Papir

Guide til elevkunst

Plowing

Navn Klasse Dato

Antonio Laccabue, Plowing (1961), Fondazione - Archivio Antonio Ligabue di Parma. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Antonio Laccabue originaluniqueart.com/da/artists/antonio-laccabue_da/
Kunstnerens årstal
1899 – 1965
Malet
1961
Medie
Oil
Oprindelig størrelse
5 x 100 cm
Bevægelse
Naïve Art Work by artists without formal training, flat and direct, valued for exactly that freshness.
Periode
Modern
Afholdt hos
Fondazione - Archivio Antonio Ligabue di Parma originaluniqueart.com/da/museums/fondazione-archivio-antonio-ligabue-di-parma-parma/
Artistic style
Naïve art
Notable elements
Oxen, running dog, hens, and Nordic village
Subject or theme
Farm life and agricultural labor

I kontekst

Plowing — Antonio Laccabue

Hvor stor er den?

Originalen måler 5 × 100 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 66 ved død.

Malet da kunstneren var 62 år gammel. Kunstneren blev 66 år gammel. 37 af de 42 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Antonio Laccabue' livstid (1899–1965) ▲ dette værk, 1961 hvert dateret maleri, årti for årti

Første værker: frem til 1952 Primære arbejdsår: 1952–1960 Senere værker: fra 1960

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

  • Lion, 1935 originaluniqueart.com/da/art/antonio-laccabue-lion-D6639T-en/
  • Panther originaluniqueart.com/da/art/antonio-laccabue-panther-D6639H-en/
  • Black Widow, 1955 originaluniqueart.com/da/art/antonio-laccabue-black-widow-D6636A-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/antonio-laccabue-plowing-D663E4-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #413419

    Katalogiseret palet

    • #413419
    • #87672F
    • #2B6435
    • #80A497

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Balanced Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Antonio Laccabue i løbet af de sidste tolv måneder — 5 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 71,4%1.500 besøg
    2. 2 Italien 14,3%300 besøg
    3. 3 Polen 4,8%100 besøg
    4. 4 Portugal 4,8%100 besøg
    5. 5 USA 4,8%100 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 17 mest viste værker af Antonio Laccabue

    1. 1 Lion, 1935 11,5%300 besøg
    2. 2 Wildcat with kite, 1960 11,5%300 besøg
    3. 3 Self-portrait with a fly, 1960 11,5%300 besøg
    4. 4 Self-portrait, 1960 7,7%200 besøg
    5. 5 Baboon, 1953 7,7%200 besøg
    6. 6 Ocelot with skull, 1933 7,7%200 besøg
    7. 7 Self-portrait, 1962 7,7%200 besøg
    8. 8 Cow with calf, 1960 3,8%100 besøg
    9. 9 Stable with horses and donkey, 1960 3,8%100 besøg
    10. 10 Lion on his prey, 1931 3,8%100 besøg
    11. 11 Castle, 1954 3,8%100 besøg
    12. 12 Portrait of a woman, 1960 3,8%100 besøg
    13. 13 Gorilla bust, 1956 3,8%100 besøg
    14. 14 Tiger, 1958 3,8%100 besøg
    15. 15 Self-portrait, 1955 3,8%100 besøg
    16. 16 Panther 3,8%100 besøg
    17. — Plowing, 1961 dette maleri 0,0%0 besøg

    Sammen udgør disse værker 99,5% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 43 værker af denne kunstner, hvoraf 16 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Plowing — Antonio Laccabue

    A Symphony of Rural Vitality

    In his evocative 1961 masterpiece, Plowing, Antonio Ligabue invites the viewer into a world where the boundaries between man, animal, and landscape dissolve into a singular, rhythmic dance of survival and toil. This painting is far more than a mere depiction of agricultural labor; it is a vibrant tapestry of life, woven with the raw, uninhibited energy that defines the Naïve art movement. As the eye wanders across the canvas, one is immediately struck by the profound sense of motion. A running dog on the periphery acts as a kinetic spark, guiding the heavy, rhythmic momentum of oxen bent under the weight of the plow. The scene is thick with narrative detail—a man in rolled-up sleeves offers a silent greeting to a fellow laborer, while a cluster of hens pecks at the earth, grounding the grander struggle of the field in the humble, everyday realities of farm life.

    The composition breathes with an organized chaos, a characteristic hallmark of Ligabue’s mature period. The artist masterfully distributes a multitude of figures—at least twelve cows and several workers—across the expanse of the field, creating a sense of depth that pulls the observer into the very heart of the harvest. There is a palpable weight to the scene; one can almost feel the resistance of the soil against the blade and the heat of the sun upon the backs of the laborers. This density of life creates an immersive experience, making the painting an ideal centerpiece for those seeking to bring a sense of grounded, organic energy into a sophisticated interior space.

