Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 3 værker af Karel Emmanuel Biset i vores katalog
Kort sagt
Af alle de originale værker, som Karel Emmanuel Biset efterlod, er det mest berømte Portrait of a Musician (1650), som er en del af samlingen på Hermitage Museum i Sankt Petersborg. Lige efter følger The fall of the damned in hell (1670) og Trictrac Players (1679). Vores katalog indeholder 3 værker af Karel Emmanuel Biset; galleriet har bevaret de 3 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
The artwork titled Portrait of a Musician is an oil on canvas painting by the Flemish artist Karel Emmanuel Biset. This work originated in Flanders and is dated to between 1648 and 1693. The piece is currently held within the collection of the Hermitage Museum in St. Petersburg.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Karel Emmanuel Biset | Malerier fra denne liste |
|---|---|---|---|
 Hermitage Museum |
Sankt Petersborg | 1 | Portrait of a Musician |
 Musée des Beaux-Arts de Quimper |
Quimper | 1 | The fall of the damned in hell |
 Statens Museum for Kunst |
København | 1 | Trictrac Players |
Fra 1650 til 1679 arbejdede Karel Emmanuel Biset i 30 år: udvalget følger denne lange karriere år for år, gennem de fineste originalværker.
Vælg et årstal for at se de originale værker.
The artwork titled Portrait of a Musician is an oil on canvas painting by the Flemish artist Karel Emmanuel Biset. This work originated in Flanders and is dated to between 1648 and 1693. The piece is currently held within the collection of the Hermitage Museum in St. Petersburg.
Portrait of a Musician (1650), Hermitage Museum, Sankt Petersborg. Derefter følger The fall of the damned in hell (1670) og Trictrac Players (1679).
17 år gammel: Portrait of a Musician er fra 1650, og Karel Emmanuel Biset blev født i 1633.
Vores katalog indeholder 3 værker af Karel Emmanuel Biset, dateret fra 1650 til 1679.
Primært i Hermitage Museum (Sankt Petersborg), Musée des Beaux-Arts de Quimper (Quimper) og Statens Museum for Kunst (København). Museumslisten ovenfor viser dem alle.
På denne side er det tidligste Portrait of a Musician (1650) og det seneste Trictrac Players (1679).
Born in Mechelen, Belgium, Karel Emmanuel Biset was a versatile Flemish painter whose career spanned several major cities. Following his training, likely under his father, Joris Biset, he worked in Mechelen before moving to Paris, where he is presumed to have worked for the court. His professional journey continued through Brussels and Antwerp, where he became a master in the Guild of Saint Luke in 1662. During his time in Antwerp, he served as a lieutenant in the local civil militia and held the position of dean of the guild and director of the academy. His later years saw him settling in Breda, where he remained until his death.
Biset was a highly diverse artist, producing works across many genres including:
In the tradition of Antwerp, Biset frequently collaborated with other specialists. He worked alongside landscape painters such as Philips Augustijn Immenraet and Cornelis Huysmans, and the architecture painter Wilhelm Schubert van Ehrenberg. His works were highly regarded in his time, earning him recognition in the biographies of Cornelis de Bie and Jacob Campo Weyerman.
