Portrét Robert Buhler

20 nejslavnějších obrazů autora Robert Buhler, každý naprosto unikátní

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 21 děl umělce Robert Buhler v našem katalogu

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The Cow Shed (1941) je obraz autora Robert Buhler, který přitahuje nejvíce pohledů; originál se nachází v The Hepworth Wakefield, Wakefield. Poté se zrak přesouvá k Early Morning (1939) a Stephen Spender (1909–1995) (1939). Z 21 děl umělce Robert Buhler v našem katalogu je těchto 20 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1916 – 1989, London Nejvíce děl: Government Art Collection

Top 10 obrazů autora Robert Buhler podle výběru galerie

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The Cow Shed (1941) od Robert Buhler

The Cow Shed

1941 · Oil · The Hepworth Wakefield, Wakefield

In the quietude of 1941, Robert A. Buhler captured a moment of profound serenity in his evocative work, The Cow Shed. This painting serves as a vibrant window into a pastoral world, where the lush, verdant expanses of a green landscape meet the striking, grounded presence of a crimson structure. At first glance, the eye is drawn to the central red building—a barn or shed that stands as a bold,…

Slavná díla umělce Robert Buhler, čísla 11 až 20

Muzea, v nichž jsou vystavena originálna umělce Robert Buhler

7 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Robert Buhler Obrazy z tohoto seznamu
Government Art Collection, LondýnGovernment Art Collection Londýn 2 Twilight, Venice (II), Essex Orchard
The Hepworth Wakefield, WakefieldThe Hepworth Wakefield Wakefield 1 The Cow Shed
Victoria Art Gallery, BathVictoria Art Gallery Bath 1 Stephen Spender (1909–1995)
County Hall, LeicesterCounty Hall Leicester 1 Cornfield, Rogate, Hampshire
Touchstones Rochdale, RochdaleTouchstones Rochdale Rochdale 1 Still Life
Devon County Hall, ExeterDevon County Hall Exeter 1 Sir George C. Hayter Hames, Kt, Chairman of Devon County Council (1955–1965)
Borough of Camden v Londýne, LondýnBorough of Camden v Londýne Londýn 1 Haystacks

Robert Buhler napříč desetiletími: jeden unikátní originál pro každou dekádu

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Robert Buhler: dotazy pro galerii

Kterým nejznámějším dílem je Robert Buhler?Odhalit odpověď

The Cow Shed (1941), The Hepworth Wakefield, Wakefield. Následují Early Morning (1939) a Stephen Spender (1909–1995) (1939).

V jakém věku vytvořil(a) Robert Buhler dílo The Cow Shed?Odhalit odpověď

25 let: dílo The Cow Shed pochází z roku 1941 a Robert Buhler se narodil/a v roce 1916.

Kterých deset obrazů autora Robert Buhler je nejznámějších?Odhalit odpověď

The Cow Shed, Early Morning, Stephen Spender (1909–1995), Barnett Freedman, Carlyle Square, Chelsea, River Scene, The Orchard, Cornfield, Rogate, Hampshire, Green Park a The Saltings. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik známých děl má autor Robert Buhler?Odhalit odpověď

Náš katalog obsahuje 21 děl umělce Robert Buhler z let 1939 až 1953.

Kde lze vidět nejznámější originály umělce Robert Buhler?Odhalit odpověď

Většinou v Government Art Collection (Londýn), The Hepworth Wakefield (Wakefield) a Victoria Art Gallery (Bath). V tabulce muzeí výše jsou vypsány všechny.

V jakém období vytvořil(a) Robert Buhler svá nejznámější obrazy?Odhalit odpověď

V období 1940s: 7 z celkem 20 děl na této stránce vzniklo právě tehdy, z toho The Cow Shed z nich.

Který slavný obraz od Robert Buhler je nejstarší a který nejnovější?Odhalit odpověď

Na této stránce je nejstarší dílo z Early Morning (1939) a nejnovější z The Saltings (1953).

Jaká originální díla Robert Buhler mohu vidět v Government Art Collection?Odhalit odpověď

Twilight, Venice (II) a Essex Orchard: muzeum Government Art Collection, Londýn má v obsluze 2 děl z této stránky.