    Nostalgia and the Naïve Spirit

    Beyond the immediate physical labor, Plowing serves as a profound window into Ligabue’s psyche and his complex relationship with memory. The distant, Nordic-style village nestled in the background is not merely a scenic element; it is a poignant, recurring motif in his work, representing a nostalgic longing for the Swiss landscapes of his childhood. This layer of melancholic beauty contrasts beautifully with the vivid, almost frenetic activity of the foreground. Through his unique technique, Ligabue transforms a traditional subject into something much more personal and mythic. His brushwork, though characterized by a certain primitive directness, possesses an incredible ability to capture the essence of light and texture, from the coarse fur of the oxen to the soft, hazy atmosphere of the distant mountains.

    For collectors and interior designers alike, this work offers a rare opportunity to possess a piece of art history that speaks to the resilience of the human spirit. The emotional impact of Plowing lies in its ability to evoke both the struggle of existence and the beauty found within it. It is a celebration of the interconnectedness of all living things—the man, the beast, and the earth itself. Whether placed in a sun-drenched gallery or a contemporary living room, this reproduction serves as a powerful conversation piece, offering a window into a world where every movement is imbued with purpose and every detail tells a story of enduring life.

    Kunstner og museum

    Kunstner

    Antonio Laccabue

    Født i Zürich, Schweiz

    tidligt liv og personlige kampe

    antonio laccabue, også kendt som antonio ligabue, var en italiensk maler, billedhugger og graver født i Zürich, Schweiz, i 1899. Hans tidlige år var præget af dyb tragik, da hans mor og tre brødre gik bort i 1913 som følge af madforgiftning. Denne hjerteskærende begivenhed førte til hans udvisning fra Schweiz, og han blev senere indlagt på en psykiatrisk klinik.

    den kunstneriske rejse

    ligabue begyndte at male i 1920, og hans kunstneriske evner blev anerkendt af renato marino mazzacurati, som lærte ham kunsten at arbejde med oliemaling. Hans værk er kendetegnet ved levende og farverige skildringer af dyr og landskaber, hvilket har sikret ham et ry som en af de mest betydningsfulde naivistiske kunstnere i det 20. århundrede.

    bemærkelsesværdige værker og museer

    blandt ligabues mest fremtrædende værker finder man:

    eagles with fox (1944), som fremviser hans unikke blanding af realisme og naivitet.

    the roar, et kraftfuldt eksempel på hans evne til at indfange dyrenes essens.

    self-portrait with dog (1957), der fremhæver hans eksperimenter med selvportrættet.

    disse værker kan findes på forskellige museer, herunder

    Museum

    Fondazione - Archivio Antonio Ligabue di Parma

    Udstillet i Parma, Italy

    A Sanctuary for Expression: Discovering the Fondazione - Archivio Antonio Ligabue in Parma

    Nestled within the historic Palazzo Bentivoglio, a structure that whispers tales of Parma’s rich past with its aged stones and elegant arches, lies an extraordinary institution dedicated entirely to the life and work of Antonio Ligabue – a 20th-century master whose intensely personal expressionist vision continues to resonate with profound emotional power. The Fondazione - Archivio Antonio Ligabue di Parma is more than simply a museum; it’s a portal into the soul of an artist who navigated a tumultuous life, transforming hardship and isolation into a vibrant, often unsettling, body of work. This isn't just viewing art; it’s experiencing a deeply felt narrative, a testament to resilience born from struggle.

    Ligabue’s story is inextricably linked to his art, mirroring its raw vulnerability and haunting beauty. Born in Zurich to an Italian mother and an unknown father, his early years were marked by abandonment and institutionalization – experiences that profoundly shaped his worldview. The Fondazione embraces this complex narrative, offering visitors rare archival materials – sketches, letters, personal artifacts—that illuminate the artist’s journey with startling intimacy. These glimpses into Ligabue's life aren’t mere footnotes; they are crucial context for understanding the emotional intensity that permeates his canvases. His paintings weren’t merely representations of the world around him; they were visceral expressions of his inner landscape, born from a lifetime of searching and quiet contemplation.

    The Power of Expressionism: A Collection Defined by Emotion

    The museum's permanent collection is a breathtaking journey through the breadth and depth of Ligabue’s artistic output. His iconic paintings—expressive portraits that seem to gaze directly into your soul, landscapes teeming with a restless energy, and depictions of animals rendered with both tenderness and ferocity—are presented in a way that invites intimate contemplation. What immediately strikes the eye is Ligabue's masterful use of color; he employed bold, often jarring combinations – fiery reds against muted blues, vibrant yellows juxtaposed with somber greens – to convey emotion with startling directness. He eschewed traditional techniques in favor of a more intuitive approach, layering paint thickly and creating a tactile quality that draws the viewer into the very texture of the work. The impastoed surfaces practically vibrate with energy, reflecting the intensity of his emotional state.

