Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Alfred Émile Léopold Stevens døde i 1906; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1976.
I kontekst
The Present — Alfred Émile Léopold Stevens
Originalen måler 37 × 46 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 83 ved død.
Malet da kunstneren var 43 år gammel. Kunstneren blev 83 år gammel. 3 af de 40 daterede værker af denne kunstner i vores katalog er skabt tidligere.
Skyggelagt: Alfred Émile Léopold Stevens' livstid (1823–1906) ▲ dette værk, 1866 hvert dateret maleri, årti for årti
Første værker: frem til 1868 Primære arbejdsår: 1868–1888 Senere værker: fra 1888
Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Se flere lignende værker her: originaluniqueart.com/da/art/similar/alfred-emile-leopold-stevens-the-present-AQU8T2-en/
Målt ud fra billedet
Primær farve
Sap Green #6c5e43
Katalogiseret palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 78,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 75 værker af denne kunstner, hvoraf 30 er blevet set mindst én gang. Dette maleri rangerer som nummer 14 af dem med 2,2% af den samlede opmærksomhed. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Alfred Émile Léopold Stevens (1823-1906) was a Belgian painter celebrated for his realistic depictions of elegant modern women and Parisian life. He skillfully captured the essence of la vie moderne with refined detail and subtle social commentary, establishing himself as a prominent figure in 19th-century art.
Born in Brussels in 1823 into a family deeply connected to the visual arts, Stevens benefited from a stimulating environment. His older brother Joseph (also a painter), his son Léopold, and another brother Arthur (an art dealer and critic) all contributed to the family’s artistic legacy. His father, a veteran of the Napoleonic Wars, was an avid art collector, while his maternal grandparents ran a popular café frequented by intellectuals and artists.
After his father's death in 1837, Stevens began his formal training at the Académie Royale des Beaux-Arts in Brussels.
He studied under François Navez, a Neo-Classical painter and former student of Jacques-Louis David.
In 1843, he moved to Paris to join his brother Joseph and enrolled at the École des Beaux-Arts.
Stevens’s early work demonstrated a mastery of conventional naturalistic style, heavily influenced by 17th-century Dutch genre painting. He meticulously studied the works of artists like Gerard ter Borch and Gabriel Metsu, absorbing their techniques for depicting domestic interiors and everyday life.
His initial success came with paintings exhibiting this influence, such as “The Pardon or Absolution” (1849).
He gradually transitioned towards portraying contemporary subjects – "la vie moderne" – focusing on the lives of fashionable women in Parisian society.
Stevens was an early enthusiast of Japonisme, incorporating Japanese objects and aesthetics into his compositions, as seen in “La Dame en Rose” (1866).
Stevens achieved significant recognition throughout his career, exhibiting regularly at the Salons in Paris and Brussels. His paintings garnered critical acclaim and attracted a loyal clientele.
He received third-class medals at the Paris Salon (1853) and second-class medal at the Universal Exposition (1855).
His painting “Ce qu'on appelle le vagabondage” (1855) prompted Napoleon III to address the issue of poverty in Paris.
He was awarded the Legion of Honor (Chevalier, 1863; Officer, 1867; Commander, 1878).
Stevens won a first-class medal at the Universal Exposition in Paris (1867).
Stevens was an active participant in the Parisian art world, cultivating friendships with prominent figures such as the Goncourt brothers, Théophile Gautier, Alexandre Dumas, Édouard Manet, Edgar Degas, Berthe Morisot, and James Abbott McNeill Whistler. He regularly frequented the Café Guerbois, a hub for avant-garde artists.
Stevens continued to paint successfully throughout his later life, capturing the changing fashions and social dynamics of Parisian society. He served in the French army during the Franco-Prussian War but returned to Belgium with his family before the Paris Commune. He died in 1906, leaving behind a rich artistic legacy.
Alfred Stevens’s work provides valuable insights into the social and cultural life of 19th-century France. His paintings offer a glimpse into the world of the upper middle class, showcasing their elegance, leisure activities, and evolving tastes. He is remembered as a master of realistic portraiture and genre painting, skillfully capturing the spirit of his time.
originaluniqueart.com/da/art/download/alfred-emile-leopold-stevens-the-present-AQU8T2-en/
Se nærmere efter
The Present — Alfred Émile Léopold Stevens
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"The Present" kan undersøges lag for lag på værkets Røntgenoptagelse-side, en interaktiv viewer inspireret af en konservators lysbænk med elleve optiske lag af billedet.
Den oplevede lysstyrke i "The Present" af Alfred Émile Léopold Stevens er deep_shadow. Den kan tilpasses lyset i det tiltænkte rum.
"The Present" har en overordnet lysstyrke på deep_shadow, og dens luminans er Dark.