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Alfred William Parsons, Spring Sunshine, Ferens Art Gallery. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Alfred William Parsons originaluniqueart.com/da/artists/alfred-william-parsons/
Kunstnerens årstal
1847 – 1920
Oprindelig størrelse
51 x 76 cm
Afholdt hos
Ferens Art Gallery originaluniqueart.com/da/museums/ferens-art-gallery-hull_da/

I kontekst

Spring Sunshine — Alfred William Parsons

Hvor stor er den?

Originalen måler 51 × 76 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet malet?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 73 ved død.

Skyggelagt: Alfred William Parsons' livstid (1847–1920) hvert dateret maleri, årti for årti

Første værker: frem til 1888 Primære arbejdsår: 1888–1910 Senere værker: fra 1910

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/alfred-william-parsons-spring-sunshine-AQSJKR-en/

Farver

Målt ud fra billedet

    Primær farve

    Rosy Brown #bcb39c

    Katalogiseret palet

    • #BCB39C
    • #A09365
    • #4E4721
    • #807837

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Alfred William Parsons i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 91,7%
    2. 2 USA 8,3%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 10 mest viste værker af Alfred William Parsons

    1. 1 Bredon on the Avon, Worcestershire, 1910 30,8%
    2. 2 Morning on the Kennet, 1880 7,7%
    3. 3 The Manor Park, 1900 7,7%
    4. 4 The Pear Orchard, 1903 7,7%
    5. 5 River Scene with a Shepherd and Sheep by a Ferry, 1900 7,7%
    6. 6 On the Bure at Wroxham, 1910 7,7%
    7. 7 Rosa arvensis Huds., 1914 7,7%
    8. 8 Spring Sunshine dette maleri 7,7%
    9. 9 Thorverton Bridge 7,7%
    10. 10 The Swede Harvest 7,7%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 20 værker af denne kunstner, hvoraf 10 er blevet set mindst én gang. Dette maleri rangerer som nummer 8 af dem med 7,7% af den samlede opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Alfred William Parsons

    The Verdant Vision of Alfred William Parsons

    In the golden age of Victorian landscape painting, few artists captured the quiet majesty of the English countryside with as much botanical precision and poetic grace as Alfred William Parsons. Born on December 2nd, 1847, in the picturesque village of Beckington, Somerset, Parsons was destined to become a bridge between the worlds of fine art and horticultural science. He descended from a lineage deeply rooted in the earth; his father, Joshua Parsons, was a noted alpinist and a close correspondent to the legendary garden designer William Robinson. This early immersion in the rhythms of nature provided the foundational palette for a career that would eventually define the aesthetic of the English pastoral ideal.

    Though his professional journey began far from the easel—serving as a clerk at the Post Office starting in 1867—the call of creative expression proved too potent to ignore. Driven by a desire for a more dynamic existence, Parsons abandoned the sedentary life of bureaucracy to pursue formal training at the prestigious Kensington School of Art. It was here that his technical prowess began to coalesce, blending the meticulous observation required for botanical illustration with the atmospheric sensitivity of landscape painting. His emergence into the London art scene was marked by regular exhibitions at the Royal Academy and the Grosvenor Gallery, establishing him as a vital voice in a community that sought to find divinity in the natural world.

    A Symbiosis of Art and Nature

    The true brilliance of Parsons lay in his ability to treat the landscape not merely as a backdrop, but as a living, breathing protagonist. His work often functioned as a seamless dialogue between the wildness of nature and the curated beauty of the garden. This dual identity as both an illustrator and a garden designer allowed him to approach his canvases with a unique scientific eye. He was particularly renowned for his fine botanical illustrations, which brought him into close collaboration with William Robinson. Through these works, Parsons helped popularize a style of gardening that favored naturalistic, flowing arrangements over the rigid, formal structures of previous eras.

    His artistic technique was characterized by an exquisite use of light and texture. Whether working in oils or watercolours, Parsons possessed a remarkable ability to render the soft, diffused light of an English afternoon, capturing the way it filtered through heavy foliage or shimmered upon a serene river. His paintings often feature:

    Idyllic English landscapes that evoke a sense of timeless tranquility and nostalgic peace.

    Meticulous botanical detail that honors the specific flora of the British Isles.

    Atmospheric depth achieved through subtle, muted color palettes and masterful brushwork.

    Architectural harmony where stately manor houses are depicted as organic extensions of their verdant surroundings.

    Legacy and Artistic Triumph

    As his career progressed, Parsons’s influence extended far beyond the borders of England. His expertise in garden design saw him shaping significant landscapes in Scotland and even across the Atlantic in the United States. This period of his life reflected a growing belief among his contemporaries that an artist possessed the unique vision necessary to design gardens that were true works of art. His accolades were numerous and reflected his standing in the upper echelons of the British art world, including winning the prestigious Chantrey Bequest in 1887 and serving as the President of the Society of Painters in Watercolours in 1905.

    Beyond his formal titles, Parsons was a man of profound curiosity and literary talent. His publication, Notes From Japan (1896), demonstrated a breadth of interest that mirrored his artistic versatility. Even as the world moved toward the more fragmented styles of the early 20th century, Parsons remained a steadfast guardian of the romantic and the real. When he passed away on January 16th, 1920, he left behind a legacy of harmony—a body of work that continues to remind us of a time when art and nature were viewed as an inseparable, sacred whole.

    Museum

    Ferens Art Gallery

    Udstillet i Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Spring Sunshine

    originaluniqueart.com/da/art/download/alfred-william-parsons-spring-sunshine-AQSJKR-en/

    Kildehenvisning til dette kunstværk

    MLA
    Parsons, Alfred William. Spring Sunshine. n.d., Ferens Art Gallery. https://originaluniqueart.com/da/art/alfred-william-parsons-spring-sunshine-AQSJKR-en/
    APA
    Parsons, Alfred William (n.d.). Spring Sunshine [Painting]. Ferens Art Gallery. https://originaluniqueart.com/da/art/alfred-william-parsons-spring-sunshine-AQSJKR-en/
    Chicago
    Alfred William Parsons. Spring Sunshine. n.d. Ferens Art Gallery. https://originaluniqueart.com/da/art/alfred-william-parsons-spring-sunshine-AQSJKR-en/
    Harvard
    Parsons, Alfred William (n.d.) Spring Sunshine. Ferens Art Gallery. Available at: https://originaluniqueart.com/da/art/alfred-william-parsons-spring-sunshine-AQSJKR-en/

    Se nærmere efter

    Spring Sunshine — Alfred William Parsons

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på American Apples (1888) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor stor er kontrasten i "Spring Sunshine" af Alfred William Parsons?

    Lys-mørke-kontrasten i "Spring Sunshine" er registreret som Gentle. Kontrast beskriver, hvor kraftigt lyse og mørke områder adskiller sig fra hinanden.

    Hvilken form og hvilke dimensioner har "Spring Sunshine" af Alfred William Parsons?

    Formatet på "Spring Sunshine" er Landscape, og originalen måler 51 x 76 cm. Begge oplysninger er nyttige, når man planlægger en reproduktion.

    Kan jeg se et røntgenbillede af "Spring Sunshine" af Alfred William Parsons?

    "Spring Sunshine" kan undersøges lag for lag på værkets Røntgenoptagelse-side, en interaktiv viewer inspireret af en konservators lysbænk med elleve optiske lag af billedet.