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Red house in park

Navn Klasse Dato

August Macke, Red house in park (1914). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
August Macke originaluniqueart.com/da/artists/august-macke_da/
Kunstnerens årstal
1887 – 1914
Malet
1914
Oprindelig størrelse
60 x 80 cm
Bevægelse
German Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Periode
Modern
Artistic style
Expressive brushstrokes
Influences
Impressionism, Post-Impressionism
Notable elements or techniques
Bold colors & Geometric shapes
Subject or theme
Nature Tranquility

I kontekst

Red house in park — August Macke

Hvor stor er den?

Originalen måler 60 × 80 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 27 ved død.

Malet da kunstneren var 27 år gammel. Kunstneren blev 27 år gammel. 83 af de 138 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: August Macke' livstid (1887–1914) ▲ dette værk, 1914 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/august-macke-red-house-in-park-8XXPE3-en/

Farver

Målt ud fra billedet

    Primær farve

    Clay #c1604d

    Katalogiseret palet

    • #C1604D
    • #58493F
    • #DBA34C
    • #F5F4F2

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Clay
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Balanced Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Softly Mixed Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af August Macke i løbet af de sidste tolv måneder — 40 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 44,1%
    2. 2 USA 5,8%
    3. 3 Mexico 5,1%
    4. 4 Tyskland 4,7%
    5. 5 Spanien 4,1%
    6. 6 Frankrig 3,4%
    7. 7 Hong Kong 3,4%
    8. 8 Sydkorea 3,4%
    9. 9 Colombia 2,4%
    10. 10 Indien 2,0%
    11. · 30 andre lande 21,6%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 20 mest viste værker af August Macke

    1. 1 Kvinde i grøn jakke, 1913 42,4%
    2. 2 Landskab med køer og kamel, 1914 5,0%
    3. 3 Baderpiger med by baggrund, 1913 3,3%
    4. 4 Hat Shop, 1913 2,6%
    5. 5 Market in Tunis II 2,4%
    6. 6 Three girls in yellow straw hats I, 1913 1,4%
    7. 7 Still life hyacinths carpet, 1910 1,4%
    8. 8 Milliner 1,2%
    9. 9 Little Walter, 1912 0,9%
    10. 10 Red house in park, 1914 dette maleri 0,9%
    11. 11 Inner courtyard of house in St. Germain, 1914 0,9%
    12. 12 Man Reading in a Park, 1914 0,7%
    13. 13 Fashion window 0,7%
    14. 14 Colored Composition of Forms, 1914, 1914 0,7%
    15. 15 Girl in the greenery, 1914 0,7%
    16. 16 Portrait of Franz Marc, 1910 0,7%
    17. 17 At the Garden Table, 1914 0,7%
    18. 18 Church with Flags, 1914 0,7%
    19. 19 Sailing boat on the Tegernsee, 1910 0,7%
    20. 20 Promenade, 1913 0,7%

    Sammen udgør disse værker 68,7% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 228 værker af denne kunstner, hvoraf 119 er blevet set mindst én gang. Dette maleri rangerer som nummer 10 af dem med 0,9% af den samlede opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Red house in park — August Macke

    A Moment Frozen in Tranquility: The Vibrant Soul of August Macke

    In the fleeting moments before the world was irrevocably changed by the shadows of the Great War, August Macke captured a vision of peace that remains as luminous today as it was in 1914. His masterpiece, "Red House in Park," is far more than a mere landscape; it is a profound emblem of German Expressionism’s brief but incandescent flowering. At first glance, the viewer is greeted by a deceptally simple scene—a solitary red house nestled within a lush, verdant sanctuary. Yet, beneath this tranquil surface lies an intense emotional resonance, a deliberate attempt to distill the very spirit of life through color and form. The painting serves as a poignant window into a pivotal era, capturing a sense of stability and warmth even as the historical tides began to turn toward uncertainty.

    The brilliance of Macke’s technique lies in his ability to prioritize feeling over meticulous detail. Eschewing the rigid accuracy of traditional realism, he employs loose, expressive brushstrokes that breathe life into the canvas. The composition is a masterclass in harmonious balance, where the commanding vibrant red of the house acts as a heartbeat for the entire piece, strategically positioned against a textured tapestry of deep greens and earthy browns. Through the skillful use of geometric shapes—squares and rectangles that provide structural integrity—Mackeb creates a sense of permanence. This is further heightened by his use of chiaroscuro, where the delicate interplay of light and shadow sculpts the contours of the trees and the architecture, lending a three-dimensional drama to an otherwise serene setting.

