Kort sagt
The Virgin of the Assumption with St Thomas Receiving the Girdle (1360) er det maleri af Bartolommeo Bulgarini, der vækker mest opsigt; originalen findes på Pinacoteca Nazionale, Siena. Derefter falder blikket på Calvary og Madonna of Humility. Blandt de 7 værker af Bartolommeo Bulgarini i vores katalog er disse 7 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
Top 10 malerier af Bartolommeo Bulgarini, set gennem galleriets øjne
Motiverne, der fangede Bartolommeo Bulgarinis blik
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De museer, der udstiller Bartolommeo Bulgarinis originalværker
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Bartolommeo Bulgarini | Malerier fra denne liste |
|---|---|---|---|
| Siena | 1 | The Virgin of the Assumption with St Thomas Receiving the Girdle | |
| Amsterdam | 1 | Madonna of Humility |
Bartolommeo Bulgarini gennem årene: de unikke originaler fra hver enkelt
Alle de daterede Bartolommeo Bulgarini-originaler, der vises her, tilhører et enkelt år, 1360: de er opstillet efter berømmelse.
Værker per år
Vælg et årstal for at se de originale værker.
Bartolommeo Bulgarinis malerier: spørgsmål til galleriet
Hvad er det mest berømte værk af Bartolommeo Bulgarini?Vis svaret
The Virgin of the Assumption with St Thomas Receiving the Girdle (1360), Pinacoteca Nazionale, Siena. Derefter følger Calvary og Madonna of Humility.
Hvilken alder havde Bartolommeo Bulgarini, da The Virgin of the Assumption with St Thomas Receiving the Girdle blev skabt?Vis svaret
55 år gammel: The Virgin of the Assumption with St Thomas Receiving the Girdle er fra 1360, og Bartolommeo Bulgarini blev født i 1305.
Hvor mange værker af Bartolommeo Bulgarini er kendt?Vis svaret
Vores katalog indeholder 7 værker af Bartolommeo Bulgarini.
Hvor kan de mest berømte originaler af Bartolommeo Bulgarini ses?Vis svaret
Primært i Pinacoteca Nazionale (Siena) og Rijksmuseum (Amsterdam). Museumslisten ovenfor viser dem alle.
Hvilke motiver foretrak Bartolommeo Bulgarini?Vis svaret
Virgin mary (3) og Children (2), fordelt på de 7 værker på denne side.
Bartolommeo Bulgarini: et portræt af kunstneren
The Sienese Master of Light and Line
Bartolommeo Bulgarini, known variously as Bulgarino or Bologhini, emerged from the vibrant artistic ferment of fourteenth-century Siena to become one of the most profound voices of the Trecento. Born around 1300, his life was inextricably linked to the golden age of Sienese painting, a period defined by a unique tension between the celestial and the terrestrial. His formative years were shaped by the rigorous training of an apprenticeship under the legendary Pietro Lorenzetti, a connection that would anchor his style in the prestigious lineage of Sienese masters. Unlike many of his contemporaries who sought fame in distant courts, Bulgarini remained deeply rooted in his home city, dedicating his life to the altarpieces and devotional panels that would grace the chapels and cathedrals of Siena, weaving his personal legacy into the very fabric of the city's religious identity.A Synthesis of Tradition and Innovation
The true brilliance of Bulgarini lies in his ability to act as a bridge between two worlds. He possessed a rare, intuitive grasp of how to marry the ancient, ethereal majesty of Byzantine iconography with the burgeoning humanism and spatial curiosity emerging from Florence. His technique was characterized by a meticulous attention to detail and a luminous use of color that seemed to radiate from within the gold-grounded panels. Through the careful application of tempera, he achieved a sense of weight and presence in his figures that moved beyond mere symbolism toward a more tangible reality. In his mature works, one observes a deliberate consideration for spatial depth and a sophisticated interplay of light. This stylistic evolution is perhaps most evident in his ability to balance:- The Byzantine influence, which provided the sacred, unmoving grandeur of the divine.
- The Florentine innovation, which introduced a nascent naturalism and anatomical grace.
- A luminous palette that utilized gold and rich pigments to evoke a sense of heavenly splendor.





