Ophavsret Dette værk er i det offentlige domæne. Anton Ebert døde i 1896; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1966.
I kontekst
Self-Portrait — Anton Ebert
Originalen måler 52 × 42 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 51 ved død.
Malet da kunstneren var 44 år gammel. Kunstneren blev 51 år gammel. 0 af de 2 daterede værker af denne kunstner i vores katalog er skabt tidligere.
Skyggelagt: Anton Ebert' livstid (1845–1896) ▲ dette værk, 1889 hvert dateret maleri, årti for årti
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Se flere lignende værker her: originaluniqueart.com/da/art/similar/anton-ebert-self-portrait-wd-aa-1l8vcsgr-en/
Målt ud fra billedet
Primær farve
Espresso #575549
Katalogiseret palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 2 værker af denne kunstner, hvoraf 1 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Født i Kladruby, Czech Republic
Anton Ebert entered the world in 1845 at Kladrau Castle near Mies, Bavaria. His early years were shaped by the structured surroundings of the Windisch-Graetz family estate, where his father served as the royal treasurer. This childhood setting provided a foundation for a life that would eventually span several European cultural centers.
His path as an artist led him from the Prague Academy to the studios of Vienna. It was there that he studied under Ferdinand Georg Waldmüller, an instructor whose approach to subject matter and palette left a lasting mark on his technique. While his roots were in Bohemia, Ebert’s movements took him through Berlin and eventually into the heart of Russia around 1870. This migration allowed him to observe a wide variety of lives, from the aristocratic circles of the Imperial family to the rural populations of the Russian countryside.
He spent his final years in Vienna, where he passed away on 16 June 1896. His life was defined by this movement between different landscapes and social strata.
Ebert’s work focused heavily on the human figure, particularly children and women. He possessed a particular skill for capturing the textures of daily existence, whether through the heavy fabrics of a peasant's clothing or the delicate details of a formal portrait. His paintings often documented specific cultural identities, such as the traditional folk attire found in his 1879 work, Girl in Folk Costume.
His approach to painting was grounded in realism and a meticulous attention to detail. He used oil on canvas and panel to render skin, fabric, and light with great precision. While some of his portraits leaned toward the classical, others captured more intimate, everyday scenes:
Portraits of the aristocracy and members of the Imperial family.
Genre scenes depicting merchants and peasants.
Landscapes focused on the surroundings of Vienna.
Miniature portraits executed on ivory.
In works like The Mellon Seller, he applied a realistic style to depict a young woman with watermelons, focusing on the physical reality of the scene. He also drew from his own memories of Kladrau Castle to create scenes involving children, often using the family members of the Windisch-Graetz house as models.
Ebert’s significance lies in his role as a documentarian of 19th-century life. Through his portraits and genre paintings, he recorded the customs, costumes, and faces of a period undergoing rapid change. His ability to move between the formal requirements of portraiture for royalty and the honest depiction of ordinary people allowed him to create a broad visual record of his era.
His pieces are held in various collections across Europe, including the Museum of Vienna, the Roumianzeff Museum in Moscow, and the Mainz Art Gallery. These works remain as physical links to the social structures and regional identities of the late 1800s.
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For kunststuderende og forskere
Self-Portrait — Anton Ebert
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Farveanalysen af "Self-Portrait" af Anton Ebert viser en Balanced kontrast og en Discordant Palette harmoni.
Se lignende værker til "Self-Portrait" af Anton Ebert på denne side: Lignende værker
Se en forhåndsvisning af "Self-Portrait" af Anton Ebert på værkets Forhåndsvisning-side.
"Self-Portrait" blev skabt af Anton Ebert i 1889.
Lys-mørke-kontrasten i "Self-Portrait" er registreret som Balanced. Kontrast beskriver, hvor kraftigt lyse og mørke områder adskiller sig fra hinanden.