Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Bartolomeo Nazari i vores katalog
Kort sagt
Af alle de originale værker, som Bartolomeo Nazari efterlod, er det mest berømte Farinelli (Carlo Broschi) (1734), som er en del af samlingen på Royal College of Music Museum i London. Vores katalog indeholder 2 værker af Bartolomeo Nazari; galleriet har bevaret de 2 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
This oil on canvas portrait depicts Farinelli (Carlo Broschi), the most famous castrato of the 18th century. Painted in 1734, the work captures the singer during a period of immense professional triumph. The subject's presence is anchored by the brush of Bartolomeo Nazari, an Italian painter of the late-Baroque who achieved significant standing in Venice.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Bartolomeo Nazari | Malerier fra denne liste |
|---|---|---|---|
 Royal College of Music Museum |
London | 1 | Farinelli (Carlo Broschi) |
 Museo Correr |
Venedig | 1 | Portrait of Doge Vincenzo Querini |
1734 er året for hvert dateret Bartolomeo Nazari værk i dette udvalg: her er de, rangeret efter berømmelse.
Vælg et årstal for at se de originale værker.
This oil on canvas portrait depicts Farinelli (Carlo Broschi), the most famous castrato of the 18th century. Painted in 1734, the work captures the singer during a period of immense professional triumph. The subject's presence is anchored by the brush of Bartolomeo Nazari, an Italian painter of the late-Baroque who achieved significant standing in Venice.
Farinelli (Carlo Broschi) (1734)
35 år gammel: Farinelli (Carlo Broschi) er fra 1734, og Bartolomeo Nazari blev født i 1699.
Vores katalog indeholder 2 værker af Bartolomeo Nazari.
Primært i Royal College of Music Museum (London) og Museo Correr (Venedig). Museumslisten ovenfor viser dem alle.
In the luminous era of the 18th century, few artists captured the theatrical splendor and aristocratic poise of the Venetian Baroque as masterfully as Bartolomeo Nazari. Born in the quiet town of Clusone, near Bergamo, Nazari’s journey from a provincial upbringing to the glittering heart of Venice is a testament to his profound talent and ambition. His early years were shaped by rigorous classical training, beginning with an apprenticeship under Angelo Trevisani. This formative period was further enriched by vital encounters with influential masters such as Francesco Trevisani and Benedetto Luti, mentors who provided him with the technical vocabulary necessary to navigate the complex emotional landscapes of late-Baroque portraiture. As he refined his craft, Nazari also drew inspiration from the celebrated Bergamo portraitist Fra Galgario, whose influence is whispered in the precision and character found within Nazari’s most intimate works.
The year 1724 marked a pivotal turning point in Nazari's career when he relocated to Venice. This move was not merely a change of scenery but an immersion into the epicenter of European artistic prestige. By joining the Fraglia dei Pittori, the prestigious guild of Venetian painters, Nazari secured his place within a network of elite creators and patrons. His artistry flourished in this vibrant atmosphere, characterized by a unique ability to blend the dramatic chiaroscuro of the Baroque with the delicate elegance that would soon define the Rococo transition. His reputation for capturing both the physical likeness and the inner spirit of his subjects allowed him to transcend simple documentation, turning each portrait into a narrative of status, grace, and historical permanence.
Nazari’s career was defined by an extraordinary ability to command the attention of the era's most powerful figures. His technical prowess and diplomatic sensitivity were perhaps most evident during his travels to Frankfurt in 1744, where he undertook the monumental task of depicting Emperor Charles VII and his imperial court. Such a commission required more than just skill; it demanded an understanding of the weight of sovereignty and the intricate etiquette of the Habsburg court. This period of international exposure solidified his standing as a painter of European significance, capable of translating the grandeur of empire onto canvas.
Beyond the halls of emperors, Nazari found immense success in capturing the cultural icons of his time. He achieved particular acclaim for his portraits of celebrated operatic singers, most notably the legendary castrato Farinelli. In these works, Nazari did not merely paint a face; he sought to evoke the very essence of vocal artistry and the magnetic charisma that captivated audiences across the continent. His ability to render the textures of silk, the shimmer of jewels, and the ephemeral glow of stage lighting made him a favorite among the cultural elite. His patronage extended to notable figures such as Consul Joseph Smith and General Johann Matthias von der Schulenburg, individuals whose commissions reflected the sophisticated tastes of the 18th-century international aristocracy.
The breadth of his artistic impact can be seen through the following highlights of his repertoire:
As Nazari’s life drew to a close in Genoa, where he worked to immortalize the Doge Giovanni Giacomo, he left behind a legacy that remains a cornerstone of the Venetian Baroque tradition. His induction into the Accademia di Belle Arti of Venice in 1756 served as the ultimate institutional recognition of a life dedicated to the pursuit of beauty and the preservation of historical grandeur. Through his brush, the elegance of a bygone era continues to breathe, offering modern viewers a window into the soul of the 18th century.