    Symbolism and the Language of Color

    For the discerning collector or interior designer, "Red House in Park" offers a sophisticated palette that can transform any space. The color choices are not merely descriptive but deeply symbolic; the warmth of the red hue serves as a defiant counterpoint to the pervasive gloom of the early 20th century. This fascination with Fauvist-inspired color palettes allows the artwork to evoke sensations of vitality and joy, making it an ideal centerpiece for rooms designed to inspire energy and calm simultaneously. The pathway leading toward the house invites the viewer’s eye into the scene, creating a sense of depth and dimension that draws one into the heart of the park.

    Beyond its aesthetic appeal, the painting carries a heavy historical weight. As a prominent member of Der Blaue Reiter (The Blue Rider) movement, Macke sought to integrate the avant-garde elements of his time—such as the rhythmic energy of Impressionism and the bold color theory of Post-Impressionism—into a cohesive emotional experience. The house itself can be viewed as a symbol of domesticity and sanctuary, a quiet refuge amidst the encroaching chaos of the modern world. To possess a reproduction of this work is to hold a fragment of history—a beautiful, defiant moment of peace captured by an artist whose life was tragically cut short, leaving behind a legacy of light that continues to illuminate the halls of art history.

    Kunstner og museum

    Kunstner

    August Macke

    Født i Meschede, Tyskland

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name forever intertwined with the brief but brilliant flowering of German Expressionism, lived a life tragically curtailed by the horrors of the First World War. Born in 1887 in Meschede, a small town nestled within the Sauerland region of Westphalia, his artistic journey was one of rapid evolution and profound exploration – a relentless pursuit to capture not just what he saw, but how he felt about it. Macke’s early years were marked by a restless spirit and an insatiable curiosity, leading him away from his family's building business and towards the vibrant world of art. His formal training at the Düsseldorf Art Academy, though ultimately deemed insufficient by his own discerning eye, provided a crucial foundation, while independent study and extensive travel proved to be the true catalysts for his unique artistic voice. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques – particularly the evocative use of light and color – laying the groundwork for the bolder, more emotionally charged expressions that would define his later work. He supplemented his income through stage design, a demanding profession that honed his compositional skills and sharpened his eye for visual harmony.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with some of the most influential figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism that focused on pure abstraction and the ecstatic harmony of color. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and profoundly influencing his approach to composition. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about it – a key characteristic of Expressionism. Simultaneously, his close friendship with Franz Marc, a fellow artist and a central figure in the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life – imbued with a sense of joy, optimism, and a yearning for connection. The influence of Henri Matisse, whose bold use of color and simplified forms captivated Macke during his time in Paris, is also evident in many of his works. He was particularly drawn to the Fauvist movement’s emphasis on vibrant hues and expressive brushstrokes, incorporating these techniques into his own distinctive style.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group's exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn’t simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes – often reflecting the anxieties of the time – Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity. The influence of Japanese art, particularly woodblock prints, can also be detected in his use of composition and perspective.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor – a sentiment tragically common among many artists at the time – he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent – a haunting testament to his untimely demise. Despite his tragically short life, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change – a world grappling with modernity, industrialization, and the looming threat of war – imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter – revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Red house in park

    originaluniqueart.com/da/art/download/august-macke-red-house-in-park-8XXPE3-en/

    Kildehenvisning til dette kunstværk

    MLA
    Macke, August. Red house in park. 1914, https://originaluniqueart.com/da/art/august-macke-red-house-in-park-8XXPE3-en/
    APA
    Macke, August (1914). Red house in park [Painting]. https://originaluniqueart.com/da/art/august-macke-red-house-in-park-8XXPE3-en/
    Chicago
    August Macke. Red house in park. 1914. https://originaluniqueart.com/da/art/august-macke-red-house-in-park-8XXPE3-en/
    Harvard
    Macke, August (1914) Red house in park. Available at: https://originaluniqueart.com/da/art/august-macke-red-house-in-park-8XXPE3-en/

    Se nærmere efter

    Red house in park — August Macke

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: landscape painting, red house, park scene. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Kvinde i grøn jakke (1913) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. German Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken stemning ville "Red house in park" bringe til et rum?

    Med sin Serene stemning foreslås "Red house in park" til et Living Room.

    Hvor lys eller mørk fremstår "Red house in park" af August Macke?

    Den oplevede lysstyrke i "Red house in park" af August Macke er balanced. Den kan tilpasses lyset i det tiltænkte rum.

    Hvilken type værk er "Red house in park"?

    "Red house in park" er et værk i form af WallArt.