Portræt af Agnolo Gaddi

De 52 mest berømte Agnolo Gaddi-malerier, en galleriselektion

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 52 værker af Agnolo Gaddi i vores katalog

Kort sagt

Af alle de originale værker, som Agnolo Gaddi efterlod, er det mest berømte The Last Supper (1395), som er en del af samlingen på Lindenau-Museum i Altengau. Lige efter følger Discovery of the True Cross (detail) (1380) og Discovery of the True Cross (1380). Vores katalog indeholder 52 værker af Agnolo Gaddi; galleriet har bevaret de 52 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1350 – 1396, Firenze Gothic art Flest værker: Santa Croce i Firenze

Agnolo Gaddis top 10 malerier: galleriets udvalg

1
The Last Supper (1395) af Agnolo Gaddi

The Last Supper

1395 · Tempera On Panel · Lindenau-Museum, Altengau

The Last Supper by Agnolo Gaddi: A Florentine Moment Frozen in Time A Window into 14th Century Florence Created in 1395, "The Last Supper" by Agnolo Gaddi offers a rare and poignant glimpse into the artistic landscape of Florence during its golden age. Executed as a tempera on panel, this artwork transcends mere representation; it’s a tangible connection to a pivotal moment in Christian history – the final meal shared…

2
Discovery of the True Cross (detail) (1380) af Agnolo Gaddi

Discovery of the True Cross (detail)

1380 · Acrylic On Canvas · Santa Croce i Firenze, Florence

The fresco fragment, "Discovery of the True Cross" (detail), attributed to Agnolo Gaddi and executed around 1380 in Florence, offers a captivating glimpse into the heart of late Gothic religious art. More than just a depiction of a pivotal biblical event – the miraculous uncovering of Christ’s cross – it's a vibrant tableau brimming with narrative complexity, technical mastery, and profound symbolic resonance. Located within the Santa Croce church, this…

3
Discovery of the True Cross (1380) af Agnolo Gaddi

Discovery of the True Cross

1380 · Oil On Canvas · Santa Croce i Firenze, Florence

Within the echoing halls of Santa Croce in Florence, a vibrant testament to faith and artistic genius awaits – Agnolo Gaddi’s fresco cycle, most notably “The Discovery of the True Cross.” Completed around 1380, this monumental work isn't merely a depiction of a biblical event; it’s an immersive narrative, a carefully constructed drama rendered in the rich hues and dynamic compositions characteristic of the Florentine Gothic style. Gaddi, a pivotal…

4
The Coronation of the Virgin with Six Angels (1370) af Agnolo Gaddi

The Coronation of the Virgin with Six Angels

1370 · Tempera On Panel · National Gallery of Art, Washington

Gold leaf dominates the vision, a shimmering, non-material space that denies the weight of the earth. Within this luminous void, the Virgin Mary and Christ sit side-by-side upon a throne of clouds and patterned cloth. He reaches out to place a crown upon her head, a gesture of quiet triumph. Below them, six angels gather in two clusters of three, their presence a rhythmic accompaniment to the sacred ceremony. The…

5
Saint Sylvester and the Dragon (1380) af Agnolo Gaddi

Saint Sylvester and the Dragon

1380 · Tempera On Panel · Philadelphia Museum of Art, Philadelphia

In Saint Sylvester and the Dragon, Agnolo Gaddi captures a moment of profound spiritual confrontation. The scene unfolds around the central figure of Saint Sylvester, who stands amidst a gathering of onlookers and witnesses. A dragon, a creature of shadow and menace, enters the space to challenge the sanctity of the saint. This encounter creates a tension that pulls the viewer into the immediate drama of the encounter.

6
Virgin with child (1379) af Agnolo Gaddi

Virgin with child

1379 · Tempera On Panel · National Museum of Fine Arts, Buenos Aires

This vertical tempera and gold leaf painting on wood depicts the Virgin Mary seated and holding the Christ Child on her lap. The central figure is draped in a dark blue mantle that occupies the center of the panel. The Christ Child possesses a pale complexion and wears a light-colored tunic, positioned to face slightly toward the viewer. Surrounding these figures, several angels occupy the space: two are situated above…

7
Madonna with the child, St. John the Baptist, St. Francis and St. Anthony and a martyr (1375) af Agnolo Gaddi

Madonna with the child, St. John the Baptist, St. Francis and St. Anthony and a martyr

