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Z pohledu galerie je nejslavnějším dílem William Roberts obraz The Boxing Match (1890). The First German Gas Attack at Ypres (1918) a The Cinema (1920) doplňují trio, které každé oko okamžitě pozná. Z 59 děl umělce William Roberts v našem katalogu představuje galerie níže 59 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.
Top 10 obrazů umělce William Roberts v naší galerii
Obrazy autora William Roberts, seřazeny od 11 do 59
Motivy, které zaujaly William Roberts
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
British art 3 děl
Victorian 2 děl
Crowd 2 děl
Muzea, v nichž jsou vystavena originálna umělce William Roberts
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora William Roberts | Obrazy z tohoto seznamu |
|---|---|---|---|
| London | 3 | The Garden of Eden, The Artist's Son Playing the Recorder, The Rhododendron | |
| Nottingham | 2 | The Return of Ulysses, Professor Janko Lavrin (1885–1986) | |
| Greater Manchester | 2 | The Control Room, Munitions Factory | |
| Londýn | 2 | The Demolition Squad, Sidney James Barton (1909–1986), Chairman of London County Council (1959–1960) | |
| Ottawa | 1 | The First German Gas Attack at Ypres | |
| Wolverhampton | 1 | Kit (Katie Bissett Smith née Knewstub, 1907–2008) | |
| Oxford | 1 | The Crucifixion | |
| Londýn | 1 | The Stockbroker's Clerk |
William Roberts, jeden ikonický obraz na každé desetiletí
Díla podle dekád
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
Study for Kites
William Roberts is a British painter of figure compositions and portraits. He was a pioneer of abstract art before the First World War. Roberts worked outside the mainstream. Later in his career he would describe himself as an English Cubist. In 1914 Roberts joined the short-lived art movement the Vorticists, founded by the artist and writer Wyndam Lewis. The Vorticists believed that British art at this time was in a…
Obrazy umělce William Roberts: odpovědi galerie
Který obraz autora William Roberts je nejslavnější ze všech?Odhalit odpověď
The Boxing Match (1890). Následují The First German Gas Attack at Ypres (1918) a The Cinema (1920).
Kterých 10 nejlepších obrazů má William Roberts?Odhalit odpověď
The Boxing Match, The First German Gas Attack at Ypres, The Cinema, The Garden of Eden, John Maynard Keynes, Baron Keynes Lydia Lopokova, Kit (Katie Bissett Smith née Knewstub, 1907–2008), The Port of London, The Return of Ulysses, The Red Turban a Portrait of a Young Woman. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Kolik děl vytvořil/a William Roberts?Odhalit odpověď
Náš katalog obsahuje 59 děl umělce William Roberts z let 1913 až 1966.
Kde jsou vystavena nejznámější originály umělce William Roberts?Odhalit odpověď
Většinou v The Ingram Collection of Modern British And Contemporary Art (London), Nottingham Castle Museum And Art Gallery (Nottingham) a Salford Museum - Art Gallery (Greater Manchester). V tabulce muzeí výše jsou vypsány všechny.
Kdy William Roberts vytvořil své nejslavnější obrazy?Odhalit odpověď
V období 1920s: 21 z celkem 59 děl na této stránce vzniklo právě tehdy, z toho The Cinema z nich.
Která jsou nejstarší a nejnovější slavná díla umělce William Roberts?Odhalit odpověď
Na této stránce je nejstarší dílo z The Return of Ulysses (1913) a nejnovější z Study for Kites (1966).
Kterým tématům se William Roberts věnoval(a) nejčastěji?Odhalit odpověď
British art (3), Victorian (2) a Crowd (2) napříč 59 díly na této stránce.
S jakým směrem je spojen(a) William Roberts?Odhalit odpověď
Cubism, podle originálů na této stránce.
Jaká originální díla William Roberts má v obsluze The Ingram Collection of Modern British And Contemporary Art?Odhalit odpověď
The Garden of Eden, The Artist's Son Playing the Recorder a The Rhododendron: muzeum The Ingram Collection of Modern British And Contemporary Art, London má v obsluze 3 děl z této stránky.
William Roberts: umělec
The Architect of Fragmented Reality: The Life of William Patrick Roberts
In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.
Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.
A Vision of Modernity and War
The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.
Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.
Legacy and Artistic Significance
The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.
Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.





