Papir
Navn Klasse Dato

Anton Refregier, First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) (1938). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Anton Refregier originaluniqueart.com/da/artists/anton-refregier/
Kunstnerens årstal
1905 – 1979
Malet
1938
Oprindelig størrelse
51 x 38 cm

I kontekst

First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) — Anton Refregier

Hvor stor er den?

Originalen måler 51 × 38 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 74 ved død.

Malet da kunstneren var 33 år gammel. Kunstneren blev 74 år gammel. 0 af de 3 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Anton Refregier' livstid (1905–1979) ▲ dette værk, 1938 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/

Farver

Målt ud fra billedet

    Primær farve

    Khaki #ecd899

    Katalogiseret palet

    • #ECD899
    • #94855F
    • #D6BE7B
    • #1A1510

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Khaki
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Anton Refregier i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 90,0%
    2. 2 USA 10,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 7 mest viste værker af Anton Refregier

    1. 1 History of San Francisco mural Beating the Chinese by at Rincon Annex Post Office located near the Embarcadero at 101 Spear Street, San Francisco, California, 2012 36,4%
    2. 2 Untitled (AQRPGT), 2012 18,2%
    3. 3 Untitled (AQRPGM), 2012 18,2%
    4. 4 for I say at the core of democracy, finally, is the religious element. All the religions, old and new, are there. Walt Whitman, Democratic Vistas, 1871. From the series Great Ideas of Western Man, 1957 9,1%
    5. 5 Untitled (AQRPGV), 2012 9,1%
    6. 6 Untitled (AQRPGZ), 2012 9,1%
    7. — First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building), 1938 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 17 værker af denne kunstner, hvoraf 6 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Anton Refregier

    A Visionary of Social Realism and San Francisco’s History

    Anton Refregier stands as a monumental figure in the tapestry of American art history, a painter whose brushstrokes captured the very soul and struggle of a nation in transition. Born in Moscow on March 20, 1905, Refregier’s journey was one of profound migration and cultural synthesis. Emigrating to the United States in 1920, he brought with him a perspective shaped by the vastness of his origins and a hunger for the artistic possibilities of his adopted home. His early years were defined by a rigorous pursuit of mastery, beginning with a transformative scholarship to the Rhode Island School of Design in 1921. This formal training provided him with a classical foundation, yet it was his later encounters with the avant-garde that would truly ignite his creative spirit.

    The trajectory of Refregier’s career was marked by an extraordinary ability to blend meticulous craftsmanship with the raw, emotive power of modern movements. In New York City during the mid-1920s, he honed a delicate skill for replicating the works of masters such as François Boucher and Jean-Honoré Fragonard, an endeavor that instilled in him a deep reverence for artistic heritage. However, his 1927 travels to Munich introduced him to the burgeoning influences of Abstract Expressionism under the legendary mentorship of Hans Hofmann. This exposure to more fluid, expressive forms allowed Refregier to expand his stylistic horizons, ensuring that even his most grounded social realist works possessed a dynamic, modern vitality.

    The Pulse of the Great Depression and the WPA

    As the shadows of the Great Depression descended upon America, Refregier’s art found its true purpose. Living within the Mount Airy Artists' Colony in Croton-on-Hudson, he became a witness to the widespread hardships of the era. This period of economic upheaval deeply informed his humanist philosophy; he famously observed that as people grew poorer in possessions, they became poorer in their ability to enjoy life. This empathy for the common man became the heartbeat of his work. Through the auspices of the Works Progress Administration (WPA) Federal Art Project, Refregier found a platform to translate these societal struggles into large-scale narratives that demanded public attention.

    His involvement with the WPA allowed him to move beyond the canvas and onto the walls of the American landscape. His work during this time was characterized by Social Realism, a movement dedicated to portraying everyday life and systemic injustices with unflinching accuracy. He eschewed the comforts of romanticized imagery, choosing instead to present scenes of labor, displacement, and community strength. This commitment to truth-telling through art solidified his reputation as an artist who did not merely observe history but actively participated in its documentation.

    The Legacy of the Rincon Center Murals

    Perhaps Refregier’s most enduring achievement is the monumental mural series, The History of San Francisco. Commissioned in 1941 and executed between 1940 and 1948, this sprawling epic consists of twenty-seven panels located within the Rincon Annex Post Office. Using casein tempera on white gesso over plaster, Refregier created a visceral narrative that spans centuries of the city's complex evolution. The scale of the work—covering over 2,457 square feet—is matched only by its emotional depth and historical bravery.

    The murals are celebrated for their stark honesty, particularly in their depiction of San Francisco’s fraught relationship with marginalized communities. One of the most poignant and unsettling panels portrays the 1877 anti-Chinese Sand Lot riots, capturing a moment of intense violence and injustice with a muted palette of browns, grays, and ochres. Yet, within this grit, Refregier utilized strategic bursts of red and yellow to punctuate moments of profound symbolic significance. This series was not without controversy; in the 1950s, it faced congressional scrutiny over themes deemed inconsistent with certain American ideals, yet the murals survived as a testament to the artist's courage.

    Refregier’s life and work represent a bridge between the classical traditions of Europe and the gritty, democratic spirit of mid-century America. His ability to weave together personal experience, historical record, and social critique ensures that his legacy remains as vibrant and essential today as it was during the height of the WPA era.

    Læs mere her

    • Kunstneren Anton Refregier originaluniqueart.com/da/artists/anton-refregier/
    • Lignende værker Flere værker til sammenligning originaluniqueart.com/da/art/similar/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/

    Findes online

    QR-kode med link til downloadside for First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)

    originaluniqueart.com/da/art/download/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/

    Kildehenvisning til dette kunstværk

    MLA
    Refregier, Anton. First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building). 1938, https://originaluniqueart.com/da/art/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/
    APA
    Refregier, Anton (1938). First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) [Painting]. https://originaluniqueart.com/da/art/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/
    Chicago
    Anton Refregier. First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building). 1938. https://originaluniqueart.com/da/art/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/
    Harvard
    Refregier, Anton (1938) First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building). Available at: https://originaluniqueart.com/da/art/anton-refregier-first-color-study-exhibition-hall-community-cent-AQRPHB-en/

    Se nærmere efter

    First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) — Anton Refregier

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på History of San Francisco mural Beating the Chinese by at Rincon Annex Post Office located near the Embarcadero at 101 Spear Street, San Francisco, California (2012) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Anton Refregier var omkring 33 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Findes der værker, der ligner "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)"?

    Se lignende værker til "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)" på siden Lignende værker.

    Er "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)" af Anton Refregier i det offentlige domæne, og hvorfor?

    Ophavsretsstatus for "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)" – stadig beskyttet af ophavsret – følger af kunstnerens død i 1979.

    Kan jeg bruge augmented reality til at se "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)" af Anton Refregier i mit eget rum?

    Siden Se i AR for "First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)" af Anton Refregier bruger augmented reality til at vise kunstværket i dit eget rum på en kompatibel enhed.