1375 · Tempera On Panel · Gemäldegalerie, Berlin

The sacred panel titled Madonna with the child, St. John the Baptist, St. Francis and St. Anthony and a martyr is a work by Agnolo Gaddi. Created about 1375, this devotional object functions as a sacra conversazione. The Virgin Mary holds the Christ Child at the center of a celestial gathering. She is flanked by a silent assembly of holy figures, including St. John the Baptist, St. Francis, St. Anthony,…

8
The Calvary (1382) af Agnolo Gaddi

The Calvary

1382 · Tempera On Panel · Musée du Petit Palais, Avignon

The Calvary by Agnolo Gaddi captures a moment of profound stillness. Created in 1382, this late Gothic tempera painting on wood panel presents the Crucifixion of Christ. The central figure is fixed upon a wooden cross, a vertical anchor within a gabled frame. Gold leaf forms the background, casting a steady, unmoving light across the scene. It is a quiet, sacred geometry of wood and pigment.

9
Saints Julian, James, and Michael (1390) af Agnolo Gaddi

Saints Julian, James, and Michael

1390 · Tempera On Panel · Yale University Art Gallery, New Haven

In this work, Agnolo Gaddi presents Saints Julian, James, and Michael. The figures emerge from a gold ground, their presence fixed in a quiet, holy stillness. Each saint carries the weight of their own identity through specific attributes. A sword, a book, and a staff define their sacred roles within the composition. These objects act as anchors for the viewer, grounding the spiritual figures in the tangible language of devotion.

10
St. Nicholas of Bari with a donor (1394) af Agnolo Gaddi

St. Nicholas of Bari with a donor

1394 · Tempera On Panel · Bavarian State Painting Collections, München

In this late 14th-century tempera painting on a poplar wood panel, a monumental figure of St. Nicholas of Bari occupies the majority of the vertical space. He is depicted in full episcopal regalia, wearing a mitre and a pink cope that falls in heavy, rhythmic folds. His posture is upright, reinforced by the vertical line of the crozier he holds in one hand and a book in the other. Below…

