Portræt af Domenichino

Domenichino malerier: De 94 mest berømte, set gennem et galleris øjne

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 94 værker af Domenichino i vores katalog

Kort sagt

I galleriets øjne er Domenichinos mest berømte maleri Pope Paul V (1618), hvis original hænger på Statens Museum for Kunst i København. Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) og Landscape with Moses and the Burning Bush (1610) fuldender trioen, som ethvert øje genkender. Ud af de 94 værker af Domenichino i vores katalog præsenterer galleriet herunder de 94 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1581 – 1641, Bologna Baroque Flest værker: National Gallery

Galleriets top 10 Domenichino malerier

1
Pope Paul V (1618) af Domenichino

Pope Paul V

1618 · Oil · Statens Museum for Kunst, København

A single light source strikes from the upper left, carving the face of Pope Paul V out of a heavy, ink-black void. He sits in a three-quarter pose, a figure of immense gravity anchored by the structural lines of a high-backed chair. The light catches the crisp linen of his rochet and the soft, matte surface of his skin, while the rest of his form dissolves into deep shadows. There…

2
Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) af Domenichino

Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta

1622 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

The air at La Storta feels heavy with the weight of the unseen. In this moment, the earthly landscape of green hills and brown earth falls away, replaced by a vertical rupture in reality. Below, Saint Ignatius of Loyola kneels in the quietude of the landscape, his dark, somber habit absorbing the shadows of the world. His arms are crossed tightly over his chest, a gesture of profound surrender, as…

3
Landscape with Moses and the Burning Bush (1610) af Domenichino

Landscape with Moses and the Burning Bush

1610 · Oil On Copper · Metropolitan Museum of Art, New York

In the delicate expanse of this oil on copper masterpiece, Domenichino invites us into a moment of profound spiritual revelation. Landscape with Moses and the Burning Bush is not merely a depiction of a biblical event; it is a window into a timeless, classical world where the divine intersects with the earthly. The scene captures the pivotal instant from the Book of Exodus, where Moses encounters the miraculous bush that…

4
The lapidation of Saint Stephen (1605) af Domenichino

The lapidation of Saint Stephen

1605 · Oil On Copper · Musée Condé, Chantilly

The lapidation of Saint Stephen is a religious art painting that captures a moment of profound sacrifice. The work depicts Saint Stephen, the central figure of this sacred narrative. It was painted by the Bolognese artist Domenichino, a figure who helped define the expressive power of the Baroque era. The scene focuses on the heavy, physical reality of the saint's martyrdom.

5
Apparition of the Angels to Saint Jerome (1601) af Domenichino

Apparition of the Angels to Saint Jerome

1601 · Oil On Canvas · Museo del Prado, Madrid

The oil painting presents a religious vision organized along a strong diagonal axis. In the lower right, the figure of Saint Jerome ascends toward the celestial figures positioned in the upper left. The saint is depicted with muscular anatomy, his torso illuminated by a divine light source emanating from the upper left. He is draped in deep crimson fabric that contrasts with the muted, earthy browns and blues of the…

6
Madonna and Child with St. John (1605) af Domenichino

Madonna and Child with St. John

1605 · Oil On Canvas

In this 1605 oil on canvas, we find ourselves drawn into an intimate, pyramidal arrangement that defines the High Renaissance and Baroque sensibilities. The composition centers on the Virgin Mary and the Christ Child, accompanied by the infant St. John. There is a profound sense of closeness here, as if the viewer has been invited into a private, sacred moment. The lighting is handled with a deliberate chiaroscuro effect; a…

7
Landscape with a Hermit (1605) af Domenichino

Landscape with a Hermit

1605 · Oil

Landscape with a Hermit is a serene and classical landscape painting executed in the Baroque style. The composition is carefully balanced, utilizing large trees on the left and right to frame a central view that recedes toward distant mountains. The scene depicts a tranquil natural setting where a small waterfall cascades into a pool, surrounded by a variety of deciduous trees. In the lower right foreground, a group of human…

8
The Rapture of St. Paul (1606) af Domenichino

The Rapture of St. Paul

1606 · Oil On Copper

In this oil on copper work, we witness a profound spiritual transition. The composition centers on the figure of Paul the Apostle, caught in a moment of intense religious ecstasy. His body is oriented diagonally, pulling the eye upward toward a luminous, cloud-filled sky. He is draped in a deep forest green tunic and a crimson red cloak that billows around him, suggesting a sudden, forceful movement. Small cherubic figures,…

