Portrét Pietro Torrigiano

2 nejslavnějších obrazů autora Pietro Torrigiano, výběr z galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 2 děl umělce Pietro Torrigiano v našem katalogu

Stručně řečeno

Z všech originálů, které Pietro Torrigiano zanechal, je nejslavnější Monument to Henry VII (detail) (1512), který se nachází ve sbírce Westminster Abbey, Londýn. Náš katalog obsahuje 2 děl umělce Pietro Torrigiano; galerie si zachovala 2 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1472 – 1528, Florence Nejvíce děl: Westminster Abbey

10 nejlepších obrazů umělce Pietro Torrigiano: výběr galerie

1
Monument to Henry VII (detail) (1512) od Pietro Torrigiano

Monument to Henry VII (detail)

1512 · Acrylic · Westminster Abbey, Londýn

The image before us is more than just a sculpted head; it's a frozen moment of authority, a testament to the ambition and enduring legacy of Henry VII. Carved by the Florentine sculptor Pietro Torrigiano in 1512, this portrait offers a profound glimpse into the character of England’s first Tudor king – a man both formidable and subtly melancholic. The monochrome palette, achieved through meticulous stone carving and likely enhanced…

2
Monument to Henry VII (detail) (1512) od Pietro Torrigiano

Monument to Henry VII (detail)

1512 · Stone · Westminster Abbey, Londýn

The Monument to Henry VII (detail) emerges from the shadows of history as a profound fragment of a larger whole. Created by the Florentine sculptor Pietro Torrigiano, this stone sculpture captures a specific, intimate moment of a grander funerary design. It presents a sculpted head and elements of royal portraiture, offering a close look at the artistry used to commemorate a king. The work dates to about 1512, a period…

Muzea, v nichž jsou vystavena originálna umělce Pietro Torrigiano

Muzeum s největším počtem obrazů na této stránce.

Muzeum Město Díla autora Pietro Torrigiano Obrazy z tohoto seznamu
Westminster Abbey, LondýnWestminster Abbey Londýn 2 Monument to Henry VII (detail), Monument to Henry VII (detail)

Pietro Torrigiano rok po roce: originální díla, která definují každou éru

1512 je rok každého datovaného díla Pietro Torrigiano v tomto výběru: zde jsou, seřazena podle slávy.

Díla podle roku

Vyberte rok a prohlédněte si originály.

Otázky sběratelů o obrazech umělce Pietro Torrigiano

Kterým dílem je Pietro Torrigiano nejznámější?Odhalit odpověď

Monument to Henry VII (detail) (1512)

Kolik let bylo Pietro Torrigiano, když bylo vytvořeno dílo Monument to Henry VII (detail)?Odhalit odpověď

40 let: dílo Monument to Henry VII (detail) pochází z roku 1512 a Pietro Torrigiano se narodil/a v roce 1472.

Kolik obrazů zanechal(a) Pietro Torrigiano?Odhalit odpověď

Náš katalog obsahuje 2 děl od Pietro Torrigiano.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Pietro Torrigiano?Odhalit odpověď

Většinou v Westminster Abbey (Londýn). V tabulce muzeí výše jsou vypsány všechny.

V jakých letech namaloval Pietro Torrigiano svá nejznámější díla?Odhalit odpověď

V období 1512: 2 z celkem 2 děl na této stránce vzniklo právě tehdy, z toho Monument to Henry VII (detail) z nich.

Která díla umělce Pietro Torrigiano jsou vystavena v Westminster Abbey?Odhalit odpověď

Monument to Henry VII (detail) a Monument to Henry VII (detail): muzeum Westminster Abbey, Londýn má v obsluze 2 děl z této stránky.

Pietro Torrigiano: život a dílo

Pietro Torrigiano: A Florentine Sculptor in England

  • Born: Florence, Italy (1472)
  • Died: 1528

Early Life and Training

Pietro Torrigiano was born in Florence in 1472. He emerged as a significant sculptor within the Florentine school of the Renaissance, known for introducing Italian artistic styles to England. His early training took place under the patronage of Lorenzo de' Medici, alongside other talented youths studying art at that time. A defining moment in his youth was a violent altercation with Michelangelo Buonarroti. While copying frescoes by Masaccio in the Carmine chapel, Torrigiano reportedly struck Michelangelo on the nose after a slighting remark, resulting in a permanent disfigurement. This incident led to his exile from Florence.

Career and Artistic Development

Following his expulsion from Florence, Torrigiano spent time as a hired soldier before finding patronage in Rome, assisting Pinturicchio with stucco decorations for the Apartamenti Borgia under Pope Alexander VI. His skills eventually brought him to England around 1507, where he gained royal commissions. He produced terracotta sculptures depicting Henry VII, Henry VIII, and John Fisher. A significant achievement was the creation of the intensely realistic funeral effigy of Henry VII.

Major Works and Royal Commissions

  • Tomb of Lady Margaret Beaufort: Completed in 1510, this work established Torrigiano's reputation in England.
  • Monument to Henry VII and Elizabeth of York: Located in the Henry VII Lady Chapel of Westminster Abbey, this magnificent effigial monument is considered "the finest Renaissance tomb north of the Alps." It showcases detailed modeling and a fine posthumous portrait of King Henry VII.
  • Altar, Retable, and Baldacchino for Henry VII's Monument: Torrigiano was commissioned to create these elaborate additions to the Henry VII monument. While largely destroyed by Puritans in the 17th century, fragments remain, demonstrating his skill in marble and terra cotta work.
  • Funerary Monument for Henry VIII: Commissioned but never completed, this project aimed to surpass the scale of the Henry VII monument. The bronze intended for its construction was melted down during the Commonwealth period.
  • Monument to Dr John Yonge: Torrigiano contributed to the monument of Dr John Yonge, Master of the Rolls, in the Rolls Chapel.
  • Tomb of John Colet: He may have been responsible for the tomb of John Colet, though it was lost in the 1666 Great Fire of London.

Influences and Historical Significance

Torrigiano's work demonstrates influences from earlier Renaissance masters like Masaccio and Bertoldo di Giovanni. His ability to introduce Italian Renaissance artistic techniques to England significantly impacted English art during the Tudor period. While his career was marked by a volatile temperament, his skill as a sculptor is undeniable, particularly evident in the realism and detail of his royal commissions. He stands out for being one of the first Italian sculptors to work extensively in England, bridging the gap between continental Renaissance styles and emerging English artistic traditions.