Portrét Karel Appel

40 nejslavnějších obrazů autora Karel Appel, každý naprosto unikátní

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 41 děl umělce Karel Appel v našem katalogu

Stručně řečeno

Square Man, Karel Appel, 1951 (1951) je obraz autora Karel Appel, který přitahuje nejvíce pohledů. Poté se zrak přesouvá k Untitled (1960) a Three Figures (1952). Z 41 děl umělce Karel Appel v našem katalogu je těchto 40 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1921 – 2006, Amsterdam Cobra Nejvíce děl: Izraelské muzeum

Top 10 obrazů autora Karel Appel podle výběru galerie

1
Square Man, Karel Appel, 1951 (1951) od Karel Appel

Square Man, Karel Appel, 1951

1951 · Oil On Canvas

Square Man, Karel Appel, 1951 is an oil on canvas painting created by the artist Karel Appel. This work was executed in Paris in 1951. The physical presence of the piece is defined by its nearly square proportions, measuring 120,5 cm in height and 118 cm in width, with a depth of 4 cm.

2
Untitled (1960) od Karel Appel

Untitled

1960 · Screenprint · Tate Britain, Londýn

In the landscape of post-war European modernism, few voices resonate with as much raw, unbridled vitality as that of Karel Appel. His 1960 work, Untitled, serves as a breathtaking manifesto of the COBRA movement, an avant-garde collective that sought to strip away the suffocating layers of academic tradition in favor of something far more primal. To encounter this piece is to witness a deliberate rebellion; it is not merely a…

Slavná díla umělce Karel Appel, čísla 11 až 40

Motivy, které zaujaly Karel Appel

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Karel Appel

6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Karel Appel Obrazy z tohoto seznamu
Izraelské muzeum, JeruzalémIzraelské muzeum Jeruzalém 3 Three Figures, Man and Woman (Homme et femme), Head Burst on Red
Tate Britain, LondýnTate Britain Londýn 2 Untitled, Untitled (from For Jorn)
Královské muzeum výtvarného umění Antverpy, AntverpyKrálovské muzeum výtvarného umění Antverpy Antverpy 2 Flying Man, Animal and Child on Blue Background
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Untitled
Bavarské státní sbírky malby, MnichovBavarské státní sbírky malby Mnichov 1 Figure and Suns
Statens Museum for Kunst, KodaňStatens Museum for Kunst Kodaň 1 Uden titel

Karel Appel napříč desetiletími: jeden unikátní originál pro každou dekádu

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Karel Appel: dotazy pro galerii

Kterým nejznámějším dílem je Karel Appel?Odhalit odpověď

Square Man, Karel Appel, 1951 (1951). Následují Untitled (1960) a Three Figures (1952).

V jakém věku vytvořil(a) Karel Appel dílo Square Man, Karel Appel, 1951?Odhalit odpověď

30 let: dílo Square Man, Karel Appel, 1951 pochází z roku 1951 a Karel Appel se narodil/a v roce 1921.

Kterých deset obrazů autora Karel Appel je nejznámějších?Odhalit odpověď

Square Man, Karel Appel, 1951, Untitled, Three Figures, Hip, Hip, Hoorah, Questioning Children, Hip, Hip, Hoorah (Hiep, hiep, hoera ), Blauw naakt, Étienne Martin, The Big Ear a Beast. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik známých děl má autor Karel Appel?Odhalit odpověď

Náš katalog obsahuje 41 děl umělce Karel Appel z let 1949 až 1976.

Kde lze vidět nejznámější originály umělce Karel Appel?Odhalit odpověď

Většinou v Izraelské muzeum (Jeruzalém), Tate Britain (Londýn) a Královské muzeum výtvarného umění Antverpy (Antverpy). V tabulce muzeí výše jsou vypsány všechny.

V jakém období vytvořil(a) Karel Appel svá nejznámější obrazy?Odhalit odpověď

V období 1950s: 17 z celkem 40 děl na této stránce vzniklo právě tehdy, z toho Square Man, Karel Appel, 1951 z nich.

Který slavný obraz od Karel Appel je nejstarší a který nejnovější?Odhalit odpověď

Na této stránce je nejstarší dílo z Hip, Hip, Hoorah (1949) a nejnovější z Untitled (from For Jorn) (1976).

Jakým tématům se Karel Appel věnoval/a nejčastěji?Odhalit odpověď

Organic forms (2), Abstract (2) a Color field (2) napříč 40 díly na této stránce.

Jaké materiály používal(a) Karel Appel nejčastěji?Odhalit odpověď

Oil On Canvas, u 4 z 40 děl na této stránce.

K kterému směru patří dílo umělce Karel Appel?Odhalit odpověď

Cobra, podle originálů na této stránce.