Robert Buhler: portrét umělce

Robert Buhler: A Quiet Master of English Light

Born in London to Swiss parents, Robert Buhler’s artistic journey was a testament to the enduring influence of both heritage and circumstance. His early life, steeped in the cultural richness of his family's background – his father a journalist and aircraft designer, his mother a bookshop owner – provided a foundation for an appreciation of observation and detail that would become hallmarks of his distinctive style. Moving to Switzerland as a young man, he initially studied commercial art before returning to London, where he enrolled at St Martin’s School of Art, absorbing the spirit of the burgeoning Euston Road School movement. This period proved pivotal, exposing him to a group of artists who championed a spare, direct approach to painting – a philosophy that subtly shaped his own distinctive vision.

Buhler's artistic development wasn't solely defined by formal training; it was profoundly influenced by the rhythms and textures of London itself. He found himself drawn to the city’s light, its subtle shifts in atmosphere, and the quiet dignity of everyday life. His early works, often depicting scenes from his neighborhood – Camden Town, Fitzrovia – captured this essence with remarkable sensitivity. These paintings weren't grand statements; rather, they were intimate studies of place, rendered in muted tones and a restrained palette that reflected the city’s understated beauty. He skillfully employed light to create a sense of atmosphere, evoking mood and emotion through subtle variations in color and texture.

The transition from landscape to portraiture marked a significant shift in Buhler's career. His portraits, characterized by their quiet dignity and psychological depth, quickly gained recognition. He possessed an extraordinary ability to capture the essence of his subjects – not merely their physical appearance but also their inner lives. His sitters included prominent figures such as Francis Bacon, John Minton, and Stephen Spender, each portrait revealing a unique facet of the individual’s character. Buhler's portraits weren’t simply likenesses; they were carefully constructed narratives, imbued with a sense of empathy and understanding.

Buhler’s artistic practice extended beyond the confines of London. He spent considerable time in East Anglia, renting cottages and immersing himself in the region’s rural landscapes. This period produced some of his most evocative works – paintings that capture the quiet beauty of the Norfolk countryside with remarkable precision and sensitivity. His approach to landscape painting was deeply rooted in observation, informed by a keen awareness of light, color, and texture. He avoided dramatic gestures or overtly expressive brushstrokes, instead favoring a subtle, understated style that allowed the landscapes themselves to speak for themselves.

Despite his success as a painter and teacher, Robert Buhler’s life was marked by personal challenges. His marriage ended twice, and he struggled with financial difficulties throughout much of his career. Yet, he remained steadfast in his commitment to art, continuing to paint and teach until his death in 1989. His legacy endures not through grand pronouncements or flamboyant displays but through the quiet beauty and profound emotional resonance of his paintings – a testament to the power of observation, restraint, and a deep appreciation for the subtleties of English light.

Key Works

  • Early Morning (1939): A quintessential example of Buhler’s early style, depicting a nude man in his bedroom with an emphasis on light and shadow.
  • The Saltings (1953): A serene landscape painting capturing the beauty of rural Norfolk, showcasing Buhler's mastery of atmospheric perspective.
  • Portrait of John Davenport (1960): A compelling portrait demonstrating Buhler’s ability to capture a subject’s personality and inner life.
  • Vineyards, Neuchâtel (1970s?): A later work reflecting Buhler's continued interest in landscape painting, capturing the beauty of the Swiss countryside.

Influences & Style

Buhler’s artistic style was shaped by a confluence of influences. The spare compositions and restrained palettes of the Euston Road School painters – particularly Leon Underwood and Vivian Pitchforth – profoundly impacted his approach to landscape and portraiture. He also drew inspiration from Impressionism, evident in his use of light and color, and from the work of Robert Henri, whose emphasis on American Realism encouraged a direct engagement with the subject matter.

His style is characterized by:

  • Muted Tones: A preference for subtle colors rather than bold hues.
  • Restrained Brushwork: Avoiding dramatic gestures in favor of smooth, controlled application of paint.
  • Atmospheric Perspective: Creating a sense of depth and distance through variations in color and tone.
  • Psychological Insight: Capturing the essence of his subjects – both landscapes and people – with remarkable sensitivity and empathy.

Legacy & Recognition

Robert Buhler’s work has been exhibited widely throughout England and abroad, and his paintings are held in numerous public and private collections. He was elected an Associate of the Royal Academy in 1947 and a full Royal Academician in 1956, recognizing his significant contribution to British art. While he never achieved widespread fame during his lifetime, Buhler’s quiet dedication to his craft and his profound understanding of light and atmosphere have earned him a place as a key figure in the history of American Realism.