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Z pohledu galerie je nejslavnějším dílem Stefan Buban obrazem Near Spišská Nová Ves (1970), jehož originál je vystaven v Tatra Gallery v obci Poprad. Native Zemplín (1981) a Zemplín Fields (1981) doplňují trio, které každé oko okamžitě pozná. Z 10 děl umělce Stefan Buban v našem katalogu představuje galerie níže 7 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.
Top 10 obrazů umělce Stefan Buban v naší galerii
Near Spišská Nová Ves
In the evocative landscape of Near Spišská Nová Ves, the viewer is immediately transported to a realm where the rugged majesty of the Slovakian mountains meets a profound sense of tranquility. The painting presents a breathtaking vista of a mountainous expanse, characterized by a striking red hue that bathes the peaks in a warm, ethereal glow. This chromatic choice does more than merely depict terrain; it imbues the entire scene…
Muzea, v nichž jsou vystavena originálna umělce Stefan Buban
3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Stefan Buban | Obrazy z tohoto seznamu |
|---|---|---|---|
| Košice | 4 | Native Zemplín, Zemplín Fields, Peaceful Landscape | |
| Poprad | 2 | Near Spišská Nová Ves, Near Spišská Nová Ves | |
| Spišská Nová Ves | 1 | Winter in Podlince |
Stefan Buban, ikonická díla každého roku
18 let umění Stefan Buban, od 1970 do 1987: galerie je sleduje rok po roce prostřednictvím jejich nejslavnějších originálů.
Díla podle roku
Vyberte rok a prohlédněte si originály.
Obrazy umělce Stefan Buban: odpovědi galerie
Který obraz autora Stefan Buban je nejslavnější ze všech?Odhalit odpověď
Near Spišská Nová Ves (1970), Tatra Gallery, Poprad. Následují Native Zemplín (1981) a Zemplín Fields (1981).
Kolik let bylo Stefan Buban, když dokončil/a Near Spišská Nová Ves?Odhalit odpověď
38 let: dílo Near Spišská Nová Ves pochází z roku 1970 a Stefan Buban se narodil/a v roce 1932.
Kolik děl vytvořil/a Stefan Buban?Odhalit odpověď
Náš katalog obsahuje 10 děl umělce Stefan Buban z let 1970 až 1987.
Kde jsou vystavena nejznámější originály umělce Stefan Buban?Odhalit odpověď
Většinou v Vychodoslovenské Galéria (Košice), Tatra Gallery (Poprad) a Gallery of Spis Artists (Spišská Nová Ves). V tabulce muzeí výše jsou vypsány všechny.
Kdy Stefan Buban vytvořil své nejslavnější obrazy?Odhalit odpověď
V období 1981: 3 z celkem 7 děl na této stránce vzniklo právě tehdy, z toho Native Zemplín z nich.
Která jsou nejstarší a nejnovější slavná díla umělce Stefan Buban?Odhalit odpověď
Na této stránce je nejstarší dílo z Near Spišská Nová Ves (1970) a nejnovější z Let Us Not Allow! (1987).
Jaká originální díla Stefan Buban má v obsluze Vychodoslovenské Galéria?Odhalit odpověď
Native Zemplín, Zemplín Fields a Peaceful Landscape: muzeum Vychodoslovenské Galéria, Košice má v obsluze 4 děl z této stránky.
Stefan Buban: umělec
A Life Shaped by Color and Landscape
Born on July 29, 1932, in Pavlovce nad Uhom, Slovakia, Štefan Bubán spent his life translating the textures of his homeland onto canvas. His early years were rooted in the traditions of the region, leading him to study at the art department of the Higher Pedagogical School in Prešov, which he completed in 1955. He later continued his formal education at the Faculty of Education of Comenius University in Bratislava between 1959 and 1964. This academic foundation provided the technical skill that would support a career spanning decades of experimentation.
His professional path was closely tied to Trebišov, where he worked from 1956. The landscapes of the East Slovak Lowland became a central part of his visual language. In his early works, he focused on figurative compositions that captured the essence of this region through distinct color effects. As time passed, his focus shifted toward the natural world, moving into landscape painting that explored the light and earth of the Slovakian terrain.
Evolution of Style and Technique
The progression of Bubán’s work shows a clear movement from representational forms to more complex, abstract visions. He began with figures and landscapes but eventually embraced a modernist style characterized by geometric-abstract-informal fantasies. This transition saw him moving toward what some describe as transavantgarde, where his paintings became structured through geometric-abstract visions. His technique was not limited to the brush; he worked with oil painting, sculpture, printmaking, woodcuts, and drawings.
His approach to color was deeply personal. In works such as Near Spišská Nová Ves, he used striking red hues to bathe mountain peaks in a warm glow, creating an atmosphere of a permanent sunset. He utilized color for psychological impact rather than mere accuracy. His later compositions often relied on an instinctive creative passion, using color and imaginative arrangements to build space within his paintings.
Recognition and Global Reach
Though deeply connected to Slovakian soil, Bubán’s presence was felt far beyond its borders. He exhibited his work in numerous countries, including Germany, Italy, France, Japan, and Egypt. His art found homes in prestigious venues such as the Salon d'Automne in Paris and the Kunsthalle Bratislava. For a period between 2008 and 2016, his paintings were even displayed at the Permanent Representation of Slovakia to the European Union in Brussels.
Throughout his career, he received several notable honors that reflected his standing in the international art community:
- The Gold Plaque at the VII International Festival of Contemporary Painting in San Remo, Italy, in 1999.
- The European Commission's Prize for Culture at the il Nittis Biennial in Barletta, Italy, in 2003.
- A silver medal from the Salon in Cannes in 2006.
- The Price za celoživotné dielo at Intersalón AJV in České Budějovice in 2008.
His memberships in various societies, such as the Slovak Art Society and the Association of Visual Arts Japan, further solidified his role as a bridge between local tradition and global modernism. He left behind a significant body of work that includes seventy solo exhibitions and nearly three hundred group exhibitions, ensuring his vision of the Slovak landscape remains part of the broader history of 20th-century art.