, London, Storbritannien

    Tidligt liv og kunstnerisk uddannelse

    Ben Nicholson blev født ind i en kunstnerisk familie; hans far, Sir William Nicholson, og hans mor, Mabel Pryde, var begge dygtige malere. Dette miljø fremmede en dyb værdsættelse for kunsten fra en tidlig alder.

    Han modtog sin tidlige uddannelse ved Tyttenhangar Lodge Preparatory School, Seaford, Heddon Court, Hampstead, og Gresham's School i Holt, Norfolk.

    Nicholson gennemførte sine formelle studier ved Slade School of Fine Art (1910-1911), hvor han var samtidige med fremtrædende kunstnere som Paul Nash, Stanley Spencer, Mark Gertler og Edward Wadsworth. Anecdotisk fortælles det, at han brugte betydelig tid på at spille billard i denne periode, hvor han fandt en æstetisk appel i spillets geometri og bevægelse.

    Kunstnerisk udvikling og indflydelser

    Tidlige værker: Nicholsons indledende kunstneriske bestræbelser omfattede naturalistiske stilleben, inspireret af hans fars stil.

    Kubistisk indflydelse: Omkring 1926 begyndte han at udforske abstraktionen, kraftigt påvirket af den syntetiske kubisme og Pablo Picassos arbejde.

    Neoplasticisme og primitiv stil: Et møde med Piet Mondrian introducerede ham til neoplasticismen, mens hans bekendskab med Henri Rousseau vækkede en interesse for en primitiv stil. Disse indflydelser formede hans kunstneriske retning betydeligt.

    Centrale bevægelser: Nicholson blev involveret i flere vigtige kunstbevægelser i samtiden, herunder Seven and Five Society (hvor han var formand), Unit One og Abstraction-Création.

    Hovedværker og kunstnerisk stil

    Relieffer: Nicholson er særligt berømt for sine abstrakte relieffer, som han begyndte at skabe i 1933. Disse værker kombinerede maleri med skulpturelle elementer og skabte en unik visuel oplevelse. De hvide relieffer fra midten af 1930'erne betragtes som blandt hans mest betydningsfulde bedrifter.

    Stilleben og landskaber: Selvom han er kendt for sin abstraktion, producerede Nicholson også fængslende stilleben og landskaber, der ofte inkorporerede geometriske former og dæmpede farver.

    Nicholson-væggen: Et bemærkelsesværdigt offentligt værk er "Nicholson Wall", et vægmaleri skabt til haven ved Sutton Place i Guildford, Surrey, som demonstrerer hans overbevisning om, at abstrakt kunst bør være tilgængelig for et bredere publikum.

    Materialer og teknikker: Han eksperimenterede med forskellige materialer og teknikker, herunder oliemaling, blyant, grus og masonit, som han ofte kombinerede på innovative måder.

    Eftermæle og historisk betydning

    Moderne britisk kunst: Ben Nicholson anerkendes som en skelsættende figur i moderne britisk kunst, der bidrog væsentligt til udviklingen af abstraktion og reliefskulptur.

    International anerkendelse: Hans arbejde opnåede international hyldest med udstillinger på prestigefyldte steder som Venedig Biennalen og retrospektive udstillinger på store museer verden over. Han modtog adskillige priser, herunder Order of Merit i 1968.

    Auktionsrekorder: Nicholsons malerier opnår høje priser på auktion, hvilket afspejler deres kunstneriske værdi og historiske betydning. For eksempel blev "Sept 53 (Balearic)" solgt for 1.650.500 dollars hos Christie's New York i 2011, og "Fiddle and Spanish Guitar" indbragte 3.313.000 euro hos Christie’s Paris i 2012.

    Indflydelse på efterfølgende kunstnere: Nicholsons innovative tilgang til abstraktion og hans udforskning af form og rum har inspireret generationer af kunstnere.

    Museum

    Pallant House Gallery

    Udstillet på Chichester, United Kingdom

    A Sanctuary for British Modernism

    Nestled in the heart of Chichester, a city steeped in Roman and Anglo-Saxon heritage, lies Pallant House Gallery—an institution that serves as both a custodian of Britain’s vibrant artistic past and a beacon illuminating its contemporary expressions. More than just a museum, it is an immersive experience, a journey through the evolution of British art from the early 20th century to the present day. All these treasures are housed within the elegant embrace of a beautifully restored Queen Anne townhouse, where the very stones whisper stories of centuries past. This historic setting provides a striking and harmonious counterpoint to the often-challenging and innovative artworks contained within its walls, creating a space where walking through the rooms feels akin to stepping into a profound dialogue between history and modernity, tradition and rebellion.

