Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 87 děl umělce Thomas Pollock Anshutz v našem katalogu
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Z všech originálů, které Thomas Pollock Anshutz zanechal, je nejslavnější a passing glance. Hned za ním následují Boy in Brown, study for The Ironworkers' Noontime (1880) a The Farmer and His Son at Harvesting (1879). Náš katalog obsahuje 87 děl umělce Thomas Pollock Anshutz; galerie si zachovala 69 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.
Thomas Pollock Anshutz, a central figure in American realism, presents a quiet moment of introspection in a passing glance. The work focuses on a woman positioned in profile, her attention directed toward a mirror. This arrangement creates a dual presence, capturing a fleeting instance of self-reflection through the mirrored image.
We are looking at Boy in Brown, study for The Ironworkers' Noontime, a work by Thomas Pollock Anshutz. Created in 1880, this oil study focuses on a single male figure. It offers a glimpse into the artist's process during a period of significant development in his approach to realism.
The painting titled The Farmer and His Son at Harvesting was created by the American artist Thomas Pollock Anshutz. This specific work is dated about 1879. The canvas captures a scene of agricultural labor involving two figures within a rural landscape.
Thomas Pollock Anshutz painted The Chore about 1888. The work focuses on the quiet realities of everyday domestic life, centering on a woman engaged in household tasks. Through this subject, Anshutz moves away from romanticized imagery to capture a moment of routine labor.
In the 1894 painting Sand Burr, Thomas Pollock Anshutz presents an impressionistic landscape. The scene focuses on a shoreline where two young boys are positioned near a boat. The large, white hull of the vessel occupies the left side of the frame, creating a structural presence that directs the viewer toward the two figures on the right. The subjects are situated on a coast characterized by earthy greens and pale…
The scene unfolds in "Two Boys by a Boat - Near Cape May," a work painted by Thomas Pollock Anshutz. Created about 1894, the image captures a quiet moment of childhood near the shoreline. The artist, who lived from 1851 to 1912, brings a sense of stillness to this specific coastal setting. One can almost feel the salt air and the weight of the afternoon sun as the boys occupy…
Two Boys by a Boat by Thomas Pollock Anshutz depicts a quiet scene on a shoreline or beach. The composition centers on two young figures positioned near a small boat. One boy stands beside the vessel, appearing to examine its structure, while the second boy sits on the ground nearby in a relaxed posture. The horizon line is placed high within the frame, which emphasizes the foreground elements of the…
In this watercolor, titled The Harpist, Thomas Pollock Anshutz presents a serene study of a female figure. Created about 1897, the work captures a quiet moment of musical contemplation. The subject is depicted in profile, her attention focused entirely upon the harp she holds. There is a sense of stillness in her posture, suggesting a private moment of artistic inspiration.
In the Portrait of Emily Fairchild Pollock by Thomas Pollock Anshutz, the composition centers upon the sitter’s face and upper body. She sits facing forward, her hands clasped quietly in her lap. This formal pose, combined with her attire, suggests a sense of dignity and status. The perspective remains relatively shallow, offering minimal depth beyond the slight recession of the figure into a dark, muted background. A soft, diffused light…
The room is anchored by a large, dark sofa, a heavy weight of fabric and shadow. Two children sit close, their bodies leaning into the stillness. They are motionless, caught in the gravity of a voice. A young woman holds a book, her gaze fixed upon the pages, her expression a study in focused intent. The light descends from an unseen height, washing over the scene in muted tones of…
Steamboat on the Ohio1900 · Carnegie Museum of Art
12
Woman in Red1907 · Reading Public Museum
13
Portrait of Rebecca H. Whelan1910
14
Portrait of Margaret Perot1908 · Hirshhorn Museum and Sculpture Garden
15
Dissecting Room1879 · Pennsylvania Academy of Fine Arts
16
St. Cloud near Paris1893
17
Lumber Boat1897
18
Incense Burner1905 · Pennsylvania Academy of Fine Arts
19
Cast Study with Students
20
Man In Boat
21
Portrait of Marthe Hientz
22
Advertisement For Ivory Soap
23
The Ironworkers' Noontime
24
The Visit Of The Beggar And Her Child Steamboat On The Ohio
25
the ironworker-s noontime
26
Boy Reading - Ned Anshutz
27
Woman In An Interior, Reading
28
The Farmer And His Son At Harvesting
29
Iron Workers at Noontime
30
Woman Writting On A Table
31
Aunt HannahDetroit Institute of Arts
32
Boys by a Fire
33
Woman in a Rocking Chair
34
Mrs. Anshutz and Her Son Edward
35
Lady with Bonnet
36
Edwardian Woman On The Beach
37
Boys with a Boat, Ohio River, near Wheeling, West Virginia
38
Portrait of Mrs. Anschutz
39
A Challenge
40
Woman in a Rocking Chair
41
Woman Writing at a Table
42
Boys Playing with Crabs
43
a rose
44
Indian On The Ohio
45
North East Weather
46
Checker PlayersSmithsonian American Art Museum
47
a flowered gown
48
Portrait of Katherine Rice1908
49
Figure Piece1909
50
Self Portrait1909
51
The Way They Live1879 · Metropolitan Museum of Art
52
Untitled (Portrait of a Man)Pennsylvania Academy of Fine Arts
53
Unidentified ManPennsylvania Academy of Fine Arts
54
Tanker in Dock, Port RichmondReading Public Museum
55
Sunset Glow -
56
New Jersey Shore
57
Pennsylvania Scene
58
On the Delaware at Tacony
59
the summer house
60
Landscape with Grey Sky
61
Two Male Figures Wrestling
62
the lumber boat
63
Morning Mist
64
Garden
65
Landscape with Grey Sky
66
Rooftops, St. Cloud
67
A Rose -Metropolitan Museum of Art
68
The Ironworker's NoontimeFine Arts Museums of San Francisco
69
The Way They LiveMetropolitan Museum of Art
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Thomas Pollock Anshutz | Obrazy z tohoto seznamu |
|---|---|---|---|
 Pennsylvania Academy of Fine Arts |
Philadelphia | 4 | Dissecting Room, Incense Burner, Untitled (Portrait of a Man) |
 Metropolitan Museum of Art |
New York | 3 | The Way They Live, A Rose -, The Way They Live |
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Sand Burr, Checker Players |
 Reading Public Museum |
Reading | 2 | Woman in Red, Tanker in Dock, Port Richmond |
 Carnegie Museum of Art |
Pittsburgh | 1 | Steamboat on the Ohio |
 Hirshhorn Museum and Sculpture Garden |
Washington, D.C. | 1 | Portrait of Margaret Perot |
 Detroit Institute of Arts |
Detroit | 1 | Aunt Hannah |
 Fine Arts Museums of San Francisco |
San Francisco | 1 | The Ironworker's Noontime |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
The painting titled The Farmer and His Son at Harvesting was created by the American artist Thomas Pollock Anshutz. This specific work is dated about 1879. The canvas captures a scene of agricultural labor involving two figures within a rural landscape.
We are looking at Boy in Brown, study for The Ironworkers' Noontime, a work by Thomas Pollock Anshutz. Created in 1880, this oil study focuses on a single male figure. It offers a glimpse into the artist's process during a period of significant development in his approach to realism.
In the 1894 painting Sand Burr, Thomas Pollock Anshutz presents an impressionistic landscape. The scene focuses on a shoreline where two young boys are positioned near a boat. The large, white hull of the vessel occupies the left side of the frame, creating a structural presence that directs the viewer toward the two figures on the right. The subjects are situated on a coast characterized by earthy greens and pale…
In the Portrait of Emily Fairchild Pollock by Thomas Pollock Anshutz, the composition centers upon the sitter’s face and upper body. She sits facing forward, her hands clasped quietly in her lap. This formal pose, combined with her attire, suggests a sense of dignity and status. The perspective remains relatively shallow, offering minimal depth beyond the slight recession of the figure into a dark, muted background. A soft, diffused light…
Rebecca H. Whelan sits within the quiet geometry of an ornate chair. She is angled slightly, her gaze drifting toward the left of the frame. A patterned rug anchors her feet, while the vertical lines of wall paneling provide a rigid structure to her soft presence. The light falls from above and to the left, catching the curve of her face and the heavy folds of her dress. It is…
a passing glance. Následují Boy in Brown, study for The Ironworkers' Noontime (1880) a The Farmer and His Son at Harvesting (1879).
a passing glance, Boy in Brown, study for The Ironworkers' Noontime, The Farmer and His Son at Harvesting, The Chore, Sand Burr, Two Boys by a Boat - Near Cape May, Two Boys by a Boat, The Harpist, Portrait of Emily Fairchild Pollock a The Fairy Tale. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 87 děl umělce Thomas Pollock Anshutz z let 1879 až 1910.
Většinou v Pennsylvania Academy of Fine Arts (Philadelphia), Metropolitan Museum of Art (New York) a Smithsonian American Art Museum (Washington, D.C.). V tabulce muzeí výše jsou vypsány všechny.
V období 1900s: 9 z celkem 69 děl na této stránce vzniklo právě tehdy, z toho Portrait of Emily Fairchild Pollock z nich.
Na této stránce je nejstarší dílo z The Farmer and His Son at Harvesting (1879) a nejnovější z Portrait of Rebecca H. Whelan (1910).
Woman (7), Women (7) a Boys (6) napříč 69 díly na této stránce.
Oil On Canvas, u 12 z 69 děl na této stránce.
Contemporary realism a Impressionism, podle originálů na této stránce.
Dissecting Room, Incense Burner a Untitled (Portrait of a Man): muzeum Pennsylvania Academy of Fine Arts, Philadelphia má v obsluze 4 děl z této stránky.