    Beyond the finished canvases, the Fondazione’s dedication to research ensures the authenticity of every piece on display, offering visitors confidence in the integrity of the collection. The museum also houses a significant collection of Ligabue's drawings and sketches, providing invaluable insight into his creative process – revealing preliminary studies alongside finished works, demonstrating how he built up his compositions layer by layer.

    A Living Archive: Preservation and Discovery

    What truly sets the Fondazione - Archivio Antonio Ligabue apart is its dual role as both a museum and a research center. This commitment to scholarly investigation ensures that Ligabue’s legacy will continue to be explored and understood for generations to come. The archive serves as a hub for art historians, scholars, and enthusiasts alike, fostering a deeper appreciation for the artist's contributions to 20th-century art. Rotating exhibitions—often focusing on specific themes or periods within Ligabue’s career—further enhance the visitor experience, presenting fresh perspectives on his oeuvre and highlighting previously unseen works. These dynamic presentations keep the museum vibrant and engaging, encouraging repeat visits and ensuring that there is always something new to discover.

    A Cultural Cornerstone in Parma

    The Fondazione - Archivio Antonio Ligabue di Parma occupies a unique position within Italy’s rich cultural landscape. Unlike larger, more comprehensive museums, this institution offers an unparalleled focus on a single artist, allowing for an immersive and deeply rewarding experience. Located in the artistic city of Parma—a region renowned for its prosciutto, Parmesan cheese, and musical heritage (as evidenced by the thriving local opera scene)—the museum complements other local attractions, making it an essential destination for anyone with a passion for art and history. The Palazzo Bentivoglio itself is a beautiful example of Parma’s architectural heritage, providing a fittingly resonant backdrop for Ligabue's paintings, its aged stones echoing the weight of history and the enduring spirit of artistic creation.

    Beyond the Canvas: Exploring Ligabue’s World

    To fully appreciate Ligabue’s work, consider the context of his life. Parma, a city steeped in tradition yet embracing modernity, provided a backdrop for his struggles and triumphs. The Fondazione often hosts events that delve into this broader cultural landscape, including lectures, workshops, and performances inspired by Ligabue's art. Furthermore, exploring Parma itself—visiting the Camera di San Paolo, a masterpiece of illusionistic fresco painting by Antonio Allegri da Correggio – offers a deeper understanding of the artistic traditions that influenced Ligabue’s unique vision. The Fondazione actively encourages visitors to connect with the city and its history, enriching their experience of Ligabue's art.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Plowing

    originaluniqueart.com/da/art/download/antonio-laccabue-plowing-D663E4-en/

    Kildehenvisning til dette kunstværk

    MLA
    Laccabue, Antonio. Plowing. 1961, Fondazione - Archivio Antonio Ligabue di Parma. https://originaluniqueart.com/da/art/antonio-laccabue-plowing-D663E4-en/
    APA
    Laccabue, Antonio (1961). Plowing [Painting]. Fondazione - Archivio Antonio Ligabue di Parma. https://originaluniqueart.com/da/art/antonio-laccabue-plowing-D663E4-en/
    Chicago
    Antonio Laccabue. Plowing. 1961. Fondazione - Archivio Antonio Ligabue di Parma. https://originaluniqueart.com/da/art/antonio-laccabue-plowing-D663E4-en/
    Harvard
    Laccabue, Antonio (1961) Plowing. Fondazione - Archivio Antonio Ligabue di Parma. Available at: https://originaluniqueart.com/da/art/antonio-laccabue-plowing-D663E4-en/

    Se nærmere efter

    Plowing — Antonio Laccabue

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: farming, oxen, rural life. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Lion (1935) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Naïve Art: Work by artists without formal training, flat and direct, valued for exactly that freshness. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken stemning bringer "Plowing" af Antonio Laccabue til et interiør?

    "Plowing" af Antonio Laccabue har en Nostalgic atmosfære og anbefales til et Hallway. Stemningen er det, som værket bringer til de omkringliggende omgivelser.

    Hvornår og i hvilken stil er "Plowing" af Antonio Laccabue skabt?

    "Plowing" blev skabt i 1961 som et værk inden for Naïve Art-bevægelsen. Datoen og stilen forankrer kunstværket i kunsthistorien.

    Hvilken farve dominerer kompositionen i "Plowing" af Antonio Laccabue?

    Espresso (#413419) er den dominerende farve i "Plowing" af Antonio Laccabue.