    The soul of the gallery resides in its extraordinary collection, which traces the pulse of British creativity. The story begins with the remarkable vision of Walter Hussey, who in 1977 left a foundational bequest that established the gallery's core identity. This initial gift brought luminaries such as

    Barbara Hepworth

    ,

    Henry Moore

    ,

    John Piper

    ,

    Ceri Richards

    , and

    Graham Sutherland

    into the light of public appreciation. Over the decades, this landscape of expression has been enriched by generous donations from figures like Charles Kearley and Sir Colin St John Wilson, adding layers of complexity that bridge the gap between national identity and international movements. Visitors may find themselves captivated by the rhythmic abstractions of

    Ben Nicholson

    or drawn into the visceral, human depths of works by

    Lucian Freud

    and

    Richard Hamilton

    . The collection does not merely showcase finished masterpieces; it reveals the very process of artistic discovery—the struggles, the triumphs, and the constant questioning that drives the creative spirit forward.

    The architectural experience of Pallant House Gallery is a masterclass in the interplay between old and new. While the original Queen Anne townhouse exudes a timeless, stately elegance, the addition of the contemporary wing in 2006—designed by Long & Associates—demonstrates a bold embrace of the future. This extension is far more than a mere structural addition; it is a carefully considered architectural dialogue. The way light and shadow dance within the modern wing enhances the viewing experience, drawing the eye to the intricate textures and emotional resonance of each piece on display. For the art lover or interior designer, this juxtaposition of classical grace and avant-garde geometry offers a profound lesson in how space can elevate subject matter.

    Beyond its permanent treasures, Pallant House Gallery distinguishes itself as a living cultural hub through a vibrant program of temporary exhibitions that consistently introduce fresh perspectives. By showcasing both established masters and emerging voices, the gallery ensures that its narrative remains dynamic and ever-evolving. This commitment to engagement extends into the digital realm through

    Perspectives

    , the gallery’s insightful blog, which offers behind-the-scenes glimpses into the creative process. Whether one is a seasoned collector seeking depth or a curious wanderer looking for inspiration, Pallant House Gallery offers a sanctuary where the legacy of British Modernism can be felt, seen, and deeply understood.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for date unknown (king III)

    originaluniqueart.com/da/art/download/ben-nicholson-om-date-unknown-king-iii-AQSG92-en/

    Kildehenvisning til dette kunstværk

    MLA
    OM, Ben Nicholson. date unknown (king III). n.d., Pallant House Gallery. https://originaluniqueart.com/da/art/ben-nicholson-om-date-unknown-king-iii-AQSG92-en/
    APA
    OM, Ben Nicholson (n.d.). date unknown (king III) [Painting]. Pallant House Gallery. https://originaluniqueart.com/da/art/ben-nicholson-om-date-unknown-king-iii-AQSG92-en/
    Chicago
    Ben Nicholson OM. date unknown (king III). n.d. Pallant House Gallery. https://originaluniqueart.com/da/art/ben-nicholson-om-date-unknown-king-iii-AQSG92-en/
    Harvard
    OM, Ben Nicholson (n.d.) date unknown (king III). Pallant House Gallery. Available at: https://originaluniqueart.com/da/art/ben-nicholson-om-date-unknown-king-iii-AQSG92-en/

    Se nærmere efter

    date unknown (king III) — Ben Nicholson OM

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: crown, robe, cup. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på 1946 (cerulean abstraktion) (1946) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Kunstquiz

    date unknown (king III) — Ben Nicholson OM

    Hvor godt kender du dette kunstværk?

    Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

    1. 1. What is the artist of this painting?

      • A Pablo Picasso
      • B Vincent van Gogh
      • C Ben Nicholson
    2. 2. The painting depicts a man with what distinctive feature?

      • A A large nose
      • B A prominent beard
      • C A tattooed face
    3. 3. What artistic movement is most closely associated with this artwork?

      • A Impressionism
      • B Cubism
      • C Renaissance
    4. 4. How many cups are visible in the background of the painting?

      • A One
      • B Two
      • C Three
    5. 5. What is the approximate size of this artwork?

      • A 5 x 7 inches
      • B 10 x 10 cm
      • C 20 x 30 cm

    Min score: ____ ud af 5

    Facitliste — til læreren

    Dette starter en ny trykt side, som blot kan udelades fra kopierne.

    1C · 2C · 3B · 4B · 5C