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The Sunken Reef

Navn Klasse Dato

Albert Julius Olsson, The Sunken Reef (1900), Ministry of Defence. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Albert Julius Olsson originaluniqueart.com/da/artists/albert-julius-olsson/
Kunstnerens årstal
1864 – 1942
Malet
1900
Oprindelig størrelse
179 x 215 cm
Afholdt hos
Ministry of Defence originaluniqueart.com/da/museums/ministry-of-defence-london/

I kontekst

The Sunken Reef — Albert Julius Olsson

Hvor stor er den?

Originalen måler 179 × 215 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde. Det er for stort til at kunne gengives i målestoksforhold på denne side.

Hvornår er dette malet?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 78 ved død.

Malet da kunstneren var 36 år gammel. Kunstneren blev 78 år gammel. 0 af de 21 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Albert Julius Olsson' livstid (1864–1942) ▲ dette værk, 1900 hvert dateret maleri, årti for årti

Første værker: frem til 1905 Primære arbejdsår: 1905–1935 Senere værker: fra 1935

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: originaluniqueart.com/da/art/similar/albert-julius-olsson-the-sunken-reef-AQS27L-en/

Farver

Målt ud fra billedet

    Primær farve

    Putty #ced5cc

    Katalogiseret palet

    • #CED5CC
    • #768058
    • #9CAA96
    • #38431D

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Putty
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Albert Julius Olsson i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 85,7%
    2. 2 USA 14,3%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 8 mest viste værker af Albert Julius Olsson

    1. 1 Seascape off the Isle of Wight 33,3%
    2. 2 Light Airs off the Needles, 1938 11,1%
    3. 3 Moonlight on the Coast 11,1%
    4. 4 Sea Study 11,1%
    5. 5 Golden Afternoons, Cornish Coast 11,1%
    6. 6 Incoming Tide 11,1%
    7. 7 Where Corals Lie 11,1%
    8. — The Sunken Reef, 1900 dette maleri 0,0%

    Sammen udgør disse værker 99,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 50 værker af denne kunstner, hvoraf 7 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Albert Julius Olsson

    Albert Julius Olsson: A Mariner’s Eye on the Cornish Coast

    Albert Julius Olsson (1864-1942) wasn't merely a painter; he was an embodiment of the spirit of his time – a keen yachtsman, a dedicated teacher, and a master of capturing the ever-shifting moods of the British coastline. Born in Islington, London, to Swedish parents, Olsson’s early life instilled within him a deep appreciation for both seafaring traditions and artistic observation. This unique blend would profoundly shape his distinctive style and enduring legacy as one of the most significant figures of the St Ives School of Artists.

    Olsson's artistic journey began modestly in 1887 with an exhibited painting of Newlyn, a fishing village on Cornwall’s south coast. It wasn’t until 1890 that he achieved recognition at the Royal Academy, marking a pivotal moment in his career. This initial acceptance paved the way for membership in the New English Art Club in 1891 and established him as an artist with considerable promise. Crucially, it was during this period that Olsson made his permanent move to St Ives, a decision that would define both his artistic output and his contribution to the burgeoning art community of Cornwall.

    The St Ives School: Olsson’s arrival in St Ives coincided with a remarkable flowering of artistic talent. He quickly became associated with the influential St Ives School, alongside luminaries like Louis Grier and Algernon Talmage. However, unlike his colleagues who often focused on capturing the vibrant colors of the town itself, Olsson dedicated himself primarily to depicting the sea – its power, its tranquility, and its ever-changing light.

    A Teacher’s Influence: While lacking formal artistic training, Olsson possessed an innate ability to guide and inspire younger artists. He became a beloved mentor, imparting his knowledge of technique and observation to a generation of painters including Mary McCrossan, Richard Hayley Lever, Emily Carr, and John Anthony Park. His influence extended beyond mere instruction; he fostered a spirit of experimentation and encouraged his students to embrace the unique qualities of the Cornish landscape.

    Royal Recognition: Olsson’s dedication was ultimately rewarded with election as an Associate Royal Academician in 1914 and, later, as a full Royal Academician in 1920. These honors underscored his artistic merit and cemented his place within the established British art world.

