Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 56 děl umělce Stefano di Giovanni v našem katalogu
In short
Madonna of Humility (1432) is the Stefano di Giovanni painting that draws the most eyes; the original belongs to the Staatliche Museen zu Berlin, Berlín. After it, the eye goes to Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437). Among the 56 works of Stefano di Giovanni in our catalog, these 56 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
St. Nicholas of Bari1430
12
Madonna of the Snow Altarpiece1432
13
St Anthony the Hermit Tortured by the Devils1423
14
The Ecstasy of St Francis (detail)1437 · Villa i Tatti
15
The Procession to Calvary1441 · Detroit Institute of Arts
16
The Betrayal of Christ1437 · Detroit Institute of Arts
17
Madonna of Humility1437 · National Gallery of Art
18
St. Anthony of Padua1450
19
Madonna and Child with Angels1437
20
St Matthew1437 · Collezione Vittorio Cini
21
Assumption of Mary with Angel Choirs1450 · Gemäldegalerie
22
The Wolf of Gubbio1450 · National Gallery
23
Virgin of Humility1440 · Collezione Vittorio Cini
24
St Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum
25
Damnation of the Soul of the Miser of Citerna1437 · Louvre
26
The Ecstasy of St Francis1437 · Villa i Tatti
27
St Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum
28
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
29
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
30
Miracle of the Eucharist1423 · Bowes Museum
31
Death of the Heretic on the Bonfire1423 · National Gallery of Victoria
32
St Jerome (detail)1423 · Pinacoteca Nazionale
33
Founding of Santa Maria Maggiore1430
34
The mystical marriage of Saint Francis of Assisi1444
35
The Annunciation "1435 · Metropolitan Museum of Art
36
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
37
The Stigmatisation of St Francis1437 · National Gallery
38
The Blessed Ranieri Frees the Poor from a Prison in Florence1437 · Louvre
39
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
40
Virgin and Child with Saints1437 · Louvre
41
The Blessed Ranieri Frees the Poor from a Jail in Florence1444 · Louvre
42
St Thomas Before the Cross1423 · Vatikánská pinakotéka
43
The Blessed Raniero of Borgo San Sepolcro Appearing to a Cardinal in a Dream1444 · Staatliche Museen zu Berlin
44
St. Francis Kneeling before Christ on the CrossClevelandské muzeum umění
45
The Last Supper1423 · Pinacoteca Nazionale
46
St Anthony the Hermit Tortured by the Devils1423 · Pinacoteca Nazionale
47
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
48
Madonna and Child with AngelsMetropolitan Museum of Art
49
The Annunciation
50
The Meeting of St. Anthony and St. PaulNational Gallery of Art
51
The Journey of the Magi1435 · Metropolitan Museum of Art
52
Sňatek svatého Františka s Pannou Pokojnou1437 · Musée Condé
53
Saint Francis renounces his Earthly Father1437 · National Gallery
54
St. Anthony Beaten by Devils1423 · Pinacoteca Nazionale
55
Madonna of Humility with Four Saints1435 · Museo Diocesano
56
The Virgin and Child with Saints1430 · Galleria degli Uffizi
The four subjects that come back most often in these originals, each with its finest example.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Stefano di Giovanni | Obrazy z tohoto seznamu |
|---|---|---|---|
 National Gallery |
Londýn | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 Szépművészeti Múzeum |
Budapešť | 5 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Museo Diocesano |
Cortona | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 National Gallery of Art |
Washington | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 Louvre |
Paříž | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
Siena | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 Detroit Institute of Arts |
Detroit | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 Metropolitan Museum of Art |
New York | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
Pick a decade to see the original that defines it.
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
Madonna of Humility (1432), Staatliche Museen zu Berlin, Berlín. Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437) come next.
40 years old: Madonna of Humility dates from 1432, and Stefano di Giovanni was born in 1392.
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret a Saint Apollonia. The ranking above gives each one's year and museum.
Our catalog holds 56 works by Stefano di Giovanni, dated from 1412 to 1450.
Mostly in National Gallery (Londýn), Szépművészeti Múzeum (Budapešť) a Museo Diocesano (Cortona). The museum table above lists them all.
In 1430s: 27 of the 56 works on this page were made then, Madonna of Humility among them.
On this page, the earliest is Saint John the Evangelist (1412) and the latest Saint Francis before the Sultan (1450).
People (7), Saints (6) a Religious scene (6), across the 56 works on this page.
Tempera On Panel, for 17 of the 56 works on this page.
Early renaissance, judging by the originals on this page.
Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis a Saint Francis before the Sultan: the National Gallery, Londýn holds 6 of the works on this page.
Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.
V zářivém období italského Quattrocenta vyvolává jen málo jmen tak dojmově vzpomínku na křehký přechod od středověku k moderně, jako Stefano di Giovanni, historii známější pod něžným přezdívkou Sassetta. Jako klíčová postava sienské školy představuje jeho umění hluboký most mezi dekorativní elegancí pozdní gotiky a rodícím se realismem renesance. Ačkoliv zůstávají přesné počátky jeho života zahaleny mlhou času – učenci stále debatují, zda se narodil v Sieně, nebo snad v Cortoně – jeho přítomnost v toskánské krajině je nepopiratelná. Jeho dílo nese rytmickou, lyrickou duši Sieny, přesto v něm pulsuje nová, pozorovatelská vitalita, která naznačuje umělce hluboce zapojeného do měnících se větrů jeho doby.
Sassettova tvůrčí cesta byla příběhem sofistikované syntézy. Disponoval vzácnou schopností ctít tradiční sienské styl – charakteristický svou jemnou detailností a duchovní hloubší – a zároveň vstřebávat revoluční inovace přicházející z Florencie. Vliv mistrů jako Masaccio, Masolino a Gentile da Fabriano je patrný v jeho postupujícím ovládnutí prostorových vztahů a práce se světlem. Tyto nové techniky pouze nekopíroval; spíše je integroval, aby svým postavám vdechl naturalistický zářivý jas, díky němuž světlo přesvědčivě modeluje jejich tvary a vytváří pocit jednotného, dýchajícího prostoru uvnitř jeho kompozic.
Sassettovo dílo je svědectvím o jeho mistrovství v narativní malbě, kde každý tah štětcem slouží vyššímu duchovnímu účelu. Jeho práce často fungují jako okna do božského, využívající sofistikovanou paletu barev a rytmické kompozice k vedení diváka skrze posvátné dějiny. V dílech jako Poslední večeře prokazuje mimořádnou schopnost zachytit komplexní emocionální stavy, přičemž využívá zemité tóny a pečlivou perspektivu k ukotvení hlubokého náboženského příběhu do hmatatelné, vážné reality. Jeho schopnost vyvážit ornamentální krásu gotické tradice s rostoucím smyslem pro lidské drama činí jeho tabule jedinečně poutavými.
Kromě intimního měřítka svých menších panelů dosáhl Sassetta velké slávy díky významným oltářům a polyptychům, které definovaly náboženskou krajinu své doby. Mezi jeho nejvýraznější umělecké úspěchy patří:
Historický význam Sassetty spočívá v jeho roli strážce i inovátora. Zajistil, aby jedinečná identita sienské školy nezmizela tváří florentské dominance, ale naopak se vyvinula a zahrnula nový jazyk realismu a hloubky. Jeho malby nejsou pouhými relikty upadané éry; jsou to živé dialogy mezi starým a novým světem. Díky jemnému zachycení světla, mistrovství symbolické ikonografie a hluboké empatii k svým postavám zanechal Sassetta nezmazatelnou stopu v historii italského umění a zajistil si své místo jako jednoho z nejdůležitějších představitelů sienské renesance.