Jaká originální díla Karel Appel mohu vidět v Izraelské muzeum?Odhalit odpověď

Three Figures, Man and Woman (Homme et femme) a Head Burst on Red: muzeum Izraelské muzeum, Jeruzalém má v obsluze 3 děl z této stránky.

Karel Appel: portrét umělce

A Life Painted in Bold Strokes: The World of Karel Appel

Christiaan Karel Appel, known affectionately as ‘Kik’ from childhood, burst onto the post-war art scene like a vibrant explosion of color and energy. Born in Amsterdam in 1921, his early life was steeped in the everyday rhythms of working-class Holland – his father a barber, his lineage tracing back to French Huguenots through his mother. This grounding, however, would soon be superseded by an irrepressible artistic drive that defied convention and ultimately reshaped the landscape of European art. A pivotal moment arrived at age fourteen with his first painting, a still life of fruit, followed shortly after by a paint set and easel gifted by his uncle Karel Chevalier, who also provided early instruction. These gifts weren’t merely tools; they were keys unlocking a world where imagination reigned supreme. The shadow of the Second World War loomed large over Appel’s formative years. Studying at the Rijksakademie van Beeldende Kunsten in Amsterdam during the German occupation proved challenging, yet it was there he forged lifelong bonds with fellow artists Corneille and Constant, friendships that would prove crucial to his artistic evolution. Facing opposition from his parents regarding his chosen path and fearing forced labor under Nazi rule, Appel bravely left home, choosing a life dedicated to art over conformity.

The CoBrA Revolution: Spontaneity and the Childlike Vision

Appel’s artistic journey truly ignited with the formation of the CoBrA group in 1948 – an acronym derived from Copenhagen, Brussels, and Amsterdam, representing the movement's core cities. Alongside Corneille, Constant, Jan Nieuwenhuys, and Christian Dotremont, Appel spearheaded a radical departure from established artistic norms. CoBrA wasn’t merely a style; it was a philosophy rooted in spontaneity, experimentation, and a profound embrace of the untamed creativity found in children's art and primitive cultures. Influenced by masters like Pablo Picasso and Henri Matisse, as well as the raw energy of Jean Dubuffet, Appel rejected rigid formalism in favor of intuitive expression. He began sculpting in 1947, utilizing assemblage techniques – constructing works from found materials painted in a bold palette of white, red, yellow, blue, and black. This period saw him involved with the Experimentele Groep, further solidifying his commitment to artistic innovation. The controversial fresco "Questioning Children" (1949), commissioned for Amsterdam City Hall, exemplified CoBrA’s provocative spirit but also sparked public outcry, ultimately leading to its being covered up – a testament to the movement's challenging nature. Appel drew inspiration from Danish and Nordic mythology, weaving these ancient narratives into his increasingly abstract compositions.

International Horizons: From Paris to New York and Beyond

Facing resistance to CoBrA’s radical vision in the Netherlands, Appel relocated to Paris in 1950, a city that offered greater artistic freedom and recognition. This marked the beginning of an expansive period of international travel and exposure. He journeyed to Mexico, the USA, Yugoslavia, and Brazil, absorbing diverse cultural influences that enriched his artistic vocabulary. His time in New York City and Florence further broadened his horizons, allowing him to connect with a wider network of artists and collectors. A breakthrough moment arrived in 1954 with his first American gallery exhibition at the Martha Jackson Gallery, followed by the inclusion of "Child and Beast II" (1951) in the influential Museum of Modern Art exhibition “The New Decade” in 1955. Appel’s murals became increasingly prominent during this period, showcasing his ability to translate his dynamic style onto a larger scale. Despite initial challenges, his work experienced a resurgence in popularity in the Netherlands after 1990, with major exhibitions organized by Rudy Fuchs in Amsterdam and Brussels, solidifying his legacy within his homeland.

A Lasting Legacy: The Karel Appel Foundation and Enduring Influence

Karel Appel’s impact on post-war European art is undeniable. He established the Karel Appel Foundation to safeguard his artworks and promote public awareness of his oeuvre, ensuring that future generations could experience the power of his vision. A temporary loss of artwork in 2002 underscored the importance of this foundation, with the pieces thankfully recovered in 2012. The foundation now serves as his official estate and image archive, represented in the U.S. by The Artists Rights Society. Appel’s work continues to be exhibited internationally, a testament to its enduring appeal and relevance. He wasn’t simply a painter or sculptor; he was a poet of form and color, a champion of spontaneity, and a fearless innovator who dared to challenge artistic conventions. His legacy lies not only in the vibrant canvases and sculptures he created but also in his unwavering belief in the power of art to express the raw, untamed spirit of human experience. His work remains a significant contribution to post-war European art, particularly within the CoBrA movement. Appel’s influence can be seen in contemporary artists who embrace experimentation and reject traditional boundaries, ensuring that his bold vision continues to inspire for years to come.