    The Language of the Sea

    Olsson’s paintings are instantly recognizable for their evocative portrayal of the sea. He wasn't interested in simply rendering a seascape; he sought to capture its essence – its dynamism, its mystery, and its profound connection to human experience. His brushstrokes were often loose and expressive, conveying the movement of waves and the shifting patterns of light with remarkable immediacy.

    His technique was rooted in observation, honed through countless hours spent cruising his yacht along the Cornish coast. He meticulously studied the interplay of light on water, the subtle variations in color, and the way the sea responded to the changing weather conditions. This intimate knowledge is evident in his paintings – they are not merely representations of a scene but rather powerful expressions of the sea’s spirit.

    Impressionistic Approach: Olsson's style leaned towards impressionism, prioritizing capturing fleeting moments and atmospheric effects over precise detail. He used broken brushstrokes and vibrant colors to create a sense of movement and luminosity.

    Color Palette: His color palette was dominated by blues, greens, and greys – the dominant hues of the sea and sky. However, he skillfully employed touches of yellow, orange, and red to capture the brilliance of sunsets and the reflections of light on the water’s surface.

    Compositional Techniques: Olsson often utilized a dynamic compositional approach, employing diagonal lines and asymmetrical arrangements to create a sense of movement and drama.

    Beyond the Canvas: A Life at Sea and in Service

    Olsson’s life extended far beyond his artistic pursuits. He was an avid yachtsman, spending much of his time exploring the Cornish coastline by sea. This intimate connection with the ocean profoundly influenced his art, providing him with a deep understanding of its rhythms and moods.

    During World War I, Olsson’s maritime expertise proved invaluable to the Royal Navy. He served as a lieutenant in the RNVR, advising on the camouflage of naval ships – a testament to his keen observational skills and practical knowledge.

    Later in life, he established St Eia Hotel with his wife Kathleen, creating a hub for artists and visitors alike. The hotel’s location overlooking Carbis Bay provided an inspiring backdrop for his work and fostered a vibrant artistic community.

    A Lasting Legacy

    Albert Julius Olsson died in Dalkey, near Dublin, in 1942, leaving behind a substantial body of work that continues to captivate viewers today. His paintings are held in museums throughout the United Kingdom and beyond, serving as enduring reminders of his artistic vision and his profound connection to the Cornish coast.

    Olsson’s legacy extends beyond his individual achievements; he played a crucial role in shaping the St Ives School of Artists and inspiring generations of painters. His paintings are not simply beautiful images but windows into a world of maritime beauty, observation, and artistic passion – a testament to a life lived fully on the water and dedicated to capturing its ever-changing splendor.

    Museum

    Ministry of Defence

    Udstillet i London, United Kingdom

    A Bastion of British Resolve: The Soul of the Ministry of Defence

    Nestled in the heart of London, a stone’s throw from the Houses of and Banqueting House, lies a repository not of artistic masterpieces in the traditional sense, but of a different kind of creation – the meticulously crafted narrative of British defence. The Ministry of Defence (MOD) Museum isn't simply a display of weaponry and uniforms; it is an immersive journey through centuries of strategic thinking, courageous action, and the evolving relationship between a nation and its armed forces. Housed within the imposing Grade I listed Main Building, designed by E. Vincent Harris and constructed over decades beginning in 1939, the museum itself stands as a testament to enduring strength and architectural ambition. The very foundations of this building echo with history, built upon part of the site once occupied by the Palace of Whitehall, the former residence of English monarchs. Its grandeur speaks volumes about Britain’s unwavering commitment to safeguarding its sovereignty throughout time—a visual embodiment of resilience that immediately captivates visitors.

    Stepping inside is akin to entering a living chronicle of British military prowess. The collection isn't presented as static displays but rather unfolds as a series of compelling stories, where the gleam of historic swords and the intricate textures of meticulously preserved uniforms serve as tactile links to the past. Visitors can trace the evolution of land, sea, and air power, witnessing how innovation and adaptation have consistently shaped Britain’s defensive capabilities. Interactive exhibits breathe life into these narratives, allowing guests to engage with the past in a dynamic way. Imagine exploring the tactical challenges faced by naval commanders during the Napoleonic Wars or understanding the intricacies of aerial combat through immersive simulations—experiences designed not just to inform but to inspire contemplation on the human element within military history. The museum’s curators skillfully weave together archival documents, detailed reconstructions, and multimedia presentations to create a holistic picture of Britain's defense heritage.