9
Susanna in her Bath (1611) af Domenichino

Susanna in her Bath

1611 · Oil On Canvas · Bavarian State Painting Collections, München

In Susanna in her Bath by Domenichino, a dramatic biblical scene unfolds with sudden intensity. The narrative centers on the story of Susanna and the Elders, a moment where the quietude of a private ritual is shattered by an unexpected intrusion. This tension transforms a simple act of cleansing into a profound struggle, as the subject matter captures purity being threatened by lust. The air feels heavy with the weight…

10
Martyrdom of Saint Peter of Verona (1620) af Domenichino

Martyrdom of Saint Peter of Verona

1620 · Oil On Canvas · Pinacoteca Nazionale di Bologna, Bologna

In this composition from about 1620, Domenichino organizes the scene around a central struggle between an assailant and two figures draped in white robes. The tension is driven by highly dynamic lines, following the diagonal thrust of a raised sword and the sprawling limbs of the falling figures. A strong light source illuminates this central action from the upper left, casting deep shadows that define the physical struggle. This use…

Domenichinos malerier, rangeret fra 11 til 94

11The Madonna of Loreto Appearing to St. John the Baptist, St. Eligius, and St. Anthony Abbot (1620) af DomenichinoThe Madonna of Loreto Appearing to St. John the Baptist, St. Eligius, and St. Anthony Abbot1620 12Death of Saint Cecilia (1613) af DomenichinoDeath of Saint Cecilia1613 13Saint Cecilia in Glory (1613) af DomenichinoSaint Cecilia in Glory1613 14The Angel Crowns St. Cecilia and Valerian (1613) af DomenichinoThe Angel Crowns St. Cecilia and Valerian1613 15Landscape with Bathers (1615) af DomenichinoLandscape with Bathers1615 · Rhode Island School of Design Museum of Art 16Portrait of Cardinal Borghese (1618) af DomenichinoPortrait of Cardinal Borghese1618 · Statens Museum for Kunst 17Madonna and Child with St. Francis (1621) af DomenichinoMadonna and Child with St. Francis1621 18Rinaldo and Armida (1617) af DomenichinoRinaldo and Armida1617 19Landscape with Hercules and Acheloüs (1621) af DomenichinoLandscape with Hercules and Acheloüs1621 20Saint Mary Magdalene (1625) af DomenichinoSaint Mary Magdalene1625 · National Gallery of Ireland 21The Martyrdom of Saint Andrew (1630) af DomenichinoThe Martyrdom of Saint Andrew1630 · Sant'Andrea della Valle 22Double wreath surrounding a medaillion with the triumph of love (1626) af DomenichinoDouble wreath surrounding a medaillion with the triumph of love1626 23Presentation of Virgin Mary (1624) af DomenichinoPresentation of Virgin Mary1624 24The Way to Calvary (1610) af DomenichinoThe Way to Calvary1610 · J. Paul Getty Museum 25A Sibyl (1622) af DomenichinoA Sibyl1622 · Wallace Collection 26Saint Jerome (1618) af DomenichinoSaint Jerome1618 · Statens Museum for Kunst 27Landscape with a Fortified Town (1634) af DomenichinoLandscape with a Fortified Town1634 · National Gallery 28Adam and Eve af DomenichinoAdam and EveMusée de Grenoble 29The Rebuke of Adam and Eve (1626) af DomenichinoThe Rebuke of Adam and Eve1626 · National Gallery of Art 30King David Playing the Harp (1619) af DomenichinoKing David Playing the Harp1619 · Opera House 31Landscape with St John baptising (1615) af DomenichinoLandscape with St John baptising1615 · Fitzwilliam Museum 32Portrait of a Young Girl (1639) af DomenichinoPortrait of a Young Girl1639 · National Museums Liverpool 33St. John (1641) af DomenichinoSt. John1641 · The Polish Museum in Rapperswil 34Sainte Marie-Madeleine af DomenichinoSainte Marie-Madeleine 35Diana and her Nymphs (detail) af DomenichinoDiana and her Nymphs (detail) 36Martyrdom of Saint Sebastian af DomenichinoMartyrdom of Saint Sebastian 37The Coronation of the Virgin af DomenichinoThe Coronation of the VirginStatens Museum for Kunst 38S Sebastian af DomenichinoS SebastianGemäldegalerie Alte Meister 39River landscape with Boatmen and Fisherman, an elegant couple walking by the shore af DomenichinoRiver landscape with Boatmen and Fisherman, an elegant couple walking by the shore 40Portrait of the building master Vincenzo Scamozzi af DomenichinoPortrait of the building master Vincenzo ScamozziGemäldegalerie 41Christ Surrounded by Saints af DomenichinoChrist Surrounded by Saints 42Virginio Cesarini af DomenichinoVirginio Cesarini 43Temperance af DomenichinoTemperance 44Head of a Bearded Man af DomenichinoHead