1
1 nejslavnějších obrazů autora Wilhelm Haller, výběr z galerie
Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 1 děl umělce Wilhelm Haller v našem katalogu
Stručně řečeno
Z všech originálů, které Wilhelm Haller zanechal, je nejslavnější Mother with Child (1913), který se nachází ve sbírce Augustiner Museum, Freiburg. Náš katalog obsahuje 1 děl umělce Wilhelm Haller; galerie si zachovala 1 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.
1873 – 1950, Freiburg im Breisgau
Nejvíce děl: Augustiner Museum
10 nejlepších obrazů umělce Wilhelm Haller: výběr galerie
Muzea, v nichž jsou vystavena originálna umělce Wilhelm Haller
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Wilhelm Haller | Obrazy z tohoto seznamu |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Mother with Child |
Wilhelm Haller rok po roce: originální díla, která definují každou éru
1913 je rok každého datovaného díla Wilhelm Haller v tomto výběru: zde jsou, seřazena podle slávy.
Díla podle roku
Vyberte rok a prohlédněte si originály.
Otázky sběratelů o obrazech umělce Wilhelm Haller
Kterým dílem je Wilhelm Haller nejznámější?Odhalit odpověď
Mother with Child (1913)
Kolik let bylo Wilhelm Haller, když bylo vytvořeno dílo Mother with Child?Odhalit odpověď
40 let: dílo Mother with Child pochází z roku 1913 a Wilhelm Haller se narodil/a v roce 1873.
Kolik obrazů zanechal(a) Wilhelm Haller?Odhalit odpověď
Náš katalog obsahuje 1 děl od Wilhelm Haller.
Ve kterých muzeích jsou vystavena díla mistrovská umělce Wilhelm Haller?Odhalit odpověď
Většinou v Augustiner Museum (Freiburg). V tabulce muzeí výše jsou vypsány všechny.
Wilhelm Haller: život a dílo
Early Life and Education in Freiburg
Born on May 28, 1873, in Freiburg im Breisgau, Germany, Wilhelm Haller entered a world where the brush was already a familiar presence. He was the son of Konrad Haller, a man who earned his living as a decorative painter. This early exposure to the craft meant that the language of color and form was part of the household atmosphere from his earliest years. Even as a child and throughout his youth, he found himself deeply preoccupied with the act of painting, a passion that seemed to reside within him long before he sought formal training.
His path through the educational institutions of Freiburg was steady. He attended the local Volksschule before moving on to the Berthold-Gymnasium. It was there, in 1892, that he completed his Abitur. While his academic training suggested a different trajectory, the pull of the visual arts remained a constant, quiet influence on his developing mind.
Following his graduation, Wilhelm Haller enrolled at the University of Freiburg. He initially turned his attention toward the study of political science, pursuing the complexities of statecraft and social structures. However, the academic rigor of the university could not entirely suppress his innate inclination toward art. By 1897, he made the definitive choice to abandon his studies of political science to devote himself entirely to the life of a painter.
Notable Works and Subjects
The artist’s hand often turned toward the intimate and the domestic, capturing the quiet presence of life in a way that felt deeply personal. In 1909, he painted a portrait of a small boy accompanied by a monkey, a work that shows his early engagement with character and companionship. This interest in the human form extended to more tender subjects, such as his 1919 composition titled Mother and Child. Through these studies, he explored the subtle connections between people and the animals that shared their world.
Beyond the human figure, the landscapes of his home region frequently occupied his thoughts. He sought to translate the ruggedness of the terrain onto his supports, whether using oil or tempera. In 1923, he rendered a river landscape featuring a castle perched upon limestone rocks. This fascination with the natural architecture of the land continued into his later years; by 1944, he had produced a view of the Black Forest, capturing the essence of the wooded hills that defined the landscape of his life.