Stručně řečeno
The Princess, St. George and St. Louis, after Tintoretto (1892) je obraz autora Robert David Gauley, který přitahuje nejvíce pohledů; originál se nachází v Harvard Art Museums, Cambridge. Poté se zrak přesouvá k Three Figures in Procession, after Tintoretto (1896) a Battista Sforza, Duchess of Urbino, after Piero della Francesca (1896). Z 15 děl umělce Robert David Gauley v našem katalogu je těchto 15 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
Top 10 obrazů autora Robert David Gauley podle výběru galerie
Slavná díla umělce Robert David Gauley, čísla 11 až 15
Muzea, v nichž jsou vystavena originálna umělce Robert David Gauley
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Robert David Gauley | Obrazy z tohoto seznamu |
|---|---|---|---|
| Cambridge | 15 | The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto, Battista Sforza, Duchess of Urbino, after Piero della Francesca |
Robert David Gauley v průběhu let: unikátní originály každého díla
Mezi lety 1892 a 1898, tedy celkem za 7 let, vytvořil Robert David Gauley každý zobrazený zde původní datovaný obraz: krátké období, rok po roce.
Díla podle roku
Vyberte rok a prohlédněte si originály.
Obrazy umělce Robert David Gauley: dotazy pro galerii
Kterým nejznámějším dílem je Robert David Gauley?Odhalit odpověď
The Princess, St. George and St. Louis, after Tintoretto (1892), Harvard Art Museums, Cambridge. Následují Three Figures in Procession, after Tintoretto (1896) a Battista Sforza, Duchess of Urbino, after Piero della Francesca (1896).
V jakém věku vytvořil(a) Robert David Gauley dílo The Princess, St. George and St. Louis, after Tintoretto?Odhalit odpověď
17 let: dílo The Princess, St. George and St. Louis, after Tintoretto pochází z roku 1892 a Robert David Gauley se narodil/a v roce 1875.
Kterých deset obrazů autora Robert David Gauley je nejznámějších?Odhalit odpověď
The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto, Battista Sforza, Duchess of Urbino, after Piero della Francesca, Wedding Feast at Cana, after Tintoretto, Baptism of Christ, after Verrocchio, St. George Killing the Dragon, after Carpaccio, Mountain Pass, The Nile at Assouan, Moonlight, Buildings, Assouan a Pomegranates, Granada. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Kolik známých děl má autor Robert David Gauley?Odhalit odpověď
Náš katalog obsahuje 15 děl umělce Robert David Gauley z let 1892 až 1898.
Kde lze vidět nejznámější originály umělce Robert David Gauley?Odhalit odpověď
Většinou v Harvard Art Museums (Cambridge). V tabulce muzeí výše jsou vypsány všechny.
V jakém období vytvořil(a) Robert David Gauley svá nejznámější obrazy?Odhalit odpověď
V období 1896: 8 z celkem 15 děl na této stránce vzniklo právě tehdy, z toho Three Figures in Procession, after Tintoretto z nich.
Který slavný obraz od Robert David Gauley je nejstarší a který nejnovější?Odhalit odpověď
Na této stránce je nejstarší dílo z The Princess, St. George and St. Louis, after Tintoretto (1892) a nejnovější z St. George Killing the Dragon, after Carpaccio (1898).
Jaká originální díla Robert David Gauley mohu vidět v Harvard Art Museums?Odhalit odpověď
The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto a Battista Sforza, Duchess of Urbino, after Piero della Francesca: muzeum Harvard Art Museums, Cambridge má v obsluze 15 děl z této stránky.
Robert David Gauley: portrét umělce
A Journey Through Light and Landscape: The Life of Robert David Gauley
Born in the verdant landscapes of Carnaveigh, County Monaghan, Ireland, in 1875, Robert David Gauley possessed a spirit destined for the vastness of the world. Though his roots were Irish, his artistic soul was shaped by the bustling cultural melting pot of Boston, where his family emigrated during his childhood. This early transition from the quietude of Ireland to the vibrant American art scene provided the foundation for a career defined by an insatiable curiosity and a masterful command of both oil and watercolor. Gauley was not merely a painter of scenes; he was a chronicler of light, a traveler who sought to absorb the essence of every horizon he encountered.
His formal education was steeped in the prestigious traditions of the late nineteenth century. In Cambridge, Massachusetts, he began his rigorous training under the guidance of Denman Waldo Ross, before moving to the School of the Museum of Fine Arts in Boston. It was here that he studied under the luminaries Edmund C. Tarbell and Frank W. Benson, masters of the Boston School whose emphasis on light, atmosphere, and delicate impressionistic touches would undoubtedly leave their mark on his developing technique. Seeking to refine his vision even further, Gauley ventured to Paris to study at the Academie Julian, immersing himself in the classical rigor of William Bouguereau and Gabriel Ferrier. This blend of American Impressionism and French Academic excellence created a unique stylistic duality in his work.
The Wanderer’s Eye: Travels and Artistic Evolution
Perhaps the most defining period of Gauley’s life was his extensive period of travel, which saw him traversing Europe, the Mediterranean, and the Near East. In 1893, as a young man driven by an intense desire to witness the world's grandeur, he embarked on a journey that would yield a lifetime of visual treasures. His sketches and paintings from this era serve as a dazzling panorama of a vanishing era; he captured the sweeping landscapes of North Africa, the intricate architectural details of Italian palaces, and the sun-drenched vistas of the Mediterranean coast. Through his eyes, we see the late nineteenth century not just as a historical period, but as a living, breathing tapestry of color and texture.
Gauley’s ability to transition between the broad, emotive strokes of landscape painting and the meticulous precision required for figure and portrait work speaks to his immense versatility. His work often reflects a deep reverence for the Old Masters, frequently making copies of their techniques wherever he encountered them during his travels. This practice allowed him to integrate classical mastery with a modern, observational sensitivity. Whether working in the fluid transparency of watercolor or the rich, layered depths of oil, Gauley sought to capture the "saturation" of experience—the feeling of being completely immersed in a moment of discovery.
Legacy and Recognition
The excellence of Gauley’s talent was recognized on the most prestigious stages of his time. After exhibiting at the Paris Exposition, where he was honored with a medal for his work, he settled in New York City, becoming a prominent figure in the American art community. His contributions were celebrated by several esteemed institutions:
- The American Watercolor Society: Where his skill in the medium allowed him to capture the fleeting qualities of light and atmosphere.
- The New York Watercolor Club: A testament to his standing among his peers in the vibrant New York art scene.
- The National Academy of Design: Where he achieved the distinction of becoming an Associate member.
One of his most significant individual triumphs occurred in 1908, when he was awarded the Clarke Prize at the National Academy's annual exhibition for the best figure painting, a testament to his profound understanding of the human form and its place within a composition. Today, the works of Robert David Gauley reside in esteemed collections such as the Harvard Art Museums and the Kennedy Museum of Art, serving as enduring windows into a world of classical beauty and adventurous spirit. His legacy remains that of a true artist-explorer, whose brush captured the very soul of the landscapes he traversed.





