Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 160 děl umělce Clyfford Still v našem katalogu
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PH-247 (1951) je obraz autora Clyfford Still, který přitahuje nejvíce pohledů. Poté se zrak přesouvá k PH-1007 (1976) a Untitled (1946). Z 160 děl umělce Clyfford Still v našem katalogu je těchto 100 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this oil on canvas work carries a nickname that speaks to its intense presence: "Big Blue." The title itself, a mere alphanumeric designation, reflects the artist's preference for a visual language that resists easy categorization or narrative labels.
PH-1007 is an oil on canvas painted by Clyfford Still. The work emerged in 1976, a period of late-career intensity for the artist. It exists today within the Clyfford Still Museum in Denver, CO.
Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top to the bottom of the 178 x 107 cm surface, generating an upward thrust that disrupts visual equilibrium. The arrangement allows spaces between the masses to breathe, fostering a palpable sense of unease through carefully crafted asymmetry.
In the vast, emotive landscape of Abstract Expressionism, few works command the room with such primal intensity as Clyfford Still’s 1948 C. This monumental canvas is not merely a painting but an immersive environment, a swirling vortex of warmth that captures the very essence of elemental energy. Dominated by a radiant palette of sun-drenched yellows and searing oranges, the work feels as though it were forged in the heart of…
In the vast, emotive landscape of Abstract Expressionism, few works command the eye with such raw, elemental energy as PH-923. Created in 1974 by the master of organic abstraction, Clyfford Still, this painting serves as a profound testament to the power of non-figurative language. At first glance, the viewer is met with an expansive blue canvas, a deep and immersive field that suggests both the infinite reaches of a twilight…
Created in 1957, PH-160 by Clyfford Still exists as a field of pure color. The canvas holds a dialogue between blue and yellow. These hues do not merely sit upon the surface; they occupy the space with a heavy, physical presence. The blue carries a weight that anchors the composition, while the yellow provides a sharp, sudden light. It is a quiet collision of elements.
In the vast, turbulent landscape of mid-century American art, few voices resonate with as much primal intensity as that of Clyfford Still. His masterpiece, PH-272, stands as a monumental testament to the dawn of Abstract Expressionism, inviting the viewer into a world where color and texture transcend mere representation to touch the very essence of existence. Created in 1950, this work is not merely a painting but an immersive environment.…
Created in 1956, this oil on canvas composition operates through a language of fractured planes and intense chromatic tension. The work avoids representational forms, opting instead for a structural arrangement of blue and white fields. A sharp, white line cuts across the upper register, creating a stark boundary that disrupts the visual flow. Below, two distinct blue areas dominate the foreground, their irregular shapes suggesting a sense of geological or…
To stand before 1950 A No. 2 is to witness a profound dialogue between light and shadow, a visceral confrontation with the elemental forces of nature. As a seminal work from the height of Clyfford Still’s creative powers, this masterpiece transcends mere abstraction to become an existential landscape. The canvas erupts in a dramatic interplay of deep, pulsating reds and brilliant, sun-drenched yellows, creating a sense of movement that feels…
Clyfford Still's "1950-W," painted in 1950, stands as a pivotal work within the trajectory of Abstract Expressionism. More than simply a painting, it’s an immersive experience—a visceral confrontation with color and texture that speaks to the anxieties and burgeoning energy of postwar America. This piece, rendered in layers of intense yellow and gold punctuated by strategic reds and whites, isn't about depicting recognizable objects; instead, it plunges directly into the…
PH-2351944
12
PH-811935
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PH-791935
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PH-3251943
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PH-6201942
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PP-1131962
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PH-6721923
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PH-4481935
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PD-241932
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PH-6161929
21
PH-6441934
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PH-2291935
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PP-4931936
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Portrait of Artist1941
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1950 B1950 · The Phillips Collection
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PH-10341973
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PH-9451946
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PH-761935
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PH-2571935
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PH-2151935
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PH-7511944
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PH-41952
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PH-6531934
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Untitled1964 · Guggenheimovo muzeum Bilbao
35
PH-771936
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PP-1041952
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PH-11231954
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PH-2741920
39![PH-233 [formerly Self-Portrait] (1945) od Clyfford Still](/media/artworks/images-thumb/ee/8d/ee8d64fde49d8167a8ef180934d1231c.jpg)
PH-233 [formerly Self-Portrait]1945 · San Francisco Museum of Modern Art
40
PH-45 (Field Rocks)1925
41
Row of Elevators1928 · Smithsonian American Art Museum
42
PH-7821927
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Moraine Lake1929
44
PH-6191931
45
PD-1021931
46
PH-445 (The Cripple)1929
47
PH-4191929
48
PH-6231930
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Row of Elevators1929
50
PS-31938
51
PP-71935
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PH-2311935
53
PH-2961935
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PH-4161935 · Nationalmuseum
55
PH-2971938
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Untitled1938
57
PH-4351935
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PH-3431937
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PH-5921935
60
PH-6511934
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PH-6241936
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PH-2301935
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PH-6381934
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PH-2281935
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PH-4141935
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PH-3401935
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PH-2751935
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PH-2111936
69
Edge of town, Nespelem, WA (PP-491)1936
70
PH-781935
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PP-2411936
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PH-801935
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PH-6451935
74
PS-21943
75
PH-5241943
76
PH-4861943
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PH-4941939
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1943 A1943
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PH-4951943
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PH-4871943
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PNX-411942
82
PH-2861943
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PH-5471943
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PH-3131942
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PH-5541942
86
PH-6131942
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PH-851942
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PH-5351943
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PH-4731943
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PH-5081943
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PH-2991943
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PH-6181942
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PH-5251943
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PN-21942
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PN-41939
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PH-2101942
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PH-3821940
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Figure1944
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19481948
100
1944-N No. 21944
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Clyfford Still | Obrazy z tohoto seznamu |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 4 | Untitled, 1950-W |
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Row of Elevators |
 The Phillips Collection |
Washington, D.C. | 1 | 1950 B |
 Guggenheimovo muzeum Bilbao |
Bilbao | 1 | Untitled |
 San Francisco Museum of Modern Art |
San Francisco | 1 | PH-233 [formerly Self-Portrait] |
 Nationalmuseum |
Stockholm | 1 | PH-416 |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
A man sits in the center of the frame, his presence heavy and resolute. He wears a hat and a scarf, his attire suggesting a certain formality, perhaps a coat draped loosely over his shoulders. His glasses catch the light, framing eyes that look directly at the viewer with a serious, unyielding expression. He is not alone in this space; two other figures linger in the periphery, one to the…
Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top to the bottom of the 178 x 107 cm surface, generating an upward thrust that disrupts visual equilibrium. The arrangement allows spaces between the masses to breathe, fostering a palpable sense of unease through carefully crafted asymmetry.
The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this oil on canvas work carries a nickname that speaks to its intense presence: "Big Blue." The title itself, a mere alphanumeric designation, reflects the artist's preference for a visual language that resists easy categorization or narrative labels.
PH-1007 is an oil on canvas painted by Clyfford Still. The work emerged in 1976, a period of late-career intensity for the artist. It exists today within the Clyfford Still Museum in Denver, CO.
PH-247 (1951). Následují PH-1007 (1976) a Untitled (1946).
47 let: dílo PH-247 pochází z roku 1951 a Clyfford Still se narodil/a v roce 1904.
PH-247, PH-1007, Untitled, 1948 C, PH-923, PH-160, PH-272, PH-223, 1950 A No. 2 a 1950-W. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 160 děl umělce Clyfford Still z let 1920 až 1976.
Většinou v Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington, D.C.) a The Phillips Collection (Washington, D.C.). V tabulce muzeí výše jsou vypsány všechny.
V období 1930s: 41 z celkem 100 děl na této stránce vzniklo právě tehdy, z toho PH-81 z nich.
Na této stránce je nejstarší dílo z PH-274 (1920) a nejnovější z PH-1007 (1976).
Color field (4), Color field painting (3) a Portrait (3) napříč 100 díly na této stránce.
Oil On Canvas, u 17 z 100 děl na této stránce.
Abstract expressionism, podle originálů na této stránce.
Untitled a 1950-W: muzeum Metropolitan Museum of Art, New York má v obsluze 2 děl z této stránky.
