Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 25 værker af Fra Galgario i vores katalog
Kort sagt
I galleriets øjne er Fra Galgarios mest berømte maleri Portrait of a Gentleman (1740), hvis original hænger på Museo Poldi Pezzoli i Milano. Portrait of Francesco Maria Bruntino (1737) og Portrait of a Goldsmith (1739) fuldender trioen, som ethvert øje genkender. Ud af de 25 værker af Fra Galgario i vores katalog præsenterer galleriet herunder de 23 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
A man occupies the center of the frame, anchored by the heavy presence of a blue coat trimmed in gold. He wears a black hat and a white wig that frames a face of quiet intensity. In his hand, a sword rests, a cold sliver of metal that cuts through the softness of his fine attire. The fabric of his clothing holds the light in its folds, revealing the meticulous…
The man sits before us, his presence heavy and immediate in the dim light of a room that feels both intimate and eternal. He is Francesco Maria Bruntino, captured in a moment of quiet, perhaps even somber, reflection. His hair is loose, falling naturally around a face marked by a small, well-kept beard, and his eyes meet the viewer with a directness that feels startlingly modern. There is a weight…
The oil on canvas work titled Portrait of a Goldsmith is a late Baroque portrait of a man. The artist responsible for this painting is Giuseppe Ghislandi, who is also known by the name Fra' Galgario. This specific piece, dated about 1739, depicts a male subject in a formal manner. The sitter is identified as a jeweller, a designation supported by the presence of a ring and a jewel.
The work before us is titled Portrait of an Old Lady, a painting by the Italian artist Giuseppe Vittore Ghislandi. Known also by the name Fra' Galgario, Ghislandi was a significant figure in the portraiture of the eighteenth century. This specific oil on canvas presents a formal study of an elderly woman, capturing her presence with a quiet, dignified bearing.
In the hallowed halls of the Hermitage Museum, amidst the grandeur of St. Petersburg, resides a quiet yet profound masterpiece that captures the fleeting innocence of youth: Giuseppe Ghislandi’s "Portrait of a Boy." Painted in 1730, this oil on canvas serves as a window into the early 18th century, offering much more than a mere likeness. The subject, a young man with an arresting presence, gazes directly at the viewer,…
This portrait, titled Portrait of a Young Nobleman, is a work by the artist Fra Galgario. While he is widely known by this moniker, the painter was born Giuseppe Ghislandi in Bergamo, Italy. This specific piece dates to about 1705, a period when his presence in the Lombard and Venetian traditions was firmly established. The sitter, perhaps a member of the local nobility or the rising bourgeoisie, is captured in…
Portrait of Giuseppe Alberto de Ambiveri, Vicar of the Mines of Bergamo1740 · Minneapolis Institute of Art
12
Portrait of Count Giovanni Battista Vailetti1710 · Gallerie dell'Accademia di Venezia
13
Portrait of a Young Man (L1720 · Museo Poldi Pezzoli
14
Portrait of a young painter with a portrait of a boy1699 · Bavarian State Painting Collections
15
Portrait of Count Galeozzo Secco Suardo1681 · Louvre
16
Portrait of Giovanni Secco Suardo and his Servant1720 · Accademia Carrara
17
Portrait of a Gentleman1730 · Pinacoteca di Brera
18
Self-Portrait1732 · Accademia Carrara
19
Boy in redFitzwilliam Museum
20
Portrait of a Young ManMuseum of Fine Arts Ghent (MSK)
21
Portrait of a child
22
Portrait of Elisabetta Piavani Ghidotti1720 · Accademia Carrara
23
Portrait of a Young Painter1732 · Accademia Carrara
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Fra Galgario | Malerier fra denne liste |
|---|---|---|---|
 Accademia Carrara |
Bergamo | 5 | Portrait of Francesco Maria Bruntino, Portrait of Giovanni Secco Suardo and his Servant, Self-Portrait |
 Museo Poldi Pezzoli |
Milano | 2 | Portrait of a Gentleman, Portrait of a Young Man (L |
 Thyssen-Bornemisza Museum |
Madrid | 1 | Portrait of a Goldsmith |
 Rijksmuseum |
Amsterdam | 1 | Portrait of an Old Lady |
 Hermitage Museum |
Sankt Petersborg | 1 | Portrait of a Boy |
 Walters Art Museum |
Baltimore | 1 | Portrait of a Young Nobleman |
 Musée d'art et d'histoire de Narbonne |
Narbonne | 1 | Portrait of Bartolomio Manganoni |
 National Gallery of Art |
Washington | 1 | Portrait of a Young Man |
Vælg et årti for at se det originale værk, der definerer det.
This portrait, titled Portrait of a Young Nobleman, is a work by the artist Fra Galgario. While he is widely known by this moniker, the painter was born Giuseppe Ghislandi in Bergamo, Italy. This specific piece dates to about 1705, a period when his presence in the Lombard and Venetian traditions was firmly established. The sitter, perhaps a member of the local nobility or the rising bourgeoisie, is captured in…
The room holds its breath as Count Giovanni Battista Vailetti occupies the center of the frame. He is a man of substance, draped in a heavy red cape that catches the light with a deep, saturated glow. His hand rests firmly upon a chair, a gesture that feels less like a pose and more like a claim to the space he inhabits. There is a quiet gravity in his gaze,…
The man sits before us, his presence heavy and immediate in the dim light of a room that feels both intimate and eternal. He is Francesco Maria Bruntino, captured in a moment of quiet, perhaps even somber, reflection. His hair is loose, falling naturally around a face marked by a small, well-kept beard, and his eyes meet the viewer with a directness that feels startlingly modern. There is a weight…
A man occupies the center of the frame, anchored by the heavy presence of a blue coat trimmed in gold. He wears a black hat and a white wig that frames a face of quiet intensity. In his hand, a sword rests, a cold sliver of metal that cuts through the softness of his fine attire. The fabric of his clothing holds the light in its folds, revealing the meticulous…
Portrait of a Gentleman (1740), Museo Poldi Pezzoli, Milano. Derefter følger Portrait of Francesco Maria Bruntino (1737) og Portrait of a Goldsmith (1739).
85 år gammel: Portrait of a Gentleman er fra 1740, og Fra Galgario blev født i 1655.
Portrait of a Gentleman, Portrait of Francesco Maria Bruntino, Portrait of a Goldsmith, Portrait of an Old Lady, Portrait of a Boy, Portrait of a Young Nobleman, portrait of a young man (Head), Portrait of Bartolomio Manganoni, Portrait of a Young Man og Young Painter in His Studio. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 25 værker af Fra Galgario, dateret fra 1680 til 1740.
Primært i Accademia Carrara (Bergamo), Museo Poldi Pezzoli (Milano) og Thyssen-Bornemisza Museum (Madrid). Museumslisten ovenfor viser dem alle.
I 1730s: 8 af de 23 værker på denne side blev skabt dengang, herunder Portrait of Francesco Maria Bruntino.
På denne side er det tidligste portrait of a young man (Head) (1680) og det seneste Portrait of a Gentleman (1740).
Portrait (7), Man (5) og Dark background (3), fordelt på de 23 værker på denne side.
Oil On Canvas, for 12 af de 23 værker på denne side.
Baroque, baseret på originalerne på denne side.
Portrait of Francesco Maria Bruntino, Portrait of Giovanni Secco Suardo and his Servant og Self-Portrait: Accademia Carrara, Bergamo har 5 af værkerne på denne side.
