Portrét Walter Deverell

Obrazy autora Walter Deverell: 6 nejznámějších díel podle pohledu galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 6 děl umělce Walter Deverell v našem katalogu

Stručně řečeno

Z pohledu galerie je nejslavnějším dílem Walter Deverell obraz Self-portrait (1849), jehož originál je vystaven v Fitzwilliam Museum. Eustatia (1853) a The grey parrot doplňují trio, které každé oko okamžitě pozná. Z 6 děl umělce Walter Deverell v našem katalogu představuje galerie níže 6 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.

1827 – 1854, Charlottesville Nejvíce děl: Fitzwilliam Museum

Top 10 obrazů umělce Walter Deverell v naší galerii

1
Self-portrait (1849) od Walter Deverell

Self-portrait

1849 · Oil On Canvas · Fitzwilliam Museum

In this "Self-portrait" by Walter Deverell, the artist captures his own likeness in a moment of quietude. Created about 1849, the work presents the young man as a study in introspection. The subject is the artist himself, Walter Deverell, peering back from the canvas with a steady, contemplative gaze. He is a figure caught between the shadows of his youth and the weight of his own developing vision.

2
Eustatia (1853) od Walter Deverell

Eustatia

1853 · Oil On Canvas

The portrait titled Eustatia is a work by the American-born British artist Walter Deverell. Painted about 1853, the image captures a young woman in a moment of quietude. She is presented from the waist up, her form emerging from a dark, architectural space that recedes into shadow.

Motivy, které zaujaly Walter Deverell

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Walter Deverell

3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Walter Deverell Obrazy z tohoto seznamu
Fitzwilliam MuseumFitzwilliam Museum 1 Self-portrait
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 The grey parrot
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 1 The Mock Marriage of Orlando and Rosalin

Walter Deverell, ikonická díla každého roku

5 let, od 1849 do 1853, zachycuje na této stránce celou časopisevnou tvorbu umělce Walter Deverell: krátký přehled, který zde uvidíte rok po roce prostřednictvím jeho nejslavnějších originálů.

Díla podle roku

Vyberte rok a prohlédněte si originály.

Obrazy umělce Walter Deverell: odpovědi galerie

Který obraz autora Walter Deverell je nejslavnější ze všech?Odhalit odpověď

Self-portrait (1849), Fitzwilliam Museum. Následují Eustatia (1853) a The grey parrot.

Kolik let bylo Walter Deverell, když dokončil/a Self-portrait?Odhalit odpověď

22 let: dílo Self-portrait pochází z roku 1849 a Walter Deverell se narodil/a v roce 1827.

Kolik děl vytvořil/a Walter Deverell?Odhalit odpověď

Náš katalog obsahuje 6 děl umělce Walter Deverell z let 1849 až 1853.

Kde jsou vystavena nejznámější originály umělce Walter Deverell?Odhalit odpověď

Většinou v Fitzwilliam Museum, National Gallery of Victoria (Melbourne) a Birmingham Museum and Art Gallery (Birmingham). V tabulce muzeí výše jsou vypsány všechny.

Která jsou nejstarší a nejnovější slavná díla umělce Walter Deverell?Odhalit odpověď

Na této stránce je nejstarší dílo z Self-portrait (1849) a nejnovější z Eustatia (1853).

Kterým tématům se Walter Deverell věnoval(a) nejčastěji?Odhalit odpověď

Portrait (2), Dark background (2) a Woman (2) napříč 6 díly na této stránce.

V jaké technice tvořil(a) Walter Deverell nejčastěji?Odhalit odpověď

Oil On Canvas, u 2 z 6 děl na této stránce.

Walter Deverell: umělec

Walter Howell Deverell: A Fleeting Star in the Pre-Raphaelite Firmament

Walter Howell Deverell (1827–1854) remains a curiously elusive figure within the vibrant tapestry of Victorian art, overshadowed by luminaries like Dante Gabriel Rossetti and William Holman Hunt. Born in Charlottesville, Virginia—the son of an English family who relocated back to Britain shortly after his birth—Deverell’s artistic journey began amidst the burgeoning intellectual currents of his time, ultimately culminating in a tragically premature demise from Bright's disease at just twenty-seven years old. Yet, despite his brief career, Deverell possessed a distinctive vision that subtly shaped the Pre-Raphaelite Brotherhood’s aesthetic sensibilities and cemented his place as an important contributor to the movement’s formative years.
  • Early Life & Education: Deverell's upbringing instilled in him a grounding in English culture, providing a counterpoint to the American influences prevalent at the time. He pursued formal artistic training at the Royal Academy Schools, where he encountered Rossetti—a connection that would prove pivotal to his artistic development.
  • The Rossetti Connection & Studio Collaboration: Deverell’s relationship with Rossetti extended beyond mere acquaintance; they established a studio partnership in 1851, fostering an environment of shared experimentation and creative discourse. This collaboration profoundly impacted Deverell's style, blending elements of earlier genre painters like Charles Robert Leslie with the ethereal beauty characteristic of the Pre-Raphaelites.
  • The Discovery of Elizabeth Siddal & Artistic Patronage: Deverell’s contribution to the Pre-Raphaelite movement gained considerable renown when he championed Elizabeth Siddal, Rossetti's muse and arguably the most influential model of the era. Their collaboration produced several iconic paintings, capturing Siddal’s delicate features with remarkable sensitivity—a testament to Deverell’s artistic prowess.

A Distinctive Style & Notable Paintings

Deverell's oeuvre consisted of only four paintings exhibited at the Royal Academy in London during his lifetime, a fact that underscores the brevity of his artistic career. However, these works—including “A Pet,” “The Mock Marriage of Orlando and Rosalin,” and “Twelfth Night, Act II, Scene IV”—demonstrate a stylistic approach that distinguishes him from many of his contemporaries. He favored muted palettes and meticulous detail, prioritizing atmospheric perspective and capturing subtle nuances of emotion. Notably, Deverell’s painting "A Pet," depicting Siddal reclining on a velvet cushion amidst lilies—a scene meticulously recreated in wax and resin—became an emblem of Pre-Raphaelite artistic ambition and technical virtuosity.
  • Influence & Legacy: While Deverell's output was limited, his influence extended beyond the immediate circle of artists he knew. He played a crucial role in securing Henry Treffry Dunn as Rossetti’s assistant—a decision that bolstered the Pre-Raphaelite Brotherhood’s organizational stability.
  • Final Years & Death: Deverell resided in Kew Gardens, where he continued to pursue his artistic endeavors until his untimely death from Bright's disease. Despite his tragically curtailed life span, Deverell left behind a legacy of evocative paintings that continue to fascinate art historians and enthusiasts alike.

Historical Significance & Remembrance

Walter Howell Deverell’s contribution to the Pre-Raphaelite Brotherhood is often underestimated due to his relatively sparse output. Nevertheless, he embodies the spirit of artistic innovation and dedication that defined the movement's early years—a period marked by a fervent desire to recapture the idealized beauty and spiritual depth of medieval art. His paintings serve as poignant reminders of Victorian artistic ambition and offer invaluable insights into the aesthetic sensibilities of one of Britain’s most celebrated artistic circles. Further research into Deverell’s life and work promises to illuminate his role in shaping the Pre-Raphaelite legacy for generations to come.