Boy with Rabbit (John Emery)

John Emery (1802–1893) har skabt Boy with Rabbit. Målene er 50 × 50 cm.

  • 50 × 50 cm
Boy with Rabbit af John Emery
Boy with Rabbit af John Emery. Public domain

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Boy with Rabbit kort fortalt

Titel
Boy with Rabbit
Kunstner
John Emery (1802–1893)
Dimensioner
50 × 50 cm

Højopløselige billeder af Boy with Rabbit

Boy with Rabbit af John Emery
Gratis download

Public domain: kunstneren døde i 1893.

Andre størrelser, beskæringer og kildehenvisning →
Kreditering

John Emery, Boy with Rabbit. Public domain

Spørgsmål om Boy with Rabbit besvaret

Hvad er målene på det originale "Boy with Rabbit" af John Emery?

De registrerede mål for "Boy with Rabbit" af John Emery er 50 x 50 cm. Reproduktioner kan bestilles i andre størrelser, mens de samme proportioner bevares.

Er "Boy with Rabbit" af John Emery i det offentlige domæne?

Ophavsretsstatus for "Boy with Rabbit" af John Emery: værket er i det offentlige domæne – ophavsretten er udløbet. Dette afgør, om der frit må foretages reproduktioner af billedet.

Hvilken kunstner tilskrives "Boy with Rabbit"?

Hvad er årsagen til ophavsretsstatus for "Boy with Rabbit" af John Emery?

Ophavsretsstatus for "Boy with Rabbit" – i det offentlige domæne – ophavsretten er udløbet – følger af kunstnerens død i 1893.

Om kunstneren, John Emery

John Emery

1802–1893

John Emery

Early Life and Origins in Staffordshire Potteries John Emery, born in the heart of Staffordshire potteries in 1802, emerged from a region steeped in artistic tradition—though one primarily focused on functional beauty rather than portraiture. This unique upbringing would subtly shape his approach to art, imbuing his work with a sense of grounded realism and an appreciation for the everyday lives of those he depicted. While details surrounding his earliest education remain scarce, it’s clear that Emery possessed a natural inclination towards visual representation, a talent nurtured within a community renowned for its skilled craftsmanship. The potteries themselves, bustling centers of industry and innovation, provided a rich tapestry of subjects—the workers, the families, the landscapes—that would later populate his canvases.

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