Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 33 děl umělce Valentin Cameron Prinsep v našem katalogu
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Z pohledu galerie je nejslavnějším dílem Valentin Cameron Prinsep obrazem Leonora of Mantua (1873), jehož originál je vystaven v Walker Art Gallery v obci Liverpool. The first awakening of Eve (1850) a Lisa (possibly from Boccaccio's 'The Decameròn' IV. 5) (1867) doplňují trio, které každé oko okamžitě pozná. Z 33 děl umělce Valentin Cameron Prinsep v našem katalogu představuje galerie níže 33 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.
The oil on canvas titled Leonora of Mantua was painted by Valentine Cameron Prinsep in 1873. This portrait captures an imaginary Italian Renaissance heroine. She is a figure drawn from the shadows of history, perhaps a member of the Gonzaga family. This dynasty once held dominion over the Italian city of Mantua throughout the 15th to 17th centuries.
In the quietude of a primordial forest, the first moments of consciousness unfold within The first awakening of Eve. This oil on canvas captures Eve as she stirs from her initial slumber, a figure emerging into existence amidst the lush, untamed greenery of a world yet new. The scene holds a stillness that feels heavy with the weight of a beginning, as if the very air waits for her eyes…
The oil painting titled Lisa (possibly from Boccaccio's 'The Decameròn' IV. 5) was executed by Valentine Cameron Prinsep. This work emerged in about 1867. The artist, born in Kolkata, India, in 1838, brought a specific sensibility to this depiction of a reclining woman.
Portrait of Mary Baring Compton, later Fifth Marchioness of Northampton is a work by Valentine Cameron Prinsep. Created about 1880, the portrait captures the likeness of Mary Baring Compton, who would subsequently hold the title of Fifth Marchioness of Northampton.
In this intimate encounter, we find the artist Valentine Cameron Prinsep gazing back at us through his Self Portrait. Created about 1883, the work captures a moment of quiet introspection. The subject is the painter himself, offering a direct and personal look into his own character. It is a rare glimpse into the psyche of a man who navigated the complex social and artistic circles of the Victorian era.
The forest is a tangle of dark limbs and suffocating green. Amidst the thicket, a woman kneels, her form anchored to the damp earth. She is Medea, caught in a moment of heavy, silent ritual. A crimson robe spills across the forest floor, a sharp wound of color against the deep ochres and browns of the woodland. Her white chemise catches a stray beam of light, highlighting the tension in…
In this oil portrait, Valentine Cameron Prinsep captures a young person titled Ayesha. Painted about 1887, the work focuses on a single figure held in a moment of quiet contemplation. The subject is positioned slightly off-center, cradling a large, polished metallic vessel against the body. This vessel, perhaps a water jug, catches the light with a sharp, reflective sheen that cuts through the surrounding shadows.
This portrait captures more than a likeness; it captures a state of being. The subject's expression is one of gravity, his eyes lost in a thought that remains unseen by the viewer. The composition, positioned slightly off-center, avoids the stiffness of formal portraiture, opting instead for a sense of lived experience. The darkness surrounding him does not feel empty; rather, it acts as a void that pushes his presence forward,…
A woman stands poised, her presence defined by the quiet weight of a tray held before her. She is dressed in the fashion of the Victorian era, wearing a red skirt and a hat that frames her figure. On the tray, three tea cups are positioned at varying intervals, suggesting a social ritual in mid-motion. The background features a doorway, a compositional device that provides a sense of spatial depth…
The Avenue, Wildernesse, Kent1880 · Birmingham Museum and Art Gallery
12
Study For 'a Bientot'
13
Portrait Of Frances, Lady Layland-barratt
14
La Festa Di Lido
15
Portrait of a Woman with Dark Hair
16
Il barbagianni
17
Portrait of Sir Francis Layland-Barratt
18
The Imperial Assemblage held at Delhi, 1 January 1877Royal Collection
19
My lady betty
20
Portrait of Lillie Langtry
21
Lady Tennyson on Afton Downs
22
Printz hans Shakespearean Scenes
23
The Gamekeeper's Daughter
24
La revolution
25
At The First Touch of WinterGallery Oldham
26
The Taj Mahal
27
Sweet repose
28
St john the efvangelist teaching the new commandment
29
Home from gleaning
30
Fresh Flowers from the Country
31
A Venetian Gaming-House in the Sixteenth Century
32
à bientôt
33
Head of an italian girl
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
7 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Valentin Cameron Prinsep | Obrazy z tohoto seznamu |
|---|---|---|---|
 Birmingham Museum and Art Gallery |
Birmingham | 2 | An Indian Durbar, The Avenue, Wildernesse, Kent |
 Walker Art Gallery |
Liverpool | 1 | Leonora of Mantua |
 Blickling Hall |
1 | Lisa (possibly from Boccaccio's 'The Decameròn' IV. 5) | |
 Brooklyn Museum |
Brooklyn | 1 | Portrait of Mary Baring Compton, later Fifth Marchioness of Northampton |
 National Portrait Gallery |
Londýn | 1 | George Heming Mason |
 Royal Collection |
Londýn | 1 | The Imperial Assemblage held at Delhi, 1 January 1877 |
 Gallery Oldham |
Oldham | 1 | At The First Touch of Winter |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
In the quietude of a primordial forest, the first moments of consciousness unfold within The first awakening of Eve. This oil on canvas captures Eve as she stirs from her initial slumber, a figure emerging into existence amidst the lush, untamed greenery of a world yet new. The scene holds a stillness that feels heavy with the weight of a beginning, as if the very air waits for her eyes…
The oil painting titled Lisa (possibly from Boccaccio's 'The Decameròn' IV. 5) was executed by Valentine Cameron Prinsep. This work emerged in about 1867. The artist, born in Kolkata, India, in 1838, brought a specific sensibility to this depiction of a reclining woman.
The oil on canvas titled Leonora of Mantua was painted by Valentine Cameron Prinsep in 1873. This portrait captures an imaginary Italian Renaissance heroine. She is a figure drawn from the shadows of history, perhaps a member of the Gonzaga family. This dynasty once held dominion over the Italian city of Mantua throughout the 15th to 17th centuries.
Portrait of Mary Baring Compton, later Fifth Marchioness of Northampton is a work by Valentine Cameron Prinsep. Created about 1880, the portrait captures the likeness of Mary Baring Compton, who would subsequently hold the title of Fifth Marchioness of Northampton.
Leonora of Mantua (1873), Walker Art Gallery, Liverpool. Následují The first awakening of Eve (1850) a Lisa (possibly from Boccaccio's 'The Decameròn' IV. 5) (1867).
35 let: dílo Leonora of Mantua pochází z roku 1873 a Valentin Cameron Prinsep se narodil/a v roce 1838.
Leonora of Mantua, The first awakening of Eve, Lisa (possibly from Boccaccio's 'The Decameròn' IV. 5), Portrait of Mary Baring Compton, later Fifth Marchioness of Northampton, Self Portrait, Medea the Sorceress, Ayesha, George Heming Mason, The Dish of Tea a An Indian Durbar. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 33 děl umělce Valentin Cameron Prinsep z let 1850 až 1887.
Většinou v Birmingham Museum and Art Gallery (Birmingham), Walker Art Gallery (Liverpool) a Blickling Hall. V tabulce muzeí výše jsou vypsány všechny.
V období 1880s: 5 z celkem 33 děl na této stránce vzniklo právě tehdy, z toho Portrait of Mary Baring Compton, later Fifth Marchioness of Northampton z nich.
Na této stránce je nejstarší dílo z The first awakening of Eve (1850) a nejnovější z Ayesha (1887).
Woman (7), Victorian era (5) a Portrait (4) napříč 33 díly na této stránce.
Oil On Canvas, u 6 z 33 děl na této stránce.
Pre-raphaelite, podle originálů na této stránce.
An Indian Durbar a The Avenue, Wildernesse, Kent: muzeum Birmingham Museum and Art Gallery, Birmingham má v obsluze 2 děl z této stránky.
