Portrét Thomas Barber

33 nejslavnějších obrazů autora Thomas Barber, výběr z galerie

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Z všech originálů, které Thomas Barber zanechal, je nejslavnější Self Portrait (1841), který se nachází ve sbírce Nottingham Castle Museum And Art Gallery, Nottingham. Hned za ním následují The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) a Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812). Náš katalog obsahuje 45 děl umělce Thomas Barber; galerie si zachovala 33 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1771 – 1843, Nottingham Neoclassicism Nejvíce děl: Nottingham Castle Museum And Art Gallery

10 nejlepších obrazů umělce Thomas Barber: výběr galerie

1
Self Portrait (1841) od Thomas Barber

Self Portrait

1841 · Oil · Nottingham Castle Museum And Art Gallery, Nottingham

In this 1841 work, we encounter the artist himself, captured in a moment of quiet introspection. The portrait presents a man dressed in the formal attire of the nineteenth century, wearing a dark coat, a crisp white collar, and a tie. A mustache defines his features, lending a sense of maturity and gravity to his expression. It is an intimate study of character, rendered with a precision that suggests a…

2
The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) od Thomas Barber

The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds)

1784 · Oil On Canvas · Národní trust, Češkfeld

The subject sits anchored in a sea of dark blues and deep browns. He is a man of middle age, his face etched with the quiet gravity of a life spent in the public eye. Light falls from the upper left, carving the contours of his brow and the sharp lines around his mouth. He holds books against his chest, his hands resting with a heavy, certain stillness. These volumes…

3
Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812) od Thomas Barber

Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon

1812 · Oil On Canvas

The oil painting titled Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon was executed by the artist Thomas Barber the Elder. This work depicts three children: Alfred Curzon, Francis James Curzon, and Mary Curzon. These subjects are the children of the 2nd Baron Scarsdale and Félicité de Wattines, of Flanders. The figures are presented in a three-quarter length portrait format.

4
Lady Caroline Gordon (1785–1866), Lady Chesham (1814) od Thomas Barber

Lady Caroline Gordon (1785–1866), Lady Chesham

1814 · Oil On Canvas · Národní trust, Češkfeld

This oil on canvas portrait, executed in 1814, depicts Lady Caroline Gordon, later known as Lady Chesham. The subject is positioned in a seated posture, facing the viewer with a centered composition that emphasizes the head and upper torso. She is rendered against a dark, indistinct background that provides a high level of contrast to her pale skin and the light-colored fabric of her attire. The lighting is diffused from…

5
James Montgomery od Thomas Barber

James Montgomery

Oil On Canvas · Sheffield City Art Galleries, Sheffield

The oil on canvas painting titled "James Montgomery" presents a portrait of a man characterized by a white beard and a mustache. He is depicted wearing a black coat and a tie, positioned as if looking directly at the viewer. The subject stands before a brick wall background.

Výběr umělce Thomas Barber pokračuje, od 11 do 33

11Francis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850) (1812) od Thomas BarberFrancis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850)1812 · National Trust 12Lady Anne Margaret Coke, Viscountess Anson (1815) od Thomas BarberLady Anne Margaret Coke, Viscountess Anson1815 · Shugborough Hall 13The Honourable Anne Margaret Anson, Countess of Rosebery (1815) od Thomas BarberThe Honourable Anne Margaret Anson, Countess of Rosebery1815 · Shugborough Hall 14General Sir George Anson (1769–1849) (1815) od Thomas BarberGeneral Sir George Anson (1769–1849)1815 · National Trust 15General Sir William Anson (1772–1847), 1st Bt (1815) od Thomas BarberGeneral Sir William Anson (1772–1847), 1st Bt1815 · National Trust 16Landscape near Bath (1835) od Thomas BarberLandscape near Bath1835 · National Gallery of Ireland 17Lord Denman (1779–1854) (1833) od Thomas BarberLord Denman (1779–1854)1833 · Nottingham Castle Museum And Art Gallery 18The Trent at Wilford (1840) od Thomas BarberThe Trent at Wilford1840 · Nottingham Castle Museum And Art Gallery 19The Reverend John Thomas Becher (1770–1848) od Thomas BarberThe Reverend John Thomas Becher (1770–1848) 20James Montgomery (1771–1854) od Thomas BarberJames Montgomery (1771–1854) 21Henry Kirke White, Poet od Thomas BarberHenry Kirke White, PoetNottingham Castle Museum And Art Gallery 22The Reverend Lewis Sneyd (c.1788–1858) od Thomas BarberThe Reverend Lewis Sneyd (c.1788–1858)Národní trust 23Charles Compton Cavendish (1793–1863), 1st Lord Chesham od Thomas BarberCharles Compton Cavendish (1793–1863), 1st Lord CheshamNárodní trust 24Cecil Brooke Boothby (1813–1883) od Thomas BarberCecil Brooke Boothby (1813–1883)Národní trust 25Landscape with Cattle od Thomas BarberLandscape with CattleReading Public Museum 26Jonathan Dunn od Thomas BarberJonathan DunnNottingham Castle Museum And Art Gallery 27Joseph Murray (1737–1820) od Thomas BarberJoseph Murray (1737–1820) 28Reverend Richard Smith od Thomas BarberReverend Richard SmithNárodní trust 29Benjamin Mayo (c.1779–1843), the Old General od Thomas BarberBenjamin Mayo (c.1779–1843), the Old General 30Sophia Baillie (1771–1843) od Thomas BarberSophia Baillie (1771–1843) 31David Love (1750–1827), Ballad Writer od Thomas BarberDavid Love (1750–1827), Ballad WriterNottingham Castle Museum And Art Gallery 32View across Nottingham Park with Lenton Priory in the Distance od Thomas BarberView across Nottingham Park with Lenton Priory in the DistanceNottingham Castle Museum And Art Gallery 33Cornelius Smelt (1748–1832), Lieutenant Governor of the Isle of Man (1805–1832) (1826) od Thomas BarberCornelius Smelt (1748–1832), Lieutenant Governor of the Isle of Man (1805–1832)1826 · Manx Museum

Motivy, které zaujaly Thomas Barber

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Thomas Barber

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Thomas Barber Obrazy z tohoto seznamu
Nottingham Castle Museum And Art Gallery, NottinghamNottingham Castle Museum And Art Gallery Nottingham 7 Self Portrait, Lord Denman (1779–1854), The Trent at Wilford
Národní trust, ČeškfeldNárodní trust Češkfeld 7 The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds), Lady Caroline Gordon (1785–1866), Lady Chesham, Lady Harriet Cavendish (1785–1862), Countess Granville
National Trust, DerbyNational Trust Derby 2 Mrs Garnett (1724–1809), in the Marble Hall, Francis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850)
Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 Lady Anne Margaret Coke, Viscountess Anson, The Honourable Anne Margaret Anson, Countess of Rosebery
National Trust, MilfordNational Trust Milford 2 General Sir George Anson (1769–1849), General Sir William Anson (1772–1847), 1st Bt
Sheffield City Art Galleries, SheffieldSheffield City Art Galleries Sheffield 1 James Montgomery
Royal College of Physicians of London, LondýnRoyal College of Physicians of London Londýn 1 Matthew Baillie
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 1 Landscape near Bath

Thomas Barber dekáda po dekádě: originální díla, která definují každou z nich

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Otázky sběratelů o obrazech umělce Thomas Barber

Kterým dílem je Thomas Barber nejznámější?Odhalit odpověď

Self Portrait (1841), Nottingham Castle Museum And Art Gallery, Nottingham. Následují The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) a Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812).

Kolik let bylo Thomas Barber, když bylo vytvořeno dílo Self Portrait?Odhalit odpověď

70 let: dílo Self Portrait pochází z roku 1841 a Thomas Barber se narodil/a v roce 1771.

Kterých deset nejslavnějších obrazů má Thomas Barber?Odhalit odpověď

Self Portrait, The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds), Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon, Lady Caroline Gordon (1785–1866), Lady Chesham, James Montgomery, Mrs Garnett, in the Marble Hall, Mrs Garnett (1724–1809), in the Marble Hall, Matthew Baillie, Matthew Baillie (1761–1823) a Lady Harriet Cavendish (1785–1862), Countess Granville. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik obrazů zanechal(a) Thomas Barber?Odhalit odpověď

Náš katalog obsahuje 45 děl umělce Thomas Barber z let 1784 až 1841.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Thomas Barber?Odhalit odpověď

Většinou v Nottingham Castle Museum And Art Gallery (Nottingham), Národní trust (Češkfeld) a National Trust (Derby). V tabulce muzeí výše jsou vypsány všechny.

V jakých letech namaloval Thomas Barber svá nejznámější díla?Odhalit odpověď

V období 1810s: 8 z celkem 33 děl na této stránce vzniklo právě tehdy, z toho Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon z nich.

Jaká jsou první a poslední slavná originální díla umělce Thomas Barber?Odhalit odpověď

Na této stránce je nejstarší dílo z The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) a nejnovější z Self Portrait (1841).

Jaká témata si Thomas Barber vybíral nejčastěji?Odhalit odpověď

Portrait (4), Dignified (4) a Formal (4) napříč 33 díly na této stránce.

Kterou techniku používal(a) Thomas Barber nejčastěji?Odhalit odpověď

Oil On Canvas, u 4 z 33 děl na této stránce.

K kterému uměleckému směru patří Thomas Barber?Odhalit odpověď

Neoclassicism, podle originálů na této stránce.

Která díla umělce Thomas Barber jsou vystavena v Nottingham Castle Museum And Art Gallery?Odhalit odpověď

Self Portrait, Lord Denman (1779–1854) a The Trent at Wilford: muzeum Nottingham Castle Museum And Art Gallery, Nottingham má v obsluze 7 děl z této stránky.

Thomas Barber: život a dílo

The Multifaceted Legacy of Thomas Barber

In the vibrant tapestry of the early nineteenth century, few figures embodied the intersection of military discipline and artistic refinement as uniquely as Thomas Barber. Known to many in his era as Barber Beaumont, this remarkable individual led a life that defied simple categorization. Born on December 21, 1774, in the heart of St Marylebone, London, Barber was far more than a mere painter; he was a British army officer, an author, a philanthropist, and a pioneer of miniature portraiture. His journey from the bustling streets of London to the service of royalty and the establishment of significant social institutions reflects a life driven by an unyielding ambition and a profound dedication to both aesthetic beauty and public service.

The artistic soul of Barber was nurtured through a rigorous classical education, which instilled in him a lifelong reverence for historical narrative and neoclassical ideals. Under the influential tutelage of Henry Kirke White, Barber developed a stylistic language characterized by meticulous detail and a dramatic use of light. This training allowed him to navigate the prestigious circles of the Royal Academy's aesthetic, where he mastered the ability to breathe life into both grand historical scenes and intimate portraits. His work often sought to capture the very essence of his subjects, blending the monumental scale of history painting with the delicate, emotive precision required for miniature portraiture.

Mastery of the Miniature and Royal Patronage

While his ambitions reached toward the epic, it was in the intimate realm of miniature painting that Barber achieved his most enduring acclaim. His ability to render the dignity and grace of the aristocracy within a small, exquisitely crafted frame made him a sought-after portraitist for the British elite. Most notably, his role as the miniature painter to the Duke of Clarence—who would later ascend the throne as King William IV—cemented his status within the highest echelons of society. Through these small-scale masterpieces, Barber did not merely record faces; he captured the social standing, character, and enduring legacy of a generation.

His portfolio serves as a window into the Neoclassical era, showcasing a range of subjects that highlight his technical versatility:

  • Lady Caroline Gordon: An 1814 oil portrait that stands as a testament to his ability to convey elegance and wealth through refined brushwork.
  • Henry Kirke White, Poet: A poignant neoclassical portrait that utilizes subtle expression and masterful oil techniques to evoke a sense of remembrance and intellectual status.
  • The Reverend John Thomas Becher: A later work from 1848 that demonstrates his command over dramatic lighting and meticulous detail, reflecting the dignified style of his mature period.

A Life of Service and Entrepreneurial Spirit

Beyond the studio and the battlefield, Barber’s life was defined by a remarkable entrepreneurial spirit and a commitment to social welfare. His experiences as an officer, which included service in South America, provided him with a worldly perspective that informed his later ventures in London. He was not content to remain solely within the realm of fine arts; he applied the same precision found in his paintings to the world of commerce and philanthropy. His involvement in founding insurance offices and his leadership roles in organizations such as the Royal Victoria Rifle Club and the Provident Institution reveal a man deeply invested in the stability and progress of British society.

Ultimately, the historical significance of Thomas Barber lies in this rare synthesis of talents. He was an artist who understood the weight of history, an officer who understood the necessity of order, and a businessman who understood the value of security. Though his name may sometimes be obscured by the alias Beaumont, his contribution to the visual and social fabric of the nineteenth century remains indelible. Through his canvases, we continue to witness the grace of a bygone era, preserved through the eyes of a man who mastered both the brush and the complexities of life itself.