of a Bearded Man 45Erminia among the Shepherds af DomenichinoErminia among the Shepherds 46Portrait of Cardinal Agucchi af DomenichinoPortrait of Cardinal Agucchi 47Adam and Eve 1 af DomenichinoAdam and Eve 1 48Madonna and Child with St Petronius and St John the Baptist af DomenichinoMadonna and Child with St Petronius and St John the Baptist 49The Cumaean Sibyl af DomenichinoThe Cumaean Sibyl 50Landscape with the Flight into Egypt af DomenichinoLandscape with the Flight into EgyptAllen Memorial Art Museum 51Funeral of an emperor af DomenichinoFuneral of an emperor 52Saint Agnes af DomenichinoSaint AgnesRoyal Collection 53Portrait of a Young Man af DomenichinoPortrait of a Young Man 54Landscape with the Flight into Egypt 1 af DomenichinoLandscape with the Flight into Egypt 1 55Apollo killing the Cyclops af DomenichinoApollo killing the CyclopsNational Gallery 56Abraham Leading Isaac to Sacrifice af DomenichinoAbraham Leading Isaac to Sacrifice 57The Transformation of Cyparissus af DomenichinoThe Transformation of CyparissusNational Gallery 58A Triumphal Arch of Allegories af DomenichinoA Triumphal Arch of AllegoriesMuseo del Prado 59Landscape with a Child Overturning Wine af DomenichinoLandscape with a Child Overturning Wine 60Adam and Eve af DomenichinoAdam and Eve 61Appearence of the Angels to St. Gerome af DomenichinoAppearence of the Angels to St. Gerome 62St Cecilia before the Judge af DomenichinoSt Cecilia before the Judge 63Timoclea Captive Brought before Alexander af DomenichinoTimoclea Captive Brought before Alexander 64The Rest on the Flight into Egypt af DomenichinoThe Rest on the Flight into Egypt 65Portrait of Virginio Cesarini af DomenichinoPortrait of Virginio Cesarini 66The Sacrifice of Isaac af DomenichinoThe Sacrifice of Isaac 67Mercury stealing the Herds of Admetus af DomenichinoMercury stealing the Herds of AdmetusNational Gallery 68Landscape with Moses and the Burning Bush af DomenichinoLandscape with Moses and the Burning BushMuseum Boijmans Van Beuningen 69Abraham Leading Isaac to Sacrifice (1602) af DomenichinoAbraham Leading Isaac to Sacrifice1602 · Kimbell Art Museum 70Landscape af DomenichinoLandscape 71Landscape with Erminia and the Shepherds af DomenichinoLandscape with Erminia and the Shepherds 72The Repose of Venus af DomenichinoThe Repose of Venus 73Diana and her Nymphs (detail)2 af DomenichinoDiana and her Nymphs (detail)2 74The Assumption of Mary Magdalene into Heaven af DomenichinoThe Assumption of Mary Magdalene into Heaven 75Apollo pursuing Daphne af DomenichinoApollo pursuing DaphneNational Gallery 76The Flaying of Marsyas af DomenichinoThe Flaying of MarsyasNational Gallery 77The Vision of Saint Jerome af DomenichinoThe Vision of Saint JeromeNational Gallery 78Apollo slaying Coronis af DomenichinoApollo slaying CoronisNational Gallery 79Apollo and Neptune advising Laomedon af DomenichinoApollo and Neptune advising LaomedonNational Gallery 80Casino Aurora, Rome. Ground floor. Landscape Room, general view af DomenichinoCasino Aurora, Rome. Ground floor. Landscape Room, general viewArchivio Boncompagni Ludovisi 81The Judgement of Midas af DomenichinoThe Judgement of MidasNational Gallery 82Saint George killing the Dragon af DomenichinoSaint George killing the DragonNational Gallery 83Landscape with Tobias laying hold of the Fish af DomenichinoLandscape with Tobias laying hold of the FishNational Gallery 84Adoration of the Shepherds (1607) af DomenichinoAdoration of the Shepherds1607 · Scottish National Gallery 85Communion of Saint Jerome (1614) af DomenichinoCommunion of Saint Jerome1614 · Vatikanmuseerne 86Cumaean Sibyl (1610) af DomenichinoCumaean Sibyl1610 · Capitoline Museums 87Diana and her Nymphs af DomenichinoDiana and her NymphsGalleria Borghese 88Portrait of Monsignor Giovanni Battista Agucchi af DomenichinoPortrait of Monsignor Giovanni Battista AgucchiYork Art Gallery 89frescos in the dome of the royal chapel of San Gennaro (1525) af Domenichinofrescos in the dome of the royal chapel of San Gennaro1525 90Saint John the Evangelist af DomenichinoSaint John the EvangelistNational Gallery 91St Cecilia af DomenichinoSt Cecilia 92The Sacrifice of Abraham (1627) af DomenichinoThe Sacrifice of Abraham1627 · Museo del Prado 93Landscape with Ford af DomenichinoLandscape with FordGalleria Doria Pamphilj 94Mary Magdalene Taken up to Heaven af DomenichinoMary Magdalene Taken up to HeavenHermitage Museum

Domenichinos berømte malerier, periode for periode

Motiverne, der fangede Domenichinos blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Domenichinos originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Domenichino Malerier fra denne liste
National Gallery, LondonNational Gallery London 13 Landscape with a Fortified Town, Apollo killing the Cyclops, The Transformation of Cyparissus
Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 4 Pope Paul V, Portrait of Cardinal Borghese, Saint Jerome
Museo del Prado, MadridMuseo del Prado Madrid 3 Apparition of the Angels to Saint Jerome, A Triumphal Arch of Allegories, The Sacrifice of Abraham
Los Angeles County Museum of Art, Los AngelesLos Angeles County Museum of Art Los Angeles 1 Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Landscape with Moses and the Burning Bush
Musée Condé, ChantillyMusée Condé Chantilly 1 The lapidation of Saint Stephen
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 1 Susanna in her Bath
Pinacoteca Nazionale di Bologna, BolognaPinacoteca Nazionale di Bologna Bologna 1 Martyrdom of Saint Peter of Verona

Domenichino, ét signaturmaleri per årti

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Domenichino's malerier: galleriets svar

Hvilket maleri af Domenichino er det mest berømte af alle?Vis svaret

Pope Paul V (1618), Statens Museum for Kunst, København. Derefter følger Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) og Landscape with Moses and the Burning Bush (1610).

Hvor gammel var Domenichino, da Pope Paul V blev færdiggjort?Vis svaret

37 år gammel: Pope Paul V er fra 1618, og Domenichino blev født i 1581.

Hvilke er Domenichinos top 10 malerier?Vis svaret

Pope Paul V, Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta, Landscape with Moses and the Burning Bush, The lapidation of Saint Stephen, Apparition of the Angels to Saint Jerome, Madonna and Child with St. John, Landscape with a Hermit, The Rapture of St. Paul, Susanna in her Bath og Martyrdom of Saint Peter of Verona. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker skabte Domenichino?Vis svaret

Vores katalog indeholder 94 værker af Domenichino, dateret fra 1601 til 1641.

Hvor hænger Domenichinos mest berømte originaler?Vis svaret

Primært i National Gallery (London), Statens Museum for Kunst (København) og Museo del Prado (Madrid). Museumslisten ovenfor viser dem alle.

Hvornår skabte Domenichino sine mest berømte malerier?Vis svaret

I 1610s: 15 af de 94 værker på denne side blev skabt dengang, herunder Pope Paul V.

Hvilke er Domenichinos tidligste og seneste berømte værker?Vis svaret

På denne side er det tidligste Apparition of the Angels to Saint Jerome (1601) og det seneste St. John (1641).

Hvilke motiver vendte Domenichino oftest tilbage til?Vis svaret

Landscape (14), Man (10) og Clouds (10), fordelt på de 94 værker på denne side.

Hvilket medie arbejdede Domenichino mest med?Vis svaret

Oil On Canvas, for 17 af de 94 værker på denne side.

Hvilken stilart er Domenichino associeret med?Vis svaret

Baroque, baseret på originalerne på denne side.

Hvilke originalværker af Domenichino findes i National Gallery?Vis svaret

Landscape with a Fortified Town, Apollo killing the Cyclops og The Transformation of Cyparissus: National Gallery, London har 13 af værkerne på denne side.

Domenichino: kunstneren

Domenichino (Domenico Zampieri): En bolognesisk barok-visionær

Domenichino, født Domenico Zampieri i Bologna omkring 1581, står som en hjørnesten i den bolognesiske barokkunst – en bevægelse karakteriseret ved dramatiske kontraster mellem lys og skygge, overdådig ornamentik og en idealiseret skildring af menneskelige følelser. Hans formative år var dybt præget af tidens kunstneriske iver, hvor han opsugede arven fra Raphael og Michelangelo, mens han samtidig skabte sin egen distinkte stil, der ville cementere hans ry som en af Bolognas fremmeste malere. Selvom de biografiske detaljer er relativt sparsomme, antyder forskning, at han forfinede sine færdigheder under Raffaele Spagnuolo, en mester i tenebrisme – en teknik fremmet af Caravaggio – hvilket satte et dybtgående præg på Domenichinos kunstneriske tilgang.
  • Tidlig karriere og læretid: Zampieri begyndte sin kunstneriske rejse som lærling hos Spagnuolo, hvor han fordybede sig i chiaroscuros ekspressive kraft og mestrede kunsten at formidle dyb psykologisk indsigt gennem mesterligt penselarbejde.
  • Indflydelse fra Carracci-værkstedet: Domenichinos tilknytning til Caravaggios atelier viste sig afgørende; han opsugede Caravaggios revolutionerende realisme og dramatiske teatralskhed og tilpassede disse principper til sine egne kompositioner.
  • Rom og mæcenat: I midten af 1620'erne flyttede Domenichino til Rom, hvor han sikrede sig opgaver fra indflydelsesrige mæcener som kardinal Scipione Borghese og Palazzo Farnese, hvor han skabte monumentale fresker, der fremviste hans uovertrufne evne til at indfange storhed og følelse.

Stilistiske kendetegn og kunstnerisk teknik

Domenichinos kunstneriske stil er øjeblikkeligt genkendelig for sin raffinerede elegance og mesterlige udførelse. I modsætning til Caravaggios turbulente dynamik foretrak Domenichino et mere afmålt tempo, hvor han prioriteret formens klarhed og harmoniske farvepaletter. Dog bevarede han Caravaggios engagement i den dramatiske belysning – tenebrisme – ved dygtigt at manipulere lys og mørke for at intensivere den følelsesmæssige effekt og forme figurer med en betagende realisme. Hans penselarbejde var kendetegnet ved minutiøse detaljer og subtile farveovergange, hvilket skabte overflader, der glimtede af lysstyrke og formidlede en forbløffende følelse af dybde. Han excellerede i portrætteringen af både mytologiske emner og religiøse scener og udviste konsekvent en dyb forståelse for klassiske idealer og humanistiske sanseligheder.
  • Tenebrisme: Domenichino brugte dygtigt tenebrisme til at skabte dramatiske kontraster mellem lys og mørke, hvilket fremhævede den følelsesmæssige intensitet og den skulpturelle form.
  • Farvepalette: Hans farvepaletter var afdæmpede, men dog lysende, med en forkærlighed for dæmpede nuancer, der komplementerede maleriernes overordnede stemning.
  • Penselarbejde og tekstur: Domenichinos omhyggelige penselarbejde opnåede bemærkelsesværdige tekstureffekter, som formidlede en mærkbar følelse af fysik og realisme.

Bemærkelsesværdige værker og bedrifter

Domenichinos kunstneriske virke omfattede talrige prestigefyldte bestillingsopgaver, der efterlod et uudsletteligt aftryk på barokkens landskab. Blandt hans mest fejrede bedrifter er freskerne, der pryder Palazzo Farnese i Rom – specifikt Sala di Amore e Psiche og Sala dei Giganti – som eksemplificerer hans mesterskab i monumentalt maleri og legemliggør epokens humanistiske idealer. Hans skildringer af Apollo, der dræber Kyklopen, og Maria Magdalene, der bliver optaget i himlen, står som vidnesbyrd om hans evne til at formidle mytologiske fortællinger med dyb psykologisk indsigt og kunstnerisk virtuositet. Desuden er Domenichinos bidrag til San Domenico-museet i Orvieto bemærkelsesværdigt for dets skildring af Sankt Thomas Aquinas, som viser hans talent for at indfange spirituel kontemplation og formidle højtidelig skønhed.

Eftermæle og historisk betydning

Domenichinos indflydelse rakte langt ud over hans samtidige og formede de kunstneriske sanseligheder hos efterfølgende generationer. Han var med til at etablere den bolognesiske barok som en dominerende kraft i europæisk kunst ved at løfte den til nye højder af sofistikering og ekspressiv kraft. Hans urokkelige dedikation til klassiske idealer, kombineret med Caravaggios revolutionerende realisme, resulterede i en kunstnerisk stil, der fortsat inspirerer beundring og videnskabelig undersøgelse i dag. Domenichinos eftermæle findes ikke kun i hans storslåede kunstværker, men også i hans rolle som en central skikkelse i udviklingen af barokmaleriet – en bevægelse, der gennemgribende påvirkede sin tids visuelle kultur og tiden derefter.