Portrét Carl Gustaf Pilo

39 nejslavnějších obrazů autora Carl Gustaf Pilo, výběr z galerie

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Z všech originálů, které Carl Gustaf Pilo zanechal, je nejslavnější Portræt af Christian VII som kronprins (1762), který se nachází ve sbírce Statens Museum for Kunst, Kodaň. Hned za ním následují Portrait of Elisabeth Marie Fabritius, born d'Abbestée (1752) a Louise, Queen of Denmark (1745). Náš katalog obsahuje 39 děl umělce Carl Gustaf Pilo; galerie si zachovala 39 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1711 – 1793, Runtuna Rococo Nejvíce děl: Statens Museum for Kunst

10 nejlepších obrazů umělce Carl Gustaf Pilo: výběr galerie

1
Portræt af Christian VII som kronprins (1762) od Carl Gustaf Pilo

Portræt af Christian VII som kronprins

1762 · Oil On Canvas · Statens Museum for Kunst, Kodaň

A young man stands centered within an opulent, classical interior, his posture upright and formal. The composition utilizes a vertical orientation to emphasize his status, framed by heavy, draped fabric and massive architectural columns. Light descends from the upper right, catching the fine textures of his powdered hair and the sheen of his elaborate 18th-century attire. He wears a dark, richly textured frock coat adorned with intricate embroidery, paired with…

2
Portrait of Elisabeth Marie Fabritius, born d'Abbestée (1752) od Carl Gustaf Pilo

Portrait of Elisabeth Marie Fabritius, born d'Abbestée

1752 · Oil On Canvas · Statens Museum for Kunst, Kodaň

The Portrait of Elisabeth Marie Fabritius, born d'Abbestée is a formal oil painting executed by the Swedish artist Carl Gustaf Pilo. Created in 1752, this work captures the likeness of the subject, Elisabeth Marie Fabritius, born d'Abbestée. The portrait functions as a precise record of her presence, rendered during a period when Pilo was establishing his reputation for capturing the essence of his sitters.

3
Louise, Queen of Denmark (1745) od Carl Gustaf Pilo

Louise, Queen of Denmark

1745 · Oil On Canvas · Nationalmuseum, Stockholm

In this portrait of Louise, Queen of Denmark, Carl Gustaf Pilo captures the likeness of Frederik V's first queen. Painted about 1745, the work presents the subject in her coronation robes, a detail that underscores her station. The portrait is rendered in a three-quarter view, a choice that allows for a nuanced study of her presence and character.

4
Portræt af Christian Jacobsen Drakenberg (1741) od Carl Gustaf Pilo

Portræt af Christian Jacobsen Drakenberg

1741 · Oil On Canvas · Statens Museum for Kunst, Kodaň

The gaze of the viewer meets the weathered face of Christian Jacobsen Drakenberg in this intimate oil portrait, titled Portræt af Christian Jacobsen Drakenberg. Painted in 1741, the work captures a man whose life was shaped by the unpredictable currents of the sea. Drakenberg, a sailor born in Norway who later became a subject of Denmark, carries the weight of his many years in the very lines of his expression.…

5
Louise, Queen of Denmark (1750) od Carl Gustaf Pilo

Louise, Queen of Denmark

1750 · Oil On Canvas · Finnish National Gallery, Helsinki

The portrait presents Louise, Queen of Denmark, in a poised, seated pose that emphasizes her high station. Captured around 1745, the work utilizes a medium shot at eye level to focus on the subject's upper body and regalia. She is positioned centrally against a dark, muted greenish-brown background, a choice that isolates her figure and prevents environmental distractions from pulling the eye away from her presence. The composition relies on…

8
King Frederik V of Denmark in Anointing Robes (1750) od Carl Gustaf Pilo

King Frederik V of Denmark in Anointing Robes

1750 · Oil On Canvas · Statens Museum for Kunst, Kodaň

The presence of King Frederik V of Denmark in Anointing Robes commands the space, a full-length royal portrait that captures the monarch in a moment of profound ceremonial weight. Painted by Carl Gustaf Pilo, the work presents the sovereign in his most formal regalia, draped in the heavy, ermine-lined robes that signify his absolute authority. The king occupies the center of this visual narrative, his posture reflecting the gravity of…

9
Mogens Scheel von Plessen of Fussingø and Selsø (1745) od Carl Gustaf Pilo

Mogens Scheel von Plessen of Fussingø and Selsø

1745 · Oil · Statens Museum for Kunst, Kodaň

A single light source strikes the face of Mogens Scheel von Plessen, carving his features from a heavy, dark void. He sits in a three-quarter pose, his presence defined by the sharp contrast between the pale, powdered texture of his wig and the deep shadows of the background. A green and silver sash cuts across his chest, a sudden stripe of color against the muted tones of his attire. The…

Výběr umělce Carl Gustaf Pilo pokračuje, od 11 do 39

11Portrait of Count Jørgen Scheel (1750) od Carl Gustaf PiloPortrait of Count Jørgen Scheel1750 · Statens Museum for Kunst 12Caroline Mathilde, Queen of Denmark (1750) od Carl Gustaf PiloCaroline Mathilde, Queen of Denmark1750 · Nationalmuseum 13Frederik V, King of Denmark (1750) od Carl Gustaf PiloFrederik V, King of Denmark1750 · Nationalmuseum 14Kristian VII, 1749-1808, konung av Danmark (1750) od Carl Gustaf PiloKristian VII, 1749-1808, konung av Danmark1750 · National Portrait Gallery of Sweden 15Frederik V, 1723-1766, kung av Danmark och Norge (1750) od Carl Gustaf PiloFrederik V, 1723-1766, kung av Danmark och Norge1750 · National Portrait Gallery of Sweden 16Portrait of Wilhelm IX. Landgraf von Hessel-Kassel (1765) od Carl Gustaf PiloPortrait of Wilhelm IX. Landgraf von Hessel-Kassel1765 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 17Sofia Magdalena (1746-1813), prinsessa av Danmark, drottning av Sverige, gift med Gustav III av Sverige (1765) od Carl Gustaf PiloSofia Magdalena (1746-1813), prinsessa av Danmark, drottning av Sverige, gift med Gustav III av Sverige1765 · Nationalmuseum 18Dameportræt (1759) od Carl Gustaf PiloDameportræt1759 · Statens Museum for Kunst 19Portræt af kgl. hofapoteker Johann Gottfried Becker (1759) od Carl Gustaf PiloPortræt af kgl. hofapoteker Johann Gottfried Becker1759 · Statens Museum for Kunst 20Portræt af hertuginde Antoinette Amalie af Braunschweig-Wolfenbüttel (1759) od Carl Gustaf PiloPortræt af hertuginde Antoinette Amalie af Braunschweig-Wolfenbüttel1759 · Statens Museum for Kunst 21Portræt af fru Adelgunde Elisabeth Amalia von Scholten (1759) od Carl Gustaf PiloPortræt af fru Adelgunde Elisabeth Amalia von Scholten1759 · Statens Museum for Kunst 22Portræt af brygger M. Christensen (1759) od Carl Gustaf PiloPortræt af brygger M. Christensen1759 · Statens Museum for Kunst 23Portræt af brygger M. Christensens hustru (1759) od Carl Gustaf PiloPortræt af brygger M. Christensens hustru1759 · Statens Museum for Kunst 24Portræt af Frederik V i rustning (1759) od Carl Gustaf PiloPortræt af Frederik V i rustning1759 · Statens Museum for Kunst 25Herreportræt (1759) od Carl Gustaf PiloHerreportræt1759 · Statens Museum for Kunst 26Sofia Magdalena, Queen of Sweden (1765) od Carl Gustaf PiloSofia Magdalena, Queen of Sweden1765 · Nationalmuseum 27Juliane Marie, Queen of Denmark (1762) od Carl Gustaf PiloJuliane Marie, Queen of Denmark1762 · Nationalmuseum 28Cain and Abel. Allegory of Hatred (1770) od Carl Gustaf PiloCain and Abel. Allegory of Hatred1770 · Nationalmuseum 29Caritas Romana. Allegory of Love (1772) od Carl Gustaf PiloCaritas Romana. Allegory of Love1772 · Nationalmuseum 30Sofia Magdalena, Queen of Sweden (1766) od Carl Gustaf PiloSofia Magdalena, Queen of Sweden1766 · Nationalmuseum 31The Cobbler's Family (1772) od Carl Gustaf PiloThe Cobbler's Family1772 · Nationalmuseum 32Portrait of Adam Gottlob Moltke (1780) od Carl Gustaf PiloPortrait of Adam Gottlob Moltke1780 · The Museum of National History at Frederiksborg Castle 33Aeneas hindres af Venus i sin hævn mod Helena, som har søgt tilflugt ved Cybeles alter (1794) od Carl Gustaf PiloAeneas hindres af Venus i sin hævn mod Helena, som har søgt tilflugt ved Cybeles alter1794 · Statens Museum for Kunst 34Mrs Ann Katarina Hedenberg, née Levin (1793) od Carl Gustaf PiloMrs Ann Katarina Hedenberg, née Levin1793 · Nationalmuseum 35Frederik V in his Anointing Robes (1750) od Carl Gustaf PiloFrederik V in his Anointing Robes1750 · Statens Museum for Kunst 36The First Envoy from Tripoli Who Came to Copenhagen in 1757 (1769) od Carl Gustaf PiloThe First Envoy from Tripoli Who Came to Copenhagen in 17571769 · Statens Museum for Kunst 37Author Adam Lenkiewitz od Carl Gustaf PiloAuthor Adam LenkiewitzFinnish National Gallery 38Carl Gustaf Pilo, 1711-1793, konstnär, direktör Danska Konstakademien, direktör Kungliga Målar- och Bildhuggarakademien, trolovad med Eva Maria Malmgren, gift med Charlotta Amalia Dorotea Desmarez od Carl Gustaf PiloCarl Gustaf Pilo, 1711-1793, konstnär, direktör Danska Konstakademien, direktör Kungliga Målar- och Bildhuggarakademien, trolovad med Eva Maria Malmgren, gift med Charlotta Amalia Dorotea DesmarezNational Portrait Gallery of Sweden 39Title in Swedish: Gustav III:s kröning. Ofullbordad (1793) od Carl Gustaf PiloTitle in Swedish: Gustav III:s kröning. Ofullbordad1793 · Nationalmuseum

Motivy, které zaujaly Carl Gustaf Pilo

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Carl Gustaf Pilo

6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Carl Gustaf Pilo Obrazy z tohoto seznamu
Statens Museum for Kunst, KodaňStatens Museum for Kunst Kodaň 20 Portræt af Christian VII som kronprins, Portrait of Elisabeth Marie Fabritius, born d'Abbestée, Portræt af Christian Jacobsen Drakenberg
Nationalmuseum, StockholmNationalmuseum Stockholm 12 Louise, Queen of Denmark, Caroline Mathilde, Queen of Denmark, Frederik V, King of Denmark
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 3 Kristian VII, 1749-1808, konung av Danmark, Frederik V, 1723-1766, kung av Danmark och Norge, Carl Gustaf Pilo, 1711-1793, konstnär, direktör Danska Konstakademien, direktör Kungliga Målar- och Bildhuggarakademien, trolovad med Eva Maria Malmgren, gift med Charlotta Amalia Dorotea Desmarez
Finnish National Gallery, HelsinkiFinnish National Gallery Helsinki 2 Louise, Queen of Denmark, Author Adam Lenkiewitz
Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe, KasselGemäldegalerie Alte Meister im Schloss Wilhelmshöhe Kassel 1 Portrait of Wilhelm IX. Landgraf von Hessel-Kassel
The Museum of National History at Frederiksborg Castle, HillerødThe Museum of National History at Frederiksborg Castle Hillerød 1 Portrait of Adam Gottlob Moltke

Carl Gustaf Pilo dekáda po dekádě: originální díla, která definují každou z nich

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Otázky sběratelů o obrazech umělce Carl Gustaf Pilo

Kterým dílem je Carl Gustaf Pilo nejznámější?Odhalit odpověď

Portræt af Christian VII som kronprins (1762), Statens Museum for Kunst, Kodaň. Následují Portrait of Elisabeth Marie Fabritius, born d'Abbestée (1752) a Louise, Queen of Denmark (1745).

Kolik let bylo Carl Gustaf Pilo, když bylo vytvořeno dílo Portræt af Christian VII som kronprins?Odhalit odpověď

51 let: dílo Portræt af Christian VII som kronprins pochází z roku 1762 a Carl Gustaf Pilo se narodil/a v roce 1711.

Kterých deset nejslavnějších obrazů má Carl Gustaf Pilo?Odhalit odpověď

Portræt af Christian VII som kronprins, Portrait of Elisabeth Marie Fabritius, born d'Abbestée, Louise, Queen of Denmark, Portræt af Christian Jacobsen Drakenberg, Louise, Queen of Denmark, Louise, Frederik V's First Queen in her Coronation Robes, Frederik V on Horseback, King Frederik V of Denmark in Anointing Robes, Mogens Scheel von Plessen of Fussingø and Selsø a Portræt af Louise, Frederik V's første dronning. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik obrazů zanechal(a) Carl Gustaf Pilo?Odhalit odpověď

Náš katalog obsahuje 39 děl umělce Carl Gustaf Pilo z let 1741 až 1793.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Carl Gustaf Pilo?Odhalit odpověď

Většinou v Statens Museum for Kunst (Kodaň), Nationalmuseum (Stockholm) a National Portrait Gallery of Sweden (Strängnäs). V tabulce muzeí výše jsou vypsány všechny.

V jakých letech namaloval Carl Gustaf Pilo svá nejznámější díla?Odhalit odpověď

V období 1750s: 19 z celkem 39 děl na této stránce vzniklo právě tehdy, z toho Portrait of Elisabeth Marie Fabritius, born d'Abbestée z nich.

Jaká jsou první a poslední slavná originální díla umělce Carl Gustaf Pilo?Odhalit odpověď

Na této stránce je nejstarší dílo z Portræt af Christian Jacobsen Drakenberg (1741) a nejnovější z Mrs Ann Katarina Hedenberg, née Levin (1793).

Jaká témata si Carl Gustaf Pilo vybíral nejčastěji?Odhalit odpověď

Man (19), Woman (18) a Lace (13) napříč 39 díly na této stránce.

Kterou techniku používal(a) Carl Gustaf Pilo nejčastěji?Odhalit odpověď

Oil On Canvas, u 24 z 39 děl na této stránce.

K kterému uměleckému směru patří Carl Gustaf Pilo?Odhalit odpověď

Rococo, podle originálů na této stránce.

Která díla umělce Carl Gustaf Pilo jsou vystavena v Statens Museum for Kunst?Odhalit odpověď

Portræt af Christian VII som kronprins, Portrait of Elisabeth Marie Fabritius, born d'Abbestée a Portræt af Christian Jacobsen Drakenberg: muzeum Statens Museum for Kunst, Kodaň má v obsluze 20 děl z této stránky.

Carl Gustaf Pilo: život a dílo

Carl Gustaf Pilo (1711 – 1793): A Painter Caught Between Tradition and Enlightenment

Carl Gustaf Pilo stands as a fascinating figure in Swedish art history—a painter whose career unfolded amidst the turbulent currents of the eighteenth century, marked by shifting artistic styles and personal journeys driven by circumstance. Born on the farm Göksäter near Nyköping, södermanland, to olof (oluff) pilo, a skilled decorative painter himself, and beata jönsdotter sahlstedt, his early life remains shrouded in some degree of uncertainty due to discrepancies between contemporary accounts. Despite his father’s reservations about pursuing artistic education—a path deemed less practical than securing a secure livelihood—Pilo resolutely chose to dedicate himself to painting, receiving training primarily from crisman in stockholm, sweden. This formative period established him as a craftsman and honed his foundational skills before he embarked on a more ambitious trajectory.

Early Training & Craftsmanship

Pilo’s initial apprenticeship began in 1731, demonstrating the importance of practical experience alongside theoretical knowledge within the artistic milieu of his time. His work as a craft painter spanned from 1733 to 1738, primarily focusing on decorative commissions for prominent noble families in Scania—a period that yielded pastoral drawings indicative of his engagement with landscape painting and reflecting the prevailing aesthetic sensibilities of the era. These early landscapes showcased Pilo’s meticulous attention to detail and his ability to capture the beauty of the Swedish countryside—characteristics that would inform his later artistic endeavors. He diligently mastered techniques honed by masters like Crisman, securing a solid base for his future explorations into more complex artistic concepts.

Service to the Danish Court & Academic Pursuits

Moving to Copenhagen around 1740, Pilo secured a position within the Danish court, where he produced portraits and contributed to monumental paintings like “Gustav III’s Coronation,” cementing his reputation as a master of historical genre painting. Simultaneously, he served as professor and director at the Royal Danish Academy of Art (danish: det kongelige danske kunstakademi), shaping the artistic education of future generations and upholding the traditions of académie française. This role demanded not only artistic expertise but also pedagogical acumen—a testament to Pilo’s commitment to fostering creativity and cultivating talent among aspiring artists. His influence extended beyond the classroom, shaping the broader artistic landscape of Denmark during his tenure.

The Coronation Portrait: A Masterpiece of Rococo Style

Perhaps Pilo's most enduring legacy resides in “Gustav III’s Coronation,” commissioned by King Gustav III himself—a monumental canvas that embodies the zenith of Rococo painting and stands as a cornerstone of Swedish artistic heritage. Executed between 1782 and 1783, this ambitious project showcases Pilo’s unparalleled skill in capturing grandeur and conveying psychological depth—qualities that distinguish him from many of his contemporaries. The painting's shimmering palette, delicate brushwork, and masterful depiction of drapery exemplify the Rococo aesthetic—characterized by opulent ornamentation and an idealized portrayal of aristocratic life. It remains a source of fascination for art historians and continues to inspire admiration for its artistic brilliance.

Influences & Artistic Style

Pilo’s artistic style was deeply rooted in the Rococo movement, which flourished across Europe during his lifetime. However, he skillfully navigated the evolving tastes of the Enlightenment, incorporating elements of realism and psychological observation into his compositions—a subtle yet significant departure from purely decorative conventions. He drew inspiration from artists like Joshua Reynolds, whose portraits demonstrated a commitment to capturing human emotion with remarkable accuracy. This blend of stylistic influences resulted in paintings that are both aesthetically pleasing and intellectually stimulating—reflecting Pilo’s profound understanding of the artistic landscape of his era.

Historical Significance & Legacy

Pilo's contribution to Swedish art is considerable. He helped establish the Royal Danish Academy of Art as a center for artistic excellence and produced numerous portraits that offer invaluable insights into the social and cultural landscape of his time. His work continues to be studied by scholars and admired for its technical virtuosity and expressive power, securing his place among the most important artists of the eighteenth century. Carl Gustaf Pilo’s paintings serve as enduring reminders of a period marked by artistic innovation and intellectual curiosity—a testament to the transformative potential of art and the lasting impact of a singular talent.