    Architectural Grandeur and Hidden Histories

    Beyond the exhibits themselves, the building’s architecture adds another layer to the visitor experience, offering a profound sense of continuity. A significant refurbishment between 2000 and 2004 ensured that this historic landmark remained both functional and a fitting tribute to its purpose. Intriguingly, preserved rooms from Pembroke House, Cromwell House, and Cadogan House have been seamlessly integrated into the building’s fabric, now serving as elegant conference spaces – a subtle reminder of the continuity between past governance and present operations. These spaces offer a glimpse into the lives of those who shaped defence policy through the ages, adding an intimate dimension to the museum's grand scale. The architectural design itself reflects Britain’s enduring spirit—a deliberate fusion of traditional grandeur with modern practicality that underscores the institution’s role as both guardian of heritage and facilitator of progress.

    What truly distinguishes the MOD Museum is its willingness to confront challenging aspects of British defence history, moving beyond a sanitized version of events to delve into controversial episodes. Most notably, the museum addresses the secret germ warfare tests conducted between 1940 and 1979 with remarkable transparency and critical analysis. These experiments, involving the release of bacteria and chemicals over populated areas as simulations, represent a dark chapter that the museum explores to prompt deeper reflection. This commitment to presenting a complete picture – acknowledging both triumphs and failures – is what elevates the MOD Museum beyond a simple collection of military hardware. It is a space for learning, reflection, and a deeper understanding of the complexities inherent in national security, where the curators' meticulous attention to detail extends beyond the artifacts themselves to contextualize events within broader social and political landscapes.

    Located in Central London, the MOD Museum benefits from its prominent position—easily accessible by public transport and surrounded by iconic landmarks—making it an invaluable resource for researchers, students, and anyone seeking to understand the forces that have shaped the nation. Its comprehensive overview spans from ancient times to modern-day operations, cementing its status as a cornerstone of British military heritage. More than just a museum; it’s a living testament to British resilience, innovation, and its enduring commitment to freedom—a truly enlightening and memorable experience for visitors of all ages.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for The Sunken Reef

    originaluniqueart.com/da/art/download/albert-julius-olsson-the-sunken-reef-AQS27L-en/

    Kildehenvisning til dette kunstværk

    MLA
    Olsson, Albert Julius. The Sunken Reef. 1900, Ministry of Defence. https://originaluniqueart.com/da/art/albert-julius-olsson-the-sunken-reef-AQS27L-en/
    APA
    Olsson, Albert Julius (1900). The Sunken Reef [Painting]. Ministry of Defence. https://originaluniqueart.com/da/art/albert-julius-olsson-the-sunken-reef-AQS27L-en/
    Chicago
    Albert Julius Olsson. The Sunken Reef. 1900. Ministry of Defence. https://originaluniqueart.com/da/art/albert-julius-olsson-the-sunken-reef-AQS27L-en/
    Harvard
    Olsson, Albert Julius (1900) The Sunken Reef. Ministry of Defence. Available at: https://originaluniqueart.com/da/art/albert-julius-olsson-the-sunken-reef-AQS27L-en/

    Se nærmere efter

    The Sunken Reef — Albert Julius Olsson

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Cloudy Moonlight (1900) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Albert Julius Olsson var omkring 36 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Kan jeg se en forhåndsvisning af "The Sunken Reef" af Albert Julius Olsson, før jeg bestiller?

    Siden Forhåndsvisning for "The Sunken Reef" giver dig mulighed for at se en forhåndsvisning af kunstværket, før du bestiller.

    Er farverne i "The Sunken Reef" af Albert Julius Olsson mættede eller dæmpede?

    Farverne i "The Sunken Reef" af Albert Julius Olsson har en Balanced Soft mætning. Mætning beskriver, hvor livlige eller dæmpede farverne er.

    Er "The Sunken Reef" tilgængelig som et fine art-print?

    Et print af "The Sunken Reef" af Albert Julius Olsson kan bestilles direkte på siden for Kunstprint i høj kvalitet: et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir.