Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 16 děl umělce Nishikawa Sukenobu v našem katalogu
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Z pohledu galerie je nejslavnějším dílem Nishikawa Sukenobu obrazem Woman and Attendant (701), jehož originál je vystaven v Metropolitan Museum of Art v obci New York. Courtesan with a Kitten (701) a Prostitute Reading a Poem-Card (1735) doplňují trio, které každé oko okamžitě pozná. Z 16 děl umělce Nishikawa Sukenobu v našem katalogu představuje galerie níže 16 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.
The air feels still, held in a delicate balance between the two figures. A woman moves with a grace that seems to quiet the very space around her, her robes flowing in soft, calligraphic lines that suggest a gentle, rhythmic motion. Beside her, an attendant follows, carrying a basket that hints at the quiet tasks of a refined life. They exist in a world of subdued tones—creams, browns, and blacks—where…
A high-ranking courtesan sits in a moment of repose, her figure framed by the intimate details of a winter interior. She is draped in a brilliant red kimono, patterned with white dots that mimic the appearance of tie-dyed fabric, layered beneath a gray-patterned uchikake. Her hair is styled in a two-tiered chignon, secured with a white cloth tie and a tortoiseshell comb. Beside her, a small kitten provides a touch…
A single female figure pauses in a moment of stillness, her attention pulled away from the world and toward a small poem card held delicately in her hands. She is draped in a multi-layered kimono, the fabric heavy with intricate geometric and floral motifs that suggest a life of refined detail. A blossoming cherry tree branch reaches into the frame from the upper right, its pale pink and white petals…
A woman sits alone upon a rock, her head bowed in a posture of deep thought. Dressed in a red kimono, she occupies a quiet space by a riverbank, her presence defined by a sense of internal reflection. The composition captures a private moment of solitude, where the stillness of the figure mirrors the calm of the surrounding landscape. This work is part of the Ehon miyako zōshi (Picture Book…
In the delicate folds of Hyakunin Jorō Shina sadame Vol. I, we encounter more than just an ancient text; we step into the refined atmosphere of early 18th-century Japan. Created in 1723 by the esteemed Kyoto master Nishikawa Sukenability, this work serves as a profound testament to the Ukiyo-e tradition, specifically through the lens of the imperial capital's sophisticated aesthetic. Unlike the more boisterous and energetic prints emerging from Edo,…
In the delicate interplay of ink and aged paper, Hyakunin Jorō Shina sadame Vol. I serves as a profound window into the soul of early 18th-century Japan. Created in 1723 by the Kyoto master Nishikawa Sukenobu, this work transcends mere documentation, offering instead an intimate encounter with the tactile history of the Edo period. The piece presents a close-up view of an ancient text, where the rhythmic flow of Japanese…
In 1723, the Kyoto-based artist Nishikawa Sukenobu released a significant series titled Hyakunin Jorō Shina sadame. Published in two volumes by Hachimonjiya Jishô, this work emerged from the artistic traditions of the imperial capital. It represents a focused effort to document the varied social roles of women during the Edo period. Through these pages, Nishikawa Sukenobu sought to celebrate the diversity of femininity across different social strata.
A single, open book rests at the center of this composition, its pages bearing the weight of Chinese characters. The scene is rendered in warm, aged tones of brown, creating an atmosphere of stillness and antiquity. This is not a scene of grand movement, but one of intimate, scholarly contemplation. The intricate details of the text and the texture of the paper suggest a moment of private study or the…
A gorgeously arrayed young courtesan steps out on a verandah while holding a little dog on a red leash. Her teenage attendant tosses a ball to the cheerful dog tied with red rope collar to which a small brass bell is attached. The scene can be interpreted as a parodic representation of the Princess Sannomiya scene from The Tale of Genji where the princess is standing behind a reed curtain…
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Nishikawa Sukenobu | Obrazy z tohoto seznamu |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 5 | Woman and Attendant, Lady Ise by the Riverbank, Courtesan and Attendant Playing with a Dog |
 Kyoto Prefectural Library and Archives |
Kyoto | 4 | Hyakunin Jorō Shina sadame Vol. I, Hyakunin Jorō Shina sadame Vol. I, Hyakunin Jorō Shina sadame |
 Minneapolis Institute of Art |
Minneapolis | 1 | Prostitute Reading a Poem-Card |
 Harvard Art Museums |
Cambridge | 1 | Three Girls Having Tea |
 Fukuda Art Museum |
Kyoto | 1 | Wall Clock and Beautiful Woman |
 Tokyo National Museum |
Tokio | 1 | Beautiful Woman and Wall Clock |
Kariéra umělce Nishikawa Sukenobu na této stránce trvá 14 let, od 1723 do 1736: každý rok je zde zastoupen svými nejznámějšími originály.
Vyberte rok a prohlédněte si originály.
In the delicate folds of Hyakunin Jorō Shina sadame Vol. I, we encounter more than just an ancient text; we step into the refined atmosphere of early 18th-century Japan. Created in 1723 by the esteemed Kyoto master Nishikawa Sukenability, this work serves as a profound testament to the Ukiyo-e tradition, specifically through the lens of the imperial capital's sophisticated aesthetic. Unlike the more boisterous and energetic prints emerging from Edo,…
Více od 1723
Nishikawa Sukenobu (1671-1750) was an ukiyo-e painter in the Kyoto-Osaka area in the mid-Edo Period. He first learned painting from Kano Eino (1631-1697) and then also became a disciple of the Tosa school. From around the beginning of the 18th century, he was active as a book illustrator for a publisher Hachimonjiya in Kyoto and involved in the production of over 70 picture books. He exhibited excellent skills in creating…
A single female figure pauses in a moment of stillness, her attention pulled away from the world and toward a small poem card held delicately in her hands. She is draped in a multi-layered kimono, the fabric heavy with intricate geometric and floral motifs that suggest a life of refined detail. A blossoming cherry tree branch reaches into the frame from the upper right, its pale pink and white petals…
A gorgeously arrayed young courtesan steps out on a verandah while holding a little dog on a red leash. Her teenage attendant tosses a ball to the cheerful dog tied with red rope collar to which a small brass bell is attached. The scene can be interpreted as a parodic representation of the Princess Sannomiya scene from The Tale of Genji where the princess is standing behind a reed curtain…
Woman and Attendant (701), Metropolitan Museum of Art, New York. Následují Courtesan with a Kitten (701) a Prostitute Reading a Poem-Card (1735).
Woman and Attendant, Courtesan with a Kitten, Prostitute Reading a Poem-Card, Lady Ise by the Riverbank, Hyakunin Jorō Shina sadame Vol. I, Hyakunin Jorō Shina sadame Vol. I, Hyakunin Jorō Shina sadame, Hyakunin Jorō Shina sadame Vol. II, Three Girls Having Tea a Courtesan and Attendant Playing with a Dog. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 16 děl umělce Nishikawa Sukenobu z let 1723 až 1736.
Většinou v Metropolitan Museum of Art (New York), Kyoto Prefectural Library and Archives (Kyoto) a Minneapolis Institute of Art (Minneapolis). V tabulce muzeí výše jsou vypsány všechny.
V období 1723: 4 z celkem 16 děl na této stránce vzniklo právě tehdy, z toho Hyakunin Jorō Shina sadame Vol. I z nich.
Na této stránce je nejstarší dílo z Hyakunin Jorō Shina sadame Vol. I (1723) a nejnovější z Courtesan and Attendant Playing with a Dog (1736).
Woman (3), Japanese text (3) a Kyoto school (3) napříč 16 díly na této stránce.
Woodblock Print, u 6 z 16 děl na této stránce.
Ukiyo-e, podle originálů na této stránce.
Woman and Attendant, Lady Ise by the Riverbank a Courtesan and Attendant Playing with a Dog: muzeum Metropolitan Museum of Art, New York má v obsluze 5 děl z této stránky.
