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De 4 mest berømte Antonio del Ceraiolo-malerier, hver og en unik
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 4 værker af Antonio del Ceraiolo i vores katalog
Kort sagt
Madonna and Child in a Niche (1524) er det maleri af Antonio del Ceraiolo, der vækker mest opsigt; originalen findes på Cleveland Museum of Art, Cleveland. Derefter falder blikket på Madonna and Child with Infant St. John the Baptist (1520) og Mary with Child, Adored by the Boy John (1520). Blandt de 4 værker af Antonio del Ceraiolo i vores katalog er disse 4 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
født 1505, Florence
Flest værker: Cleveland Museum of Art
Top 10 malerier af Antonio del Ceraiolo, set gennem galleriets øjne
De museer, der udstiller Antonio del Ceraiolos originalværker
De 4 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Antonio del Ceraiolo | Malerier fra denne liste |
|---|---|---|---|
 Cleveland Museum of Art |
Cleveland | 1 | Madonna and Child in a Niche |
 Cincinnati Art Museum |
Cincinnati | 1 | Madonna and Child with Infant St. John the Baptist |
 Gemäldegalerie |
Berlin | 1 | Mary with Child, Adored by the Boy John |
 Hermitage Museum |
Sankt Petersborg | 1 | Crusifixion with the Virgin Mary and Sts Dominic, Jerome and Francis |
Antonio del Ceraiolo gennem årene: de unikke originaler fra hver enkelt
Antonio del Ceraiolos daterede originaler vist her strækker sig over cirka ti år, fra 1520 til 1529: øjet følger dem år for år.
Værker per år
Vælg et årstal for at se de originale værker.
Antonio del Ceraiolos malerier: spørgsmål til galleriet
Hvad er det mest berømte værk af Antonio del Ceraiolo?Vis svaret
Madonna and Child in a Niche (1524), Cleveland Museum of Art, Cleveland. Derefter følger Madonna and Child with Infant St. John the Baptist (1520) og Mary with Child, Adored by the Boy John (1520).
Hvilken alder havde Antonio del Ceraiolo, da Madonna and Child in a Niche blev skabt?Vis svaret
19 år gammel: Madonna and Child in a Niche er fra 1524, og Antonio del Ceraiolo blev født i 1505.
Hvor mange værker af Antonio del Ceraiolo er kendt?Vis svaret
Vores katalog indeholder 4 værker af Antonio del Ceraiolo, dateret fra 1520 til 1529.
Hvor kan de mest berømte originaler af Antonio del Ceraiolo ses?Vis svaret
Primært i Cleveland Museum of Art (Cleveland), Cincinnati Art Museum (Cincinnati) og Gemäldegalerie (Berlin). Museumslisten ovenfor viser dem alle.
I hvilken periode skabte Antonio del Ceraiolo sine mest kendte malerier?Vis svaret
I 1520: 2 af de 4 værker på denne side blev skabt dengang, herunder Madonna and Child with Infant St. John the Baptist.
Hvilket berømt maleri af Antonio del Ceraiolo er det tidligste, og hvilket er det seneste?Vis svaret
På denne side er det tidligste Madonna and Child with Infant St. John the Baptist (1520) og det seneste Crusifixion with the Virgin Mary and Sts Dominic, Jerome and Francis (1529).
Antonio del Ceraiolo: et portræt af kunstneren
The Florentine Painter of Devotion
Born in Florence in 1505, Antonio del Ceraiolo lived a life deeply rooted in the traditions of his native city. His very name suggests a connection to the practicalities of Florentine life; the nickname "Ceraiolo" was a nod to his father’s trade as a candle maker. This connection to the material world of wax and light perhaps informed the quiet, steady presence found in his religious compositions. He was active in Florence between 1518 and 1538, a period when the city was a crucible of artistic evolution.
His training followed the established paths of the Renaissance, shaped by the hands of established masters. He first studied under Lorenzo di Credi before moving to the studio of Ridolfo Ghirlandaio. These lineages provided him with a foundation in the formal language of the era, allowing him to develop a specific sensitivity to the human form and the nuances of portraiture. His work often focused on the intimate, half-length depictions of the Madonna and Child, frequently accompanied by the young Saint John the Baptist, the patron saint of Florence.
Artistic Focus and Notable Works
Ceraiolo’s output was characterized by a devotion to sacred subjects that required both technical precision and a sense of spiritual gravity. His ability to capture the likeness of his subjects earned him recognition for his skill as a portraitist. His surviving altarpieces offer a glimpse into the scale and intent of his religious commissions:
- A Crucifixion with Saints Francis and Mary Magdalen, originally intended for the church of San Jacopo tra' i fossi.
- A Saint Michael, created for the basilica of the Santissima Annunziata.
These works, now held at the Museo del Cenacolo di San Salvi, demonstrate his capacity to handle complex theological scenes with a sense of order and clarity. He moved between the grand scale of altarpieces and the more personal, smaller-scale devotional images that populated the private chapels of Florence.
A Life in the Florentine Tradition
The career of Antonio del Ceraiolo reflects the steady, disciplined movement of a painter working within a highly structured artistic environment. He did not seek to disrupt the established styles of his mentors but rather to refine them through his own hand. His presence in the Florentine art scene was marked by a consistent adherence to the themes of his time, focusing on the intersection of the divine and the human through the faces of saints and mothers. He remains a figure of the High Renaissance, a painter whose work was woven into the fabric of the city's religious life.