Agnolo Gaddi-udvalget fortsætter, fra 11 til 52

11Saint Nicholas and the storm (1394) af Agnolo GaddiSaint Nicholas and the storm1394 · Bavarian State Painting Collections 12Stories of St. Nicholas. Saint Nicholas presenting Gifts to Three Pool girls (1394) af Agnolo GaddiStories of St. Nicholas. Saint Nicholas presenting Gifts to Three Pool girls1394 · Bavarian State Painting Collections 13Storie di san giuliano (1394) af Agnolo GaddiStorie di san giuliano1394 · Bavarian State Painting Collections 14Saint Julian killing his parents (1394) af Agnolo GaddiSaint Julian killing his parents1394 · Alte Pinakothek 15St. Julian (1393) af Agnolo GaddiSt. Julian1393 · Bavarian State Painting Collections 16Sts. Mary Magdalene, Benedict, Bernard of Clairveaux and Catherine of Alexandria (1380) af Agnolo GaddiSts. Mary Magdalene, Benedict, Bernard of Clairveaux and Catherine of Alexandria1380 · Indianapolis Kunstmuseum 17The Crucifixion with the Virgin and Saint John (1380) af Agnolo GaddiThe Crucifixion with the Virgin and Saint John1380 · Museum of Fine Arts 18Angel of the Annunciation, Christ the Redeemer, Virgin Annunciate (1390) af Agnolo GaddiAngel of the Annunciation, Christ the Redeemer, Virgin Annunciate1390 19Triptych (1388) af Agnolo GaddiTriptych1388 · Gemäldegalerie 20Madonna and Child, Four Angels (1400) af Agnolo GaddiMadonna and Child, Four Angels1400 21Kunsten: Korsets triumf (1380) af Agnolo GaddiKunsten: Korsets triumf1380 · Santa Croce i Firenze 22Saint Bernard and Saint Catherine of Alexandria with the Virgin of the Annunciation [right panel] (1387) af Agnolo GaddiSaint Bernard and Saint Catherine of Alexandria with the Virgin of the Annunciation [right panel]1387 · National Gallery of Art 23The Triumph of the Cross (detail) (1380) af Agnolo GaddiThe Triumph of the Cross (detail)1380 · Santa Croce i Firenze 24Madonna and Child Enthroned with Twelve Angels, and with the Blessing Christ [middle panel] (1387) af Agnolo GaddiMadonna and Child Enthroned with Twelve Angels, and with the Blessing Christ [middle panel]1387 · National Gallery of Art 25Madonna and Child with St John the Evangelist, St John the Baptist, St James of Compostela and St Nicholas of Bari (1390) af Agnolo GaddiMadonna and Child with St John the Evangelist, St John the Baptist, St James of Compostela and St Nicholas of Bari1390 · National Gallery of Victoria 26Saint Andrew and Saint Benedict with the Archangel Gabriel [left panel] af Agnolo GaddiSaint Andrew and Saint Benedict with the Archangel Gabriel [left panel]National Gallery of Art 27SS. bishop, Petrus, Paulus and a diacon af Agnolo GaddiSS. bishop, Petrus, Paulus and a diaconGemäldegalerie 28The marriage of St. Catherine af Agnolo GaddiThe marriage of St. CatherineGemäldegalerie 29Madonna with Child (fragment) af Agnolo GaddiMadonna with Child (fragment)Museum of Mural Painting 30La Vierge de l'Humilité parmi les anges af Agnolo GaddiLa Vierge de l'Humilité parmi les anges 31Madonna and Child with Saints Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels [entire triptych] (1387) af Agnolo GaddiMadonna and Child with Saints Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels [entire triptych]1387 32The Triumph of the Cross (detail) (1380) af Agnolo GaddiThe Triumph of the Cross (detail)1380 · Santa Croce i Firenze 33Coronation of the Virgin (1380) af Agnolo GaddiCoronation of the Virgin1380 · National Gallery 34The Triumph of the Cross (detail) (1380) af Agnolo GaddiThe Triumph of the Cross (detail)1380 · Santa Croce i Firenze 35The Last Supper (detail) (1395) af Agnolo GaddiThe Last Supper (detail)1395 · Lindenau-Museum 36The Triumph of the Cross af Agnolo GaddiThe Triumph of the Cross 37Madonna of Humility with adoring angels af Agnolo GaddiMadonna of Humility with adoring angelsCourtauld Gallery 38Saint Benoît et saint Pierre af Agnolo GaddiSaint Benoît et saint Pierre 39The Coronation of the Virgin af Agnolo GaddiThe Coronation of the VirginNational Gallery 40La Vierge et l'Enfant parmi les anges af Agnolo GaddiLa Vierge et l'Enfant parmi les anges 41La Vierge et l'Enfant parmi les anges, avec saint Benoît, saint Pierre, saint Jean-Baptiste et saint Miniato af Agnolo GaddiLa Vierge et l'Enfant parmi les anges, avec saint Benoît, saint Pierre, saint Jean-Baptiste et saint Miniato 42Saint Jean-Baptiste et saint Miniato af Agnolo GaddiSaint Jean-Baptiste et saint Miniato 43The Annunciation to the Shepherds af Agnolo GaddiThe Annunciation to the Shepherds 44Presentation of Mary in the Temple af Agnolo GaddiPresentation of Mary in the Temple 45Crucifixion 1 af Agnolo GaddiCrucifixion 1 46The Madonna of Humility with Saint Catherine and Saint John the Baptist af Agnolo GaddiThe Madonna of Humility with Saint Catherine and Saint John the Baptist 47Madonna con la Bambino, San Giovanni Evangelista, San Jacopo e San Nicola di Bari af Agnolo GaddiMadonna con la Bambino, San Giovanni Evangelista, San Jacopo e San Nicola di Bari 48Presentation Of Christ In The Temple af Agnolo GaddiPresentation Of Christ In The Temple 49View of the Interior af Agnolo GaddiView of the InteriorSanta Croce i Firenze 50Madonna and Child Enthroned with Saints (1375) af Agnolo GaddiMadonna and Child Enthroned with Saints1375 · Galleria Nazionale 51The Trinity af Agnolo GaddiThe TrinityMetropolitan Museum of Art 52Crucifixion (1390) af Agnolo GaddiCrucifixion1390 · Galleria degli Uffizi

Agnolo Gaddis berømte malerier, periode for periode

Motiverne, der fangede Agnolo Gaddis blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Agnolo Gaddis originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Agnolo Gaddi Malerier fra denne liste
Santa Croce i Firenze, FlorenceSanta Croce i Firenze Florence 7 Discovery of the True Cross (detail), Discovery of the True Cross, Kunsten: Korsets triumf
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 5 St. Nicholas of Bari with a donor, Saint Nicholas and the storm, Stories of St. Nicholas. Saint Nicholas presenting Gifts to Three Pool girls
National Gallery of Art, WashingtonNational Gallery of Art Washington 4 The Coronation of the Virgin with Six Angels, Saint Bernard and Saint Catherine of Alexandria with the Virgin of the Annunciation [right panel], Madonna and Child Enthroned with Twelve Angels, and with the Blessing Christ [middle panel]
Gemäldegalerie, BerlinGemäldegalerie Berlin 4 Madonna with the child, St. John the Baptist, St. Francis and St. Anthony and a martyr, Triptych, SS. bishop, Petrus, Paulus and a diacon
Lindenau-Museum, AltengauLindenau-Museum Altengau 2 The Last Supper, The Last Supper (detail)
National Gallery, LondonNational Gallery London 2 Coronation of the Virgin, The Coronation of the Virgin
Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 1 Saint Sylvester and the Dragon
National Museum of Fine Arts, Buenos AiresNational Museum of Fine Arts Buenos Aires 1 Virgin with child

Agnolo Gaddi årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om Agnolo Gaddis malerier

Hvilket værk er Agnolo Gaddi mest kendt for?Vis svaret

The Last Supper (1395), Lindenau-Museum, Altengau. Derefter følger Discovery of the True Cross (detail) (1380) og Discovery of the True Cross (1380).

Hvor gammel var Agnolo Gaddi, da The Last Supper blev skabt?Vis svaret

45 år gammel: The Last Supper er fra 1395, og Agnolo Gaddi blev født i 1350.

Hvad er de ti mest berømte Agnolo Gaddi malerier?Vis svaret

The Last Supper, Discovery of the True Cross (detail), Discovery of the True Cross, The Coronation of the Virgin with Six Angels, Saint Sylvester and the Dragon, Virgin with child, Madonna with the child, St. John the Baptist, St. Francis and St. Anthony and a martyr, The Calvary, Saints Julian, James, and Michael og St. Nicholas of Bari with a donor. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange malerier efterlod Agnolo Gaddi?Vis svaret

Vores katalog indeholder 52 værker af Agnolo Gaddi, dateret fra 1370 til 1395.

I hvilke museer udstilles Agnolo Gaddi's mesterværker?Vis svaret

Primært i Santa Croce i Firenze (Florence), Bavarian State Painting Collections (München) og National Gallery of Art (Washington). Museumslisten ovenfor viser dem alle.

I hvilke år malede Agnolo Gaddi sine mest berømte værker?Vis svaret

I 1380s: 15 af de 52 værker på denne side blev skabt dengang, herunder Discovery of the True Cross (detail).

Hvad er de første og de sidste berømte originaler af Agnolo Gaddi?Vis svaret

På denne side er det tidligste The Coronation of the Virgin with Six Angels (1370) og det seneste The Last Supper (1395).

Hvilke motiver valgte Agnolo Gaddi oftest?Vis svaret

Gold background (16), Religious (12) og Woman (10), fordelt på de 52 værker på denne side.

Hvilken teknik brugte Agnolo Gaddi mest?Vis svaret

Tempera On Panel, for 21 af de 52 værker på denne side.

Hvilken kunstretning tilhører Agnolo Gaddi?Vis svaret

Gothic art og International gothic, baseret på originalerne på denne side.

Hvilke værker af Agnolo Gaddi udstilles på Santa Croce i Firenze?Vis svaret

Discovery of the True Cross (detail), Discovery of the True Cross og Kunsten: Korsets triumf: Santa Croce i Firenze, Florence har 7 af værkerne på denne side.

Agnolo Gaddi: liv og værk

Agnolo Gaddi: Florentine Painter and the Echoes of Giotto

Agnolo Gaddi (c. 1350 – October 10, 1396) stands as a cornerstone in the narrative of Florentine art—a figure whose legacy reverberates through the Early Renaissance, marking the final significant link to Giotto di Bondone’s revolutionary style. More than simply imitating his father's teacher, Gaddi subtly reshaped artistic conventions, bridging the gap between Gothic grandeur and the nascent humanist spirit that would soon dominate the visual arts. While biographical details remain scarce compared to contemporaries like Michelangelo or Leonardo da Vinci, scholarly research reveals a man deeply embedded in Florence’s vibrant cultural landscape—a merchant astute enough to amass considerable wealth alongside his vocation as painter and mosaicist. His life story is thus interwoven with the broader tapestry of Florentine history, reflecting its dynamism and artistic ambition during a transformative period.

The Shadow of Giotto: Artistic Origins and Early Influences

Agnolo’s formative years were steeped in the influence of Giotto di Bondone—a figure whose frescoes at Assisi and Padua had irrevocably altered conceptions of pictorial representation. Taddeo Gaddi, Agnolo's father, was himself a devoted pupil of Giotto, absorbing his groundbreaking innovations in perspective, emotion, and narrative clarity. This familial connection immediately positioned Agnolo within the epicenter of artistic experimentation that Florence had become during Giotto’s lifetime. Consequently, Gaddi’s early works bear unmistakable traces of Giottesque aesthetics—robust figures rendered with palpable emotional intensity, and compositions prioritizing storytelling over mere decorative embellishment. The monumental scale of Giotto's frescoes served as an indelible model for Agnolo’s artistic endeavors, shaping his approach to portraying human experience and conveying spiritual themes.

A Style Emerges: Refinement and Decorative Flourish

However, Gaddi swiftly distinguished himself from Giotto’s austere simplicity, embracing a more refined elegance that incorporated intricate details and heightened decorative flourish. Unlike Giotto's preference for stark contrasts of light and shadow—a technique rooted in Gothic sensibilities—Gaddi skillfully manipulated color palettes and textural surfaces to create visually arresting effects. This stylistic divergence reflects the broader artistic currents circulating within Florence during Gaddi’s formative years—a period marked by increasing interest in classical ideals and a burgeoning appreciation for naturalistic observation. The Gothic influence remains palpable in his oeuvre, particularly evident in dramatic lighting schemes reminiscent of cathedral interiors and opulent drapery designs that convey a sense of regal splendor.

Santa Croce: A Monument to Faith and Artistic Innovation

Agnolo Gaddi’s magnum opus resides within the Basilica di Santa Croce—Florence’s sacred cathedral, which houses an unparalleled ensemble of frescoes depicting scenes from *The Legend of the True Cross*. Commissioned in 1373 alongside Giovanni da Milano and Gherardo Starnina, these eight panels represent a pinnacle of Florentine Gothic art, embodying Giotto's legacy while simultaneously pushing stylistic boundaries. The fresco cycle’s narrative complexity—spanning from Michael the Archangel delivering the olive branch to Constantine triumphantly entering Jerusalem—demands meticulous attention to detail and masterful compositional planning. Gaddi’s depiction of Saint Andrew and Saint Benedict exemplifies his ability to convey spiritual emotion through expressive gestures and nuanced facial expressions—a hallmark of Giottesque artistry. Furthermore, the fresco portraying Christ's crucifixion stands as a testament to Gaddi’s technical prowess—his meticulous rendering of musculature and drapery capturing the solemn grandeur of Christian iconography. Notably, Gaddi included a portrait of himself within the *Madonna Enthroned*, demonstrating his artistic self-awareness and cementing his place in Florentine art history.

Beyond Santa Croce: Patronage, Technique, and Legacy

Throughout his career, Gaddi secured commissions from prominent patrons—including the Rossi de’Strozzi family—further enriching Florence's artistic heritage. His frescoes for San Domenico del Maglio showcase his mastery of fresco technique—a medium favored by Giotto and perfected during the Gothic era—demonstrating a profound understanding of pigment mixing, surface preparation, and decorative illusionism. Gaddi’s influence extended beyond Santa Croce, shaping the stylistic sensibilities of younger artists like Lorenzo Monaco and Cennino Cennini—who acknowledged Gaddi's mentorship as instrumental in their artistic development. Giorgio Vasari recognized Gaddi’s significance within *Lives of the Most Excellent Painters*, Sculptors, and Architects*, solidifying his reputation as a pivotal figure in Florentine art history. Agnolo Gaddi’s legacy endures not merely as a painter—but as a conduit between Gothic grandeur and Early Renaissance innovation—a testament to Florence's enduring artistic vitality